WritingA bank of over two thousand phrases for weapons, wounds, and combat, handy when an action scene stalls. The trouble is the same as every phrase book: ready-made language is raw material that tends toward generic prose, and it teaches…
WritingShow-don't-tell is the most repeated and least explained advice in fiction, and Rossis makes it a method for emotion: show the bodily and behavioral signs instead of naming the feeling. A handy catalogue of cues, sound and helpful, with the…
WritingA focused guide to deep character interiority, the techniques that let a reader inhabit a character instead of observe them. Built on the sound principle that intimacy with character is central to excellent fiction. Narrow in scope and overlapping the…
FictionMaass takes on the skill writers most doubt can be taught, making a reader actually feel something, and treats it as learnable craft. The key insight is that moving a reader is not describing a feeling; it often demands restraint…
FictionA focused guide to creating monsters that work, built on the sharp insight that the best ones embody a fear, an anxiety, or a theme instead of just menacing. Practical on designing creatures that feel believable and uncanny instead of…
WritingCourtroom drama is one of fiction's most reliable engines and one of the easiest to botch. This translates real US court structure and procedure into usable terms, with the smart point that authentic procedure is itself dramatic. Dated to 2000…
WritingMost authors shoot from the hip and miss when writing weapons, and this fixes it: accurate depiction of firearms especially, so the credibility-destroying errors that jar knowledgeable readers never make the page. A solid specialized tool, narrow and genre-dependent, serving…
WritingSet expectations precisely: this is not the Chicago Manual of Style but a six-page laminated cheat sheet of its most common rules. For fast lookups of punctuation, capitalization, and citation, it is a cheap convenience. Useless beyond the common cases,…
FictionHow much description is too much, and when does setting stop serving the story? Rozelle answers by making both do work, mood, character, plot, grounding, through the telling detail instead of the exhaustive catalogue. Clear guidance on the hardest judgment…
FictionA capable craft-and-revision primer whose best idea is treating revision as focused, layered passes instead of one impossible read-through. The catch is that specialists beat it on each side, sharper line-editing elsewhere, deeper plotting elsewhere. Solid, but hard to make…
FictionA fine first book on dialogue, teaching that every line must earn its place, advancing plot, revealing character, carrying emotion, and giving subtext the depth it deserves. The single-author focus helps you learn the skill whole. Reliably useful for dialogue…
FictionPlot and structure are the most common stumbling blocks for new novelists, and Bell's book is one of the best fixes: clear, practical, and built around the memorably usable LOCK system. Example-rich, with tools for repairing broken plots. Best suited…
Professional ghostwriting for executives, founders, coaches, and authors who want to get the book done right. 113+ books authored. 54+ ghostwritten for clients.
Ready to discuss your book?
BOOK YOUR PRIVATE CONSULTATIONNo pitch. No pressure.
© 2026 Richard Lowe. The Writing King. All rights reserved.
