The Writing King Your Ethical Ghostwriter. Your Story, Done Right.

Fiction Ghostwriter: The Novel You’ve Been Carrying Around in Your Head

Novels, novellas, and short fiction for writers with a story they can’t shake and a calendar that won’t make room to write it.

113+ books under my own name you can read tonight, including 34 novels and collections. 54+ ghostwritten.

What does it cost to ghostwrite a novel?

You bring the story. I write the novel in your voice, and you own every word, every character, and every world. The rate is $1 per word, paid in monthly advances.

Rate
$1 per word
Payment
Monthly advances
Typical book
$50,000 for 50,000 words
Timeline
4 to 8 months

Pricing covers the interviews, the outline, the writing, and the revisions. No hidden fees. You own the manuscript, the copyright, and every right to it.

Want a shorter book at a lower price? AI-Assisted Books start at $15,000. It’s a different kind of offering: AI drafts the book from prompts I build out of your interviews, and I edit every page.

Book a Free Call About Your Novel

“The moment I held my book in my hands, it reminded me of the first time I held my child. Overwhelming, emotional, unforgettable.”

Doris
Author of Gators in the Soup

Want to read your novel before you commit?

The Book Discovery Intensive gives you ten hours of strategy, a full book plan, and a 2,000-word sample chapter in your voice. Go on to full ghostwriting within 60 days and the entire fee is credited toward your book.

See what the Intensive includes

Can a ghostwriter write my novel while I keep my day job?

Most of my fiction clients arrive with a story that’s been with them for years. The opening chapter exists in their head. So does the ending. What’s between isn’t on the page, because life keeps winning the calendar fight. Careers, kids, and obligations take priority, and the novel waits.

Genre doesn’t limit the work. I’ve written thriller, science fiction, romance, literary, and historical fiction, and my own novels lean toward science fiction and historical reimaginings, like the Peacekeeper series. A well-paced thriller and a well-paced romance have more in common with each other than either has with a badly paced version of itself.

What does a fiction ghostwriter give you?

Real fiction projects, from lifelong dreams to stalled drafts.

Take a concept all the way to manuscript

A concept, all the way to manuscript

You have the story in your head. The interviews capture it and the drafting delivers it: your novel on the page, in your voice, structured cleanly and paced for real readers.

Read the case study →

Translate imagination into craft

Imagination turned into craft

Nobody can replace your imagination. I’ve spent thousands of hours on structure, pacing, dialogue and prose, so you keep supplying the ideas and I put them on the page in a form readers finish.

Read the case study →

Finish what you started

Finished, at last

About a third of my fiction clients arrive with a stalled manuscript: a strong opening that lost its way around chapter eight, or a strong middle with no ending. The work meets your draft where it is and gets it to a finished, publishable place.

Read the case study →

How does fiction ghostwriting work?

You don’t need a finished outline. You need a story you can’t stop thinking about. The writing is my job, and it moves in six phases.

1

Why this book

We start with what the novel is for: the story only you can tell, a stalled draft finished, the first book of a series, or a creative legacy. That shapes everything after it.

2

Discovery

Recorded sessions on the premise, the characters, the world, and the stakes. You talk through what you’ve imagined, including the parts you haven’t figured out yet.

3

Architecture

The recordings become a plot outline: the story arc, the character arcs, the chapter order, the hook, and the ending. You approve it before any writing starts.

4

Creation

I write the chapters. Your share is about 20% of the effort: the vision, the direction, and your review. Mine is the other 80%: the plot, the prose, and the polish.

5

Refinement

You read each chapter as it’s drafted and redirect voice or pacing. Continuity and consistency get checked, and nothing is final until you say so.

6

Publish (optional)

Self-publishing, traditional queries, an audiobook, or a series plan. Publishing guidance, print and ebook editions, and distribution are available as a separate package.

See the full 6-phase process →

The craft, step by step: How to Write a Novel: From Concept to Finished Manuscript.

A sample of my published work

Some are my own novels, including the Peacekeeper series and the Victorian reimaginings of Jules Verne and H.G. Wells. Others are client projects, ghostwritten under their names.

Gators in the SoupPeacekeeper To What End PeaceShield of Ashes

What clients say

View the case studies →

Who writes your novel?

One writer, start to finish: 113+ books authored under my own name, including 34 novels and collections across 10 series, and 54+ ghostwritten, all under my published Ghostwriter Code of Conduct.

Richard Lowe, professional ghostwriter

About Richard Lowe

Richard Lowe is a professional ghostwriter and bestselling author. He has authored 113+ books and ghostwritten 54+ more for executives, founders, coaches, and public figures. His clients have used their books to raise over $30 million in venture capital, land a TEDx invitation, and secure deals with traditional publishers. His own book How to Manage a Consulting Project was used as required reading in a course at Purdue University's Krannert School of Management.

His current lead book, The Ghostwriting Advantage, is the comprehensive guide to hiring a ghostwriter. He also authored the bestselling Focus on LinkedIn and the publishing-journey trilogy: Make a Living as a Self-Published Author, Publish Your Book, and Sell Your Books. He served as Technical Editor and Contributing Author on Cyberheist, the cybersecurity book by KnowBe4 founder Stu Sjouwerman. His ongoing series include Enemies of You (nonfiction cultural commentary) and the Victorian fiction series, contemporary reimaginings of classic Victorian science fiction by Jules Verne and H.G. Wells.

Before becoming a full-time ghostwriter, Richard spent 33 years in enterprise technology, including 20 years as Director of Computer Operations at Trader Joe's, where he managed infrastructure across 400+ stores. He hosts three interview podcasts: Leaders and Their Stories, Author Talks, and Conversations With Influencers, and has appeared as a guest on 100+ podcasts including The Chris Voss Show.

Want to explore all my ghostwriting insights? Visit the Ultimate Ghostwriting hub.

Based in Clearwater, Florida, serving Tampa, St. Petersburg, Palm Harbor, Largo, Safety Harbor, Pinellas and Polk counties, all of Florida, and authors everywhere remotely.

What do novelists worry about before hiring a ghostwriter?

Fiction clients have their own set of doubts. Here they are.

“If someone else writes it, it isn’t my novel.”
The world, the characters, and the story you’ve carried for years are the novel, and they’re yours. I bring craft: structure, pacing, prose, the technique that turns a vision into a book people can’t put down. You’re in every decision: the outline, the chapter reviews, the character choices. Doris carried her story in notebooks for decades, and the published novel is hers in every way that matters. Read: will I lose control of my own book? »
“Do you know my genre?”
Forty-five years of writing science fiction, plus published work in fantasy, horror, thrillers, dark comedy, romance, and young adult, and craft handbooks on plot, character, dialogue, and world-building. If your genre is outside what I do well, I’ll tell you on the first call. Taking a project I can’t deliver hurts me more than it hurts you. Read: fiction craft across genres »
“It won’t sound like me.”
It’s the most common fear and the most fixable. The book is built from recorded interviews: your story, your characters, your instincts. You read each chapter as it’s written and correct anything that misses. The early chapters get tuned to your voice before most of the book is written. Readers who know you will hear you in it. After 54+ ghostwritten books, that’s what I do best. Read: how a ghostwriter captures your voice »
“Why not just have AI write it?”
Try it and read the result out loud. That’s usually answer enough. AI produces competent, generic text. It can’t interview you, notice the story you undersold, challenge a weak chapter, or carry a voice across 60,000 words. I use AI every day as a digital assistant in my writing, and I still do the writing. Read: can AI write your book? »
“That’s a lot of money for a book.”
It is. It’s $1 per word, so a typical 50,000-word book is $50,000, paid in monthly advances as the work happens. What you get is the novel you’ve carried for years, finished, in your voice, and yours outright. If you want certainty first, the Book Discovery Intensive gets you a full plan and a sample chapter in your voice, with the fee credited in full if you go ahead within 60 days. Read: what ghostwriting costs and why »
“I’ve started this novel three times.”
That’s the normal history, and it says nothing bad about you. Abandoned manuscripts are what motivated people leave behind when they hit structural problems. Discipline is almost never the cause. Your old drafts are material, and a stalled draft is a starting point I see all the time. Read: I’ve started my book three times »

The practical questions

Ideas, cost, timeline, rights, and publishing.

Do I need a fully developed idea to start a novel?
No. Some clients arrive with a full outline and character bios. Others have a protagonist, a single scene, or a question they want the book to answer. The interviews build whatever you have into a complete structure, with the plot, characters, pacing, and ending worked out before drafting begins.
How much does it cost to have a novel ghostwritten?
My rate is $1 per word, paid in monthly advances. A typical 50,000-word book is $50,000. The rate covers the interviews, the outline, the writing, and the revisions, with no hidden fees.
How long does it take to ghostwrite a novel?
Most novels take four to eight months from first interview to final manuscript. Shorter novels finish faster, and longer or more complex ones take longer. Series work runs longer still, since each book builds on the last. Weekly interviews and quick chapter reviews keep it moving.
Will the novel sound like me or like the ghostwriter?
Like you. The first interviews are partly about content and partly about how you talk and tell stories, and the first chapters come back in what I read as your voice. If something’s off, you tell me and the next pass corrects it. Once you say it sounds like you, the rest of the book follows in that voice.
Do I own all the rights to a ghostwritten novel?
Yes. The arrangement is work-for-hire, so you’re the sole copyright holder the moment the novel is delivered. You can publish it under your name, sell it, license film or audio rights, or build a series from it. I have no claim on royalties, derivative rights, or future earnings.
Can I be involved in writing my novel?
Yes. Some clients read each chapter within a week of delivery and send notes. Others read in batches of five or six chapters. Either works. By chapter three or four you’ll know whether the voice and direction are right, and corrections at that stage are cheap.
Do you help with publishing a novel?
Yes. Some clients self-publish and want help with cover design, formatting, distribution, and launch. Others query traditional publishers and need a manuscript that holds up, plus the query letter and synopsis. For clients I publish on KDP, Draft2Digital and IngramSpark, in the mix that fits.
Is fiction ghostwriting confidential?
Yes. Confidentiality covers the project from the first call, and I’ll sign a nondisclosure agreement. Your name appears on the book as sole author. Mine appears nowhere unless you decide to acknowledge me, and I never name a client without written permission.
Can I pay someone to write a novel from my idea?
Yes. A fiction ghostwriter takes your premise, characters and whatever notes you have, works out the plot with you, and writes the novel under your name. You don’t need the whole story mapped, but you do need to know what the book is about and why you want it told. The fiction process walks through how that works from idea to manuscript.

More questions? See the full Fiction Writing FAQ.

Go deeper

Everything on this site about fiction craft, from character and dialogue to world-building and plot, is in one place: the Writing Hub →

Talk with Richard about your novel

Ready to get the story out of your head and onto the page? Book a free call. We’ll spend 30 minutes on what you’re writing, what you’ve already tried, and whether this is the right fit. No pitch. No pressure.

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