Latest
SMS Appointment RemindersDarrell Stern: Stop Being Invisible, Become UnmissableFree BooksJoe Rockey: Ghostwriting His BookHow to Turn Your Expertise Into a Book People Want to Read | The Expert MethodWhat’s New at The Writing King: Week of October 25, 2026Challenger Remembrance Day: The Engineer Who Wouldn’t SignJoel Salomon: The Truth About MoneyReddit Is Putting Up a Login Wall. Wikipedia Won’t Be Far Behind.Victoria Chemko: The Body Is the First TechnologySir Patrick Stewart: A TributeA Year in the Bank: ADHD, Face Blindness and the Freedom to Walk Out | The Impossible Puzzles Show, Episode 326A Yale Economist Says We Won’t Be Missed. He Forgot the Bread Line.Walter Koenig: A TributeAI Has Paid Off Outside Tech. Apollo Is Reading the Wrong Scoreboard.I Don’t Post Bad ARC Reviews. I Send the Author a Note.The Little Red Book of Stuff That Works!Your Kids Are Your Own FaultGrow a PairYou’re Broke Because You Want to BeIt’s Called Work for a Reason!No Time for TactShut Up, Stop Whining, and Get a LifeWilliam Bessette: AI Enablement and Child Welfare TechnologyFree Book Planning ToolsWhat’s New at The Writing King: Week of October 18, 2026Ghostwriting by the Numbers: Timelines, Word Counts and the First CallPromising Young Woman (2020) ReviewBillions for AI, Pennies for the Plumbing: AI Companies Should Pay to Keep PHP AlivePHP2Shell: AI Found a 22-Year-Old Crack Under Your Website in Two DaysPetrov Day: The Officer Who Didn’t Believe the ComputerKindle Unlimited Is Now Kindle+. AI Audiobooks Just Joined the BuffetMo Gawdat Says the AI Dystopia Starts in 2027. Read the List, Skip the DatesChina Is Using Bots to Fan the Data Center Backlash. The Backlash Is Still Real.The Society of Authors Signed an Ethical AI Charter, Then Ran From It in Eight DaysWhen to Quit Writing a Book: I’ve Abandoned Dozens, and I’d Do It AgainGetty Images Filed for Bankruptcy. Can You Prove You Licensed Your Book’s Images?Fluff Words: Cut Them From Your Prose, Keep Them in Your DialogueWhere Can Writers Learn Storytelling From Movies? Richard Lowe Publishes 1,226 Film and TV Reviews With Writing Craft NotesWhere Are the Independent Bookstores and Public Libraries Worth Visiting in Tampa Bay? Author Richard Lowe Profiles 44 of ThemWhat Should You Know Before Hiring a Ghostwriter? The Writing King Publishes 57 New Answers, Including What to Do When It Goes WrongWhere Can You Hear Founders and Executives Tell Their Own Stories? Richard Lowe’s Leaders and Their Stories Publishes Every Unscripted Interview With a Full TranscriptAuthor Richard Lowe Publishes Eight Volumes of Enemies of You, a Researched Series on the Forces Working Against Ordinary AmericansThe Jackal (1997) ReviewThe Day of the Jackal (2024) ReviewYour First Novel Is an Apprentice Piece: What Beta Readers and Editors Can’t FixWhen the Cloud Gets Bombed: What the AWS Data Center Strikes Teach About BackupsHuman-Written Book Labels Are Gatekeeping With a FeeThe Enshittification of Microsoft Office: Why I Switched to a Free CloneGlobal Encryption Day: The Padlock Every Writer Depends On
The Writing King Your Ethical Ghostwriter. Your Story, Done Right.

Enemies of You

Turn Off the TV, Get Off Your Ass, and Do Something

Getting Your Time Back From the Screens

They say they are too busy. Then they watch Netflix for four hours.

This started as a simple observation. Most people complain about not having enough time while spending hours a day looking at screens. Too busy to exercise. Too tired to cook. Too overwhelmed to read. Too stressed to see friends. Something doesn’t add up.

I wrote the first version in 2016, when the biggest distraction was cable television and the occasional glance at a phone. Since then we have put the entire internet in our pockets, moved work into the bedroom, ordered everything through apps and conducted relationships through screens.

From audience member to producerA timeline of the book's history. Before 2014 the author spent roughly a thousand hours a year watching other people's creative work. In 2014 he unplugged the cable box. He wrote the first version of the book in 2016, and this edition in 2026, when the problem had become a crisis.From audience member to producerBefore 2014A thousand hours a yearWatching other people's creative work2014Cable box unpluggedPut in a closet; the hours went toproducing2016First version writtenCable TV was the biggest distraction2026This editionA problem in 2016 is a crisis now
From audience member to producerA timeline of the book's history. Before 2014 the author spent roughly a thousand hours a year watching other people's creative work. In 2014 he unplugged the cable box. He wrote the first version of the book in 2016, and this edition in 2026, when the problem had become a crisis.From audience member to producerBefore 2014A thousand hours a yearWatching other people's creative work2014Cable box unpluggedPut in a closet; the hours went to producing2016First version writtenCable TV was the biggest distraction2026This editionA problem in 2016 is a crisis now

How the hours moved from watching to making, and how the book grew from 2016 to 2026.

What was a problem in 2016 is a crisis in 2026.

The argument that’s held throughout is this: the relationship between you and your technology is something you can change, and the changes that matter most don’t require dramatically disrupting how you live.

Consuming side and contributing side of the same platform
Platform Consuming side Contributing side
YouTube Watching other people show skills you’ll never practice Teaching the skills you have to an audience that can’t find them elsewhere
Social media Scrolling other people’s edited lives and feeling inadequate Building the audience for work you’re making
AI Having it think, write and decide for you Using it to amplify your own thinking and accelerate your own work

What is inside Turn Off the TV, Get Off Your Ass, and Do?

Who should read Turn Off the TV, Get Off Your Ass, and Do?

Why did I write Turn Off the TV, Get Off Your Ass, and Do?

Richard Lowe, the Writing King

Thirty-three years in technology. That’s a long time watching what these systems are built to do and who they’re built to serve. I wrote the first version of this in 2016 and the problem has grown considerably since. The argument hasn’t needed to change.

What do people ask about Turn Off the TV, Get Off Your Ass, and Do?

Is Turn Off the TV an anti-technology book?
No. It’s an anti-passivity book. Lowe uses digital tools constantly, AI, social media, publishing platforms, messaging software, and built a hundred-book catalog and a ghostwriting business with them. The argument isn’t that screens are the problem. The argument is that there’s a line on every platform between consuming and contributing, and most people spend almost all their time on the consuming side because the algorithm is very good at keeping them there.
What is the one change Turn Off the TV, Get Off Your Ass, and Do Something is asking for?
Pick one platform you currently use as an audience member and start using it as a producer. YouTube, social media, a writing tool, a financial app, the platform doesn’t matter. The change is from passive reception to active contribution. One change made and held is worth more than ten changes planned and abandoned. The book is structured around that principle.
What does Turn Off the TV, Get Off Your Ass, and Do Something say about AI?
There’s a full chapter on it. The argument is the same as with every other platform: AI has a consuming side and a contributing side. Using it to amplify your own thinking, accelerate your own work, and handle admin that currently eats your time is the contributing side. Using it to produce opinions you don’t hold and work you didn’t think through is the most sophisticated passivity trap ever built. The test is whether you’re the author of what comes out.
Does Turn Off the TV apply to retired people?
Yes. The book includes specific guidance on the chapters most relevant if you’re retired or no longer working full-time: the reformed couch potato chapter, the TV chapter, conversations with real people, going outside, making something, moving your body, building real friendships, financial clarity, and finding community. The argument scales to any number of available hours.

Also in Enemies of You

The relationship is something you can change

And the changes that matter don’t require blowing up your life.

BUY FROM INGRAMSPARKAMAZONKOBOREAD THE INTRODUCTIONTABLE OF CONTENTS

Paperback and ebook.

Introduction

Turn Off the TV, Get Off Your Ass, and Do Something

It’s not a manifesto against technology. It’s not asking you to throw your smartphone in a lake, cancel your subscriptions, and move to a cabin. It’s not written by someone who thinks the internet was a mistake or that your life would be better if you went back to writing letters by candlelight.

As of the time this book was written, I have over fifty books published, a ghostwriting business, a book coaching practice, a newsletter with tens of thousands of subscribers, and a full-time operation built on digital tools. I use AI for research, drafting, and editing. I publish through digital platforms. I communicate with clients through apps and messaging software. I have never once suggested that any of this was a mistake. The argument of this book isn’t that technology is the problem. The argument is that passivity is the problem, and that the tools most people are using primarily as an audience are the same tools others are using to build something.

In 2014, I unplugged my cable box and put it in a closet. People have been citing that fact ever since as evidence that I’m anti-technology. They have it backwards. What I did that night wasn’t turn off technology. What I did was stop being an audience member and start being a producer. The screens stayed on. The relationship to them changed entirely.

There’s a line that runs through every digital medium. On one side of that line, you’re consuming. On the other, you’re contributing. The screen is the same. The platform is the same. Your posture isn’t.

You can use YouTube to watch other people show skills you’ll never practice. Or you can use YouTube to teach the skills you have to an audience that can’t find them anywhere else. You can use social media to scroll through other people’s edited lives and feel quietly inadequate. Or you can use it to build the audience for work you’re making. You can use AI to have it think for you, write for you, and make decisions you were capable of making yourself. Or you can use it to amplify your own thinking.

Most people are on the consuming side of every platform they use. Not because they’re lazy or stupid. Because the algorithm has one job, and that job is to keep you there. Every feed, every recommendation engine, every autoplay feature is engineered to convert you into an audience member and keep you that way. The consuming side is the profitable side. The contributing side is where you stop being the product.

I didn’t become productive by giving things up. I became productive by changing what I was doing with the same hours. Before 2014, I spent roughly a thousand hours a year watching other people’s creative work. After 2014, I spent those hours producing my own. The outputs aren’t the result of unusual discipline or talent. They’re the result of redirecting a thousand hours a year from the consuming side to the contributing side, consistently, for a decade.

You don’t need to write fifty books. But if you’re reading this and you have something you’ve been meaning to make, the reason you haven’t made it’s not that you lack the ability or the ideas. It’s that a thousand hours a year are going somewhere else. This book is about where they’re going, why, and what happens when you redirect them.

Table of contents

Turn Off the TV, Get Off Your Ass, and Do Something

  • Preface
  • Introduction
  • Chapter 1: Confessions of a Reformed Couch Potato
  • Chapter 2: The Line
  • Chapter 3: The Four Pillars of Digital Destruction
  • Chapter 4: Your TV isn’t Your Friend
  • Chapter 5: Breaking News: The News is Breaking Your Brain
  • Chapter 6: Welcome to Your Personal Echo Chamber
  • Chapter 7: Smartphone Zombies and Other Modern Wildlife
  • Chapter 8: Social Media: The Greatest Antisocial Invention Ever
  • Chapter 9: Pajama Professionals and the Death of Real Meetings
  • Chapter 10: The Inbox That Never Empties
  • Chapter 11: Netflix and No Chill
  • Chapter 12: When Your Highest Achievement is a Digital Badge
  • Chapter 13: The House Always Wins
  • Chapter 14: Instagram Travel Doesn’t Count as Going Places
  • Chapter 15: The YouTube Rabbit Hole
  • Chapter 16: The Machine That Thinks For You
  • Chapter 17: The Podcast That Ate Your Walk
  • Chapter 18: TikTok – The Attention Destruction Device
  • Chapter 19: The Couch Potato Diet
  • Chapter 20: Raising Digital Natives Who Remember They Have Bodies
  • Chapter 21: Conversations with Humans
  • Chapter 22: Swiping for Love in All the Wrong Places
  • Chapter 23: The Digital Debt Trap
  • Chapter 24: The World Is Designed Against You
  • Chapter 25: The Male Trap
  • Chapter 26: Adventures in Going Outside
  • Chapter 27: How to Be Productively Lazy
  • Chapter 28: What Are You Building?
  • Chapter 29: Make Something
  • Chapter 30: Move Your Body
  • Chapter 31: Build Real Friendships
  • Chapter 32: Learn a Skill That Takes Years
  • Chapter 33: Be Somewhere Without Documenting It
  • Chapter 34: Build Something Financially Real
  • Chapter 35: Use Technology, Don’t Be Used By It
  • Chapter 36: Find Your Community
  • Chapter 37: What Intentional Looks Like
  • Chapter 38: A Year Later
  • Chapter 39: Your First Thirty Days
  • Chapter 40: Escape from the Matrix (No, Really)
  • Conclusion
  • Further Reading
  • About This Series
  • Enemies of You Series
  • Index
0 comments

No comments yet. Yours can be the first.

Was this useful?