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Category: Fiction (Page 38)

Writing MonstersvFiction

Writing Monsters

A focused guide to creating monsters that work, built on the sharp insight that the best ones embody a fear, an anxiety, or a theme instead of just menacing. Practical on designing creatures that feel believable and uncanny instead of…

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StoryscapingBusiness

Storyscaping

The title misleads: this is a corporate marketing book about brand storytelling, written by advertising executives, not a fiction-craft guide. Its one transferable idea is building an immersive world around your work. Useful to the author-entrepreneur focused on platform, off-target…

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Write Great Fiction - Description & SettingFiction

Description & Setting

How much description is too much, and when does setting stop serving the story? Rozelle answers by making both do work, mood, character, plot, grounding, through the telling detail instead of the exhaustive catalogue. Clear guidance on the hardest judgment…

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Revision And Self-EditingFiction

Revision And Self-Editing

A capable craft-and-revision primer whose best idea is treating revision as focused, layered passes instead of one impossible read-through. The catch is that specialists beat it on each side, sharper line-editing elsewhere, deeper plotting elsewhere. Solid, but hard to make…

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Write Great Fiction - DialogueFiction

Dialogue

A fine first book on dialogue, teaching that every line must earn its place, advancing plot, revealing character, carrying emotion, and giving subtext the depth it deserves. The single-author focus helps you learn the skill whole. Reliably useful for dialogue…

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Plot & StructureFiction

Plot & Structure

Plot and structure are the most common stumbling blocks for new novelists, and Bell's book is one of the best fixes: clear, practical, and built around the memorably usable LOCK system. Example-rich, with tools for repairing broken plots. Best suited…

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The Concise Dictionary of English EtymologyFiction

The Concise Dictionary of English Etymology

A serious scholarly reference on word origins from a foundational philologist, for grounding word choice in documented history instead of anecdote. Rigorous and authoritative, but demanding, narrow in appeal, and based on nineteenth-century scholarship since refined in places.

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Forensic NurseFiction

Forensic Nurse

A niche but useful crime-writer's reference, illuminating the rarely-portrayed work of forensic nursing through real case studies and the inner workings of a medical examiner's office. Good grounding for portraying these experts accurately, though its 2004 science is dated and…

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A Writer's Guide to Active SettingFiction

A Writer’s Guide to Active Setting

Setting is the most wasted element in most fiction, a backdrop established once and forgotten. This makes it active, establishing mood, revealing character, controlling pace, through a concrete, example-driven method. Narrow and a touch repetitive, but close to essential if…

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Conflict, Action, and SuspenseFiction

Conflict, Action, and Suspense

What makes a book a page-turner? Noble's answer is conflict, the engine of all narrative drive, with action and suspense as conflict in motion. Genuinely clarifying for work that feels slack or low-stakes, though it surveys familiar principles instead of…

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From First Draft To Finished NovelFiction

From First Draft To Finished Novel

Wiesner treats a novel like a house: blueprint first, then build in stages. Her system runs idea to outline to draft to revision as one connected workflow, which is its real strength. Strong for planners who keep stalling, less suited…

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