What the Dead Leave

Grim

An evaluator with a scroll, and forty thousand years of human death

Content warningDeath in every chapter, including the Holocaust, the slave trade, and colonial atrocity.

I never found a word for what made me stay.

Grim, from the novel

Grim is a functionary. He stands at the edge of a human life, opens his scroll and turns his wheel, and sends the dead on their way. He has been doing this since before the first human word for death existed and the work has always been sufficient.

Thirty-eight souls, from a Neanderthal hunter who fell through ice and stayed aware through centuries of dissolution to the last person at the edge of the universe. Somewhere in there he stops taking the machinery on faith and looks at where the dead are actually going, and finds it is not what he was told. The work continues anyway.

Closer to Terry Pratchett’s Death than to horror, and darker than Pratchett ever went.

The opening

Hunter on the Ice

He is to my left when we spread across the ice. He has always been to my left. We have run together since we were boys at the edge of the group, too small to hunt, old enough to watch. I do not think of him with a name. He is just him, the specific him, the one whose throwing arm I know the way I know my own.

Eight of us. Four pairs. We build the fire small on the bank above the frozen lake, small enough that the smoke will not carry to the animal before we are ready, and we pass the ochre around in a piece of folded hide and mark each other in pairs the way we always mark each other before a hunt.

My pair presses his palm against my chest and leaves the red there, over my heart, and I do the same to him, and we look at each other. Nothing needed saying. We have done this enough times that the doing is the saying.

The youngest gets the ochre on his chin instead of his cheek. The man beside him fixes it without making a thing of it. The youngest does not know yet that this is kindness. He will learn. He is still learning most things.

Then the dance. The same as always, the steps worn into us the way a path wears into ground. I lead because I lead everything. When it ends I can feel the group in my chest. We are ready.

The mammoth is on the far side of the lake. I found it yesterday, old male, moving alone, slow with age and anger. I watched it for a long time before I came back to the group. I have been reading animals as long as I have been reading ice. I know where this animal will go and how fast and what it will do when it feels threatened.

Before we spread, I saw something at the far edge of the ice. A dark mark, too straight to be shadow, too large to be a crack. I made a note of it and did not think about it again. The mammoth moves the way I said it would move. I am right about this. I am right about everything until the moment my left foot goes through.

Not the deep ice, the edge ice, where the shore meets the lake, where I have crossed a thousand times and where the thickness is less than I read it this morning. I read it wrong this morning. This has never happened to me before.

The cold arrives before I have time to be surprised by it. It is total, not cold the way the air is cold but cold the way the water is cold, which is every surface of the body at once, every boundary between the inside and the outside going the same direction at the same time.

My pair shouts my name. I hear it. I hear everything clearly. I cannot make my arms do what arms do in this situation. I have told others. I told a young man last winter. The instructions are correct. My arms do not receive them.

The cold takes the breath. Not the way cold air takes the breath but the way the body stops agreeing to breathe when the cold is this complete. I am aware of my pair on the ice above me. I am aware of the sound the ice makes when someone is moving on it carefully. I am aware that I read the ice wrong this morning.

I was the best reader in the group.

* * *

We spread across the ice the way we always spread, pairs on each flank, my pair and I at the front. The ice says solid under my feet, solid, solid, the old familiar language of it coming up through my soles and I trust it the way I trust my own hands.

I am running when my left foot goes through.

Not far. Ankle deep, no more, and I am out before the cold has finished arriving, the weight transferred, one stride broken into two wrong ones. Less than a breath. But I am running and the mammoth is already turning and a broken stride at this distance is everything.

I stumble. Not down, not fully, but enough. The spear leaves my hand off-balance, the throw already decided by the body before the stumble, going wide of where I needed it.

The mammoth is on top of me.

The tusk finds me in the side. The impact is not like anything I have a comparison for, the force of it transferring through me in less than a breath, and then I am on the ice and the animal is past me and the sky is above me the color of old bone.

I breathe. The air goes in but not far enough, stops somewhere in the middle of my chest where something is no longer the right shape. I try again. Same result. My hand finds my side and what it finds there is wet and hot and the wrong temperature for the outside of a body.

I know what this is. I have put my hands on animals with this kind of damage. I know exactly what my hand is telling me and I lie still with it because lying still is the only thing left that I can choose.

The cold from the wet foot moves through me. It meets the damage in the middle and the two things together change the quality of the pain, make it distant. Distant is the last thing before gone.

Who this is for

How this book came about

Richard Lowe, the Writing King

The job came first. Give death a functionary with a scroll and a wheel and a territory, put him on the ice with a Neanderthal hunter forty thousand years ago, and let him work.

The interesting part is not the dying. It is that he has never once asked where they go after he sends them, because asking is not in the procedure and the procedure has always been sufficient.

Thirty-eight souls, each one a complete life ending, arranged so the weight accumulates. Some of those chapters are as hard as anything I have written. They are in there because leaving them out would have made the book a lie.

Questions people ask

What is Grim about?
Grim has assessed the dead and sent them on since before humans had a word for death. Thirty-eight chapters follow thirty-eight souls through dying and what comes after, and along the way Grim starts watching where they actually go.
What kind of book is Grim?
Literary fantasy with real philosophical weight. Closer to Terry Pratchett’s Death than to horror, and darker than Pratchett ever went.
Who are some of the souls?
A Neanderthal hunter who fell through ice and stayed aware through centuries of dissolution. A plague cart driver in 1348. A physician’s daughter. A soul at the edge of the universe with nothing left to arrive at.
Is Grim a heavy read?
Some chapters are very heavy, including the Auschwitz chapter, the slave trader, and the conquistador. Others are quiet, and a few are funny in a way that only works because of the ones around them.
What are good books about death and the afterlife?
Grim treats the afterlife as a system with rules and a staff, and then asks what happens when one of the staff looks too closely at where the work is sending people.

Also in What the Dead Leave

He does not question the machinery

That held for a very long time.

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The Physician’s Daughter

Grim

“Hold still,” I said. “I know it hurts. Hold still anyway.”

The man, his name was Yosef, he had told me twice, as if the name might help, had a forearm broken in two places where the stone had come down on it. I had seen this before. My father had shown me how to set it before he showed me most other things, because broken arms were common and needed doing quickly before the swelling made it worse.

“My father was hurt like this,” I said, talking because people held still better when there was something to listen to. “He set it himself. Said it was the only time in his life he was glad to know what he knew.”

“Is he…” Yosef started, and then his breath went out of him as I worked the bone back to where it needed to be.

“He died three months ago,” I said. “His heart. He had known for two years and had not told me.” She finished the setting and began wrapping. “He thought I would worry.”

“Would you have?”

“Yes,” I said. “But I would have worried while he was still alive to argue with, which is better.”

Yosef laughed, which was unexpected, and then caught himself — the movement had shifted the arm.

“Don’t,” I said. “Hold still.”

I tied off the wrapping. Outside the courtyard walls the sounds of the siege continued. I had stopped hearing them the way I had stopped hearing my own heartbeat, but they were always there, and occasionally something in them changed and my body registered the change before my mind did.

“Will it heal?” Yosef said.

“If you rest it and keep it clean and do not do anything foolish with it for six weeks. Which in these circumstances,” She stopped. No point finishing the sentence. Both of them understood what the circumstances were.

“My name was Miriam,” I said. I did not know why I said it that way, with the was. “My father was a physician. He taught me by letting me be in the room when it happened, and when he died I kept working because no one else knew what I knew and the work did not stop.”

“You are good at it,” Yosef said.

“I know,” I said. Not pride. Just true.

I was twenty-seven years old. I had been frightened most of the time since the siege began and exhausted all of the time and there were days I hated the people I was helping for needing so much help. I kept working because stopping felt worse than continuing.

The wall came down.

The sound arrived before the weight did, a low percussion moving through stone, and my body registered it before my mind understood it. I had time to turn my head. Not enough time.

Limestone dust filled the air before the stones arrived. The dust tasted of old walls and mortar and a thousand years of this city. I breathed it in. I was breathing it in when the first stone hit.

The weight arrived in sequence. The first stones took what they took. Then more. My body received them in the order they came. Between the first and the last I was aware of Yosef’s arm somewhere near me, the arm I had just set, the six weeks he would need if he rested it.

The circumstances did not allow.

The pain was not what I had trained myself to expect. In four months of working the rooms where pain was I had categorized many of its gradations. What arrived was prior to pain, or perhaps pain had arrived and no capacity remained to receive it as pain.

Still light. Orange, sideways, afternoon light of Jerusalem in July coming through the gap where the wall had been. I had worked in this courtyard for four months and I had not looked at the light once. I looked at it now.

The sentence was still in my mouth. I did not know what it had been going to say.

I rose above the rubble. The courtyard was below me, the stones, the figures underneath them, Yosef’s arm at the wrong angle. I saw myself.

I had been frightened for four months. The frightened stopped first.

The light continued through the gap.

The light continued.

The flies find us within the first hour. Jerusalem in July has those flies, heavy, purposeful, experienced. I spent four months working around them in the rooms where the wounded were. I know exactly what they are doing now.

Table of contents

Grim

  • Hunter on the Ice
  • The Watcher on the Hill
  • The Heart
  • The First Breath
  • The Weight of Heaven
  • The Field
  • The Physician’s Daughter
  • The Iron
  • The Chariot
  • The Decision
  • The God King
  • The Taiga
  • The Silk Road
  • The Conquistador
  • The Viking Shore
  • The Grass
  • The Plague Cart
  • The Hold
  • The Gardener
  • The Astronomer
  • The Revolutionary
  • The Factory Child
  • The Mud
  • The Number
  • The Cartographer
  • The Between
  • The Cauldron
  • The Unnamed
  • The Stake
  • The Comfort Woman
  • The Fast One
  • The Collector
  • The Scientist
  • The Minister
  • The Administrator
  • The Threshold
  • The Climate
  • The Upload
  • The Station
  • The Machine Mind
  • The Door
  • The Reunion
  • The Voice
  • The Watcher on the Threshold
  • The Work