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The Complete Handbook Of Novel Writing

The Complete Handbook Of Novel Writing
Published:August 22, 2010
ISBN:1440348391
Pages:528
ISBN:978-1440348396
Language:English
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TL;DR

7/10. A broad anthology from the editors of Writer’s Digest gathering advice from many accomplished authors across the entire novel-writing and publishing process. A solid, useful survey valued for its range and professional perspectives, held from higher by the anthology form’s breadth-over-depth, uneven quality across contributors, and business material that dates.

The Complete Handbook of Novel Writing, from the editors of Writer’s Digest, is a thick anthology of craft advice covering every stage of writing and publishing a novel, drawing together guidance from many of the field’s accomplished authors and professionals. Instead of one author’s coherent method, it’s a collection, essays, interviews, and advice from many successful writers on everything from idea through draft through publication.

As a broad, multi-voice survey of the whole novel-writing process, it offers real range and the appeal of learning from many professionals at once. I’d take a roomful of working pros over one teacher’s pet system any day, even if a few of the pros phone it in. Every anthology drags that unevenness along, and this one is no exception.

The Writer’s Digest pedigree is the draw: the collection assembles advice from established, working authors, so a reader gets a spectrum of professional perspectives instead of a single teacher’s take. That pedigree counts for a lot with me. Advice from people who’ve sold novels beats advice from people who sell courses about selling novels.

Many voices, every stage

The book’s value is its breadth in both coverage and contributors. It spans the entire arc of writing a novel. Generating ideas. Developing character and plot. Drafting. Revising. The business of getting published. It does all of that through the voices of many accomplished writers, so a reader encounters many approaches and hears how different successful authors work.

For a developing novelist, that range is useful: it exposes them to multiple methods instead of a single prescribed system, and the chance to absorb hard-won advice from a roomful of professionals, including interviews with notable authors, is the particular appeal of a well-assembled craft anthology.

Keep reading

Writing a novel: guidance across the whole process: the full-arc coverage this handbook gathers, in the wider craft of the novel.

The value and the cost of the anthology form

The collection’s strength and its weakness are the same thing.

A multi-author anthology offers range and varied perspectives, and that’s valuable. It can’t offer the depth, coherence, or sustained through-line of a focused single-author book. The coverage is necessarily broad instead of deep, and the quality and usefulness vary from piece to piece. A reader gets a wide survey and many starting points instead of a thorough education in any one aspect. Some entries hit hard, and others are filler that should’ve been cut before the book went to print.

For an overview and a sampling of professional wisdom it works well; for deep instruction on a specific skill, a dedicated book serves better. The form gives breadth at the cost of depth.

Explore the hub

The Writing Hub: the whole novel-writing process, gathered in one place.

What are the weaknesses of The Complete Handbook Of Novel Writing?

A few honest notes. As a survey anthology it’s broad instead of deep, best used as an overview and a source of varied perspectives instead of as a complete course in any single area. The multi-author format means variable quality. And the publishing and business material in particular dates. This edition is from 2010, and taking 2010 publishing advice at face value today is a good way to get burned, so check that guidance against current sources. The craft fundamentals age fine.

These are the normal characteristics of a broad craft anthology instead of flaws, and they place it as a useful survey instead of a definitive single text.

Is The Complete Handbook Of Novel Writing worth reading?

It’s a solid, useful anthology of novel-writing advice, valuable for its broad coverage of the entire writing-and-publishing process and for assembling the perspectives of many accomplished authors in one volume, a real strength for a developing novelist wanting range and professional wisdom. It gets a fair rating, held from higher by the inherent trade-offs of the form: breadth instead of depth, uneven quality across many contributors, and business material that dates.

For a writer who wants a wide-ranging survey and a sampling of how many pros approach the work, it’s a good resource; for deep mastery of a specific skill, a focused book serves better. A sound, broad overview. Dip into it, take what works, and don’t feel guilty skipping the pieces that go nowhere.

Explore the hub

The Publishing & Marketing Hub: the path from finished novel to published book, gathered in one place.

Frequently Asked Questions

What is The Complete Handbook of Novel Writing about?
I found this anthology, from the editors of Writer’s Digest, to be a broad collection covering every stage of writing and publishing a novel. Instead of one author’s coherent method, it gathers essays, interviews, and advice from many accomplished authors and professionals across the field. It moves through the whole arc of the craft, from generating ideas and developing character and plot, through drafting and revising, all the way to the business of getting published. Because so many voices contribute, readers get to hear how different successful writers work instead of following a single prescribed system.
What is the main appeal of The Complete Handbook Of Novel Writing?
The main appeal for me is its breadth in both coverage and contributors. It spans the entire arc of writing a novel, from ideas through drafting and revision to publication, through the voices of many accomplished writers. That range exposes a developing novelist to multiple methods instead of a single teacher’s take, and it lets a reader absorb hard-won advice from a roomful of professionals, including interviews with notable authors. I think that’s the particular value of a well-assembled craft anthology like this one.
What is the trade-off of the anthology form?
The trade-off, as I see it, is that a multi-author anthology offers real range and varied perspectives but can’t deliver the depth, coherence, or sustained through-line of a focused single-author book. The coverage ends up broad instead of deep, and quality varies from piece to piece since so many contributors are involved. Readers get a wide survey and many starting points instead of a thorough education in any one aspect of craft. Some entries are strong while others feel slight or too familiar. For an overview and a sampling of professional wisdom, I think it works well, but for deep instruction on a specific skill I’d point readers to a dedicated book instead.
Is the advice in The Complete Handbook Of Novel Writing still current?
I found the craft fundamentals in this handbook age well, but the publishing and business material is another matter. This edition is from 2010, and the industry has shifted a good deal since then, so I’d check that particular guidance against current sources. The core advice on idea generation, character, plot, drafting, and revision holds up fine because those skills don’t change much over time. It’s really just the business side, the specifics of getting published, that I’d treat as dated.
Who should read The Complete Handbook Of Novel Writing?
I’d recommend this handbook to developing novelists who want a wide-ranging survey of the whole process and a chance to sample how many different professionals approach the work. Because it draws on so many accomplished authors, it exposes a reader to multiple methods instead of one prescribed system. If someone wants deep mastery of a single skill, though, I think a dedicated single-topic book will serve them better than this broad anthology. For readers who value breadth and a spectrum of professional perspectives over a single coherent method, this is a solid resource.

About the author

Editors of Writer's Digest Books

This credit refers to the editorial staff of Writer's Digest Books, the American imprint devoted to books on the craft and business of writing. Editor-compiled Writer's Digest titles gather practical guidance, references, and resources for writers, from market and grammar references to genre and technique handbooks. Such collected works draw on the imprint's long experience publishing instructional material for working…

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