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Wanting

The Itty Bitty Titty Committee

Four women, two years of Thursdays, one Greek restaurant

Content warningA cancer diagnosis, childhood trauma, and adult content.

Long enough that the table understood she wasn’t deciding whether to answer but how.

from the novel

Jo is a barista and standup who makes everything funny before she can stop herself, including her mother and her fear of being known. Mara built her body into armor and is only starting to ask what it’s armor against. The four of them meet every Thursday at Thessaly, a Greek restaurant on a block that’s changing around it.

Two years of dinners. Cancer comes up. Childhood comes up. So do the small daily weights: the man who doesn’t ask about the appointment, the friend who’s a little late in a way that means something, the joke that lands and costs.

How does The Itty Bitty Titty Committee open?

The Fitting Room

Knowing and admitting were two different things, and Jo had always been better at one of them.

She’d the wrap dress on and was standing still in front of the mirror. That was the kind of mirror that showed you everything whether you’d requested everything or not.

The dress was beautiful.

It had been beautiful on the hanger and it was beautiful now in the way that something could be beautiful and also completely wrong at the same time, which was a category of thing Jo understood but wasn’t thinking about right now. Right now she was tilting her head slightly to the left, because sometimes a problem was an angle problem.

This wasn’t an angle problem.

From the stall next to hers, through a wall thin enough to hear everything and thick enough to pretend you couldn’t, came the sound of a woman exhaling at a mirror. Short and specific. Jo knew that sound.

“This is an engineering problem,” the woman said. Not to Jo. Not to anyone. Just into the fitting room air.

“The dart placement assumes a load-bearing element that’s not present.”

Jo looked at the curtain. “Load-bearing.”

A pause. “Sorry. I didn’t realize I was saying that out loud.”

“Don’t stop.”

From the other side, softer, thoughts arriving slightly ahead of words: “Mine has underwire.” A beat. “It’s a blouse. There’s no reason for a blouse to have underwire.”

Jo put her hand over her mouth.

“Structural optimism,” the first voice said. Flat. Certain.

Then from the end stall, in the careful measured tone of someone who chose every word before it left: “I want to note that this entire section of the store is built on an aspirational premise that’s no relationship to the actual range of human bodies present in this zip code.”

Jo laughed. Sharp, involuntary, not a performance. The kind that came out before she decided to let it.

Then the engineering voice. Then the blouse. Then the zip code woman, last and longest, a laugh that sounded like it had been waiting for the right reason and had finally found one.

Fifteen seconds. Four women in four separate stalls, laughing at the same thing, none of them able to see each other.

When it stopped the corridor was different.

“I’m putting this back,” the engineering voice said.

“Same.”

“Obviously.”

Jo looked at herself one last time. She took the dress off and hung it on the hook with the careful hands of someone making peace with something they’d already known. She didn’t think about why she’d put it on in the first place.

“Same,” she said.

They came out of their stalls within a minute of each other.

The engineering voice was tall, visibly strong, with the kind of posture that was a decision. She’d the dress folded over her arm with a precision that suggested she folded things correctly as a matter of principle, not effort.

The underwire blouse was shorter, a vintage pin on her jacket, a fabric swatch sticking out of her bag, her face in the middle of several things at once. She was looking back at her fitting room like she’d left something there, though she hadn’t. Her body was catching up with a brain that had already moved on, and this appeared to be a familiar arrangement.

The zip code woman was last. Items in a clean stack. She looked at all three of them with the particular, unhurried quality of someone taking inventory.

“The whole rack,” she said. “I checked before I came in. It’s a philosophy.”

“Their reviews say the same thing,” the fabric swatch said. “I read them last night.”

“And came in anyway,” Jo said.

“And came in anyway.”

“That’s hope. That’s the clinical definition.”

The engineering woman had counted the other returns on the rail without appearing to. “Seven,” she said. “Same section.”

They walked out together without deciding to. Past Brooke the sales associate, who was already moving toward them with the warm unstoppable energy of someone who believed in solutions.

“Did anything work out today?” Brooke asked. She meant it. That was the hard part about Brooke.

“The fitting rooms were life-changing,” Jo said.

Brooke looked at the four of them. At the items. She rallied. She was a rallier, which was different from a quitter and different again from someone who read a room.

“I can pull some other one.”

“We’re good,” the engineering woman said. A closed door. Not unkind.

Outside the light was doing something generous with the afternoon, the gold that cities got sometimes that made everything look like it was worth something.

The fabric swatch was looking for her sunglasses in a bag that held everything except them. She checked the same pocket twice.

“Left side,” the zip code woman said. Not looking.

The fabric swatch checked. Sunglasses. She put them on and looked at the zip code woman with an expression that couldn’t decide between grateful and suspicious.

“Lucky guess,” the zip code woman said.

The fabric swatch accepted this. She was, Jo would come to understand, a person who accepted a lot of things at face value because her brain was already somewhere else.

They stood in the natural pause of accidental encounters. Jo recognized it. The place where everyone picked back up their own life. She’d stood at this exact junction many times and she was good at what came next: a graceful exit that left everyone feeling fine about it.

She didn’t make the exit.

“There should be a group chat,” she said instead.

“For what specifically,” the engineering woman said.

Jo gestured back at the store. At the philosophy. At seven dresses on a return rail.

Who should read The Itty Bitty Titty Committee?

► Behind the Book: The Itty Bitty Titty Committee
How this one got written, what went wrong, and what got cut.

How did The Itty Bitty Titty Committee come about?

Richard Lowe, the Writing King

My mother ran Tupperware and Avon parties when I was a kid. She’d go around the neighborhood and get everyone together at our house, and I got dragged along because that was cheaper than a babysitter. I was handed some toys and put in a corner.

So I sat there and listened to a room full of women talk to each other, week after week, and it’s nothing like how men talk. That stayed with me for about fifty years and turned into this.

It’s the female half of a pair with Gettin’ Laid. I tried to write it the way a woman writing about women would write it. Whether I pulled that off isn’t mine to decide.

What do people ask about The Itty Bitty Titty Committee?

What is a novel about four women who become friends in a department store fitting room?
I wrote a novel about four strangers who end up laughing at the same joke through the thin walls of a department store fitting room. That accidental moment turns into two years of Thursday night dinners at a Greek restaurant called Thessaly. The four women, including a barista and standup comic named Jo, come from different lives but keep showing up for each other week after week. Cancer, childhood trauma, and the small daily weights of adult life all surface across those dinners. The book follows all four points of view instead of picking one lead character.
Who are the four women in The Itty Bitty Titty Committee?
Jo, a barista and standup comedian who reaches for the joke before she can stop. Mara, an athletic trainer who built her body into armor. Plus two more who arrive with their own arrangements and their own blind spots.
How did the four women in The Itty Bitty Titty Committee come up with a name for their group chat?
Jo is the one who suggests starting a group chat, right there in the fitting room, moments after the four women meet for the first time. They’d just spent fifteen seconds laughing at the same thing from separate stalls without being able to see each other. That shared laugh is what convinces Jo there should be some way to keep in touch instead of walking away like strangers usually do. I wanted the name and the friendship to grow out of that one specific, slightly absurd moment and not out of anything planned.
Does The Itty Bitty Titty Committee handle heavy topics like cancer and childhood trauma?
Yes, I didn’t shy away from those subjects when I wrote it. A cancer diagnosis comes up over the course of the two years these women spend having dinner together, and so does childhood trauma. I also wanted to include the smaller, quieter weights that rarely make it into a summary of someone’s year, like a partner who never asks about the appointment or a joke that lands but costs something to tell. The content warning on the book reflects that I take these subjects seriously instead of treating them lightly.
What are good novels about adult female friendship?
I wrote my own answer to that question by giving four women two years of standing Thursday dinners and letting their friendship carry the same weight most novels save for a marriage plot. I listened to women talk to each other for years growing up, since my mother hosted Tupperware and Avon parties at our house, and that stayed with me for about fifty years before it became this book. I tried to give each of the four women her own distinct voice instead of letting them blur into one composite character. Readers looking for that kind of book should expect friendship treated as seriously as romance, with humor and damage often living in the same sentence.

Also in Wanting

Two years of Thursdays

Nobody planned any of it past the first one.

BUY FROM INGRAMSPARKAMAZONKOBOREAD A CHAPTERTABLE OF CONTENTS

Paperback and ebook.

Filed underFiction

The Money Conversation

The Itty Bitty Titty Committee

Mara was at the corner at eleven fifty-seven. Jo arrived at twelve-eleven with coffee from a chain.

“It’s acceptable coffee from a corporation that’s neutralized everything interesting about coffee culture,” Mara said.

“And it’s good.”

“Those can both be true.”

Lila arrived at twelve-nineteen in the rust-colored scarf she’d made herself and was out of breath for reasons she didn’t explain. Pri arrived at twelve-oh-two, which nobody mentioned, but Pri noted.

The disagreement about where to go was productive in the way their disagreements usually were. Mara had a route. Pri had a different route. Jo wanted sitting coffee. Lila had seen a window.

“The window,” Jo said. “Then sitting coffee. Then wherever.”

Mara looked at this non-itinerary. “Fine,” she said.

The window was a print shop. Lila examined a letterpress poster for four minutes.

“The registration,” she said. “The second color is fractionally off from the first. On purpose. Someone made that choice.”

“I see it,” Pri said. It was partially true.

Sitting coffee was two blocks later. Small, slightly too warm, exactly four chairs. Mara admitted the coffee was good at a volume that required attention to hear.

They walked. Got lost. Found a lunch place on a corner.

The food wasn’t as good as Thessaly. It was the kind of fine that was acceptable when you were hungry and lost and it was three-fifteen and you’d been walking for three hours.

“Can I ask something weird,” Lila said.

“Yes,” Jo said.

“How much money do you all make.”

A beat.

“That’s not weird,” Mara said. “It’s just not talked about.”

“Is that the same as weird.”

“In practice, yes.”

“I’ll go first,” Lila said. “I made twenty-three thousand dollars last year. From design work. Which sounds like very little because it’s very little. I also got money from my parents, which I’m embarrassed about, which I’m working on not being embarrassed about because it’s just a fact.”

The table sat with this.

“I made about thirty-one,” Jo said. “Combined. Coffee shop plus occasional paid sets. The paid sets are rare. The coffee shop is what actually pays rent.”

“The standup isn’t what pays the bills,” Lila started.

“The standup is the thing I do,” Jo said. “The coffee shop is how I pay for the thing I do.” She looked at the table. “There was a year in there where I wasn’t sure that was still true. About the standup. I did a run of bad months, just off, couldn’t find the angle on anything. I thought maybe that was it.” She picked up her fork. “It wasn’t. But I thought it was.”

Nobody asked what ended the bad months. She didn’t say.

“Pri,” Mara said.

“Nineteen-five,” Pri said. “Stipend. Plus a teaching fellowship that brings it to twenty-three.”

“How are you surviving?” Lila said.

“I’m not saving anything,” Pri said. “I have debt from undergrad. I manage.”

There was something in the word manage, the way Pri said it, that sat in the room.

“Mara,” Jo said.

“Currently nothing,” Mara said. “I have savings. I’ve been careful.” She said it the way you said things that cost something to say. “Seven months left at my current spending level.”

“Seven months,” Jo said.

“Yes.”

“You’ve been in this search for seven months.”

“Seven months,” Mara said. “I’m aware of the math.”

“Mara.”

“I said I’m aware of it.”

Jo looked at her. “How are you.”

Mara looked at the table. The question wasn’t about the money.

“The mornings are hard,” she said. It came out quieter than she’d intended. She looked up. “The mornings are hard. I come in ready. Whatever I have to do that day. But in the morning, before I’ve built the day, I’m not always okay.” She stopped. “The business idea helps. Thinking about it helps. It gives the morning somewhere to go.”

“You’ve never said that before,” Jo said.

“I’m saying it now,” Mara said.

“Okay,” Jo said.

“Don’t do anything with it,” Mara said.

“I’m not going to do anything with it.”

“You’re going to want to fix it.”

“I know,” Jo said. “I’m working on that.”

They sat for a long time after the food was done. The window had good afternoon light.

“I’ve been thinking about the money thing,” Lila said. “Not just ours. The general thing. I grew up being told that money was something you didn’t discuss. That wanting more of it was gauche.” She traced a pattern in the table with her finger. “And then I was an adult and I was broke and I’d no idea what I was supposed to do about it.”

Table of contents

The Itty Bitty Titty Committee

  • The Fitting Room
  • The Corner Table
  • The Performance Is Still On
  • The Second Game
  • Because This Is Where I Say Things
  • He Thinks I’m Funny
  • The Money Conversation
  • Claire
  • They Didn’t Call
  • There’s Paperwork
  • Not All She Is
  • Standard Operating Procedure
  • My Name on the Outcome
  • Some Things Stay
  • He Asked Me
  • His Standing Dinner
  • I Found a Lump
  • Early Stage. Treatable. Real.
  • The Clip
  • When I Was Twelve
  • A Second Gun
  • Osei Performance
  • The Robbery
  • The Coat
  • I Have Never Had a Real Conversation with You
  • Sankofa
  • The Bachelorette
  • That’s Mine
  • Three Women
  • Two Chairs
  • She Turned Around
  • Not Tonight
  • Third Row
  • What’s This
  • The Dispersal
  • You’ve Seen the Notice
  • The Last Thursday

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CategoriesFiction

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