Wanting

Reincarnation

Two souls, eighty-two thousand years, one connection that will not end

Content warningWar deaths, illness, and mid-century psychiatric confinement.

In the dream I knew her the way you know someone you’ve known your whole life.

from the novel

A green door. Stone steps. A collar heavy on the shoulders. Someone trained to be careful about what their body says, and someone who was supposed to come and did not.

Three threads braid: the regression sessions in Frances Webb’s office, the historical chapters in the lives themselves, and the ordinary present where Diana and Ruth have to decide what any of it means. The past lives are filtered through two modern, analytical women looking backward through more accumulated life than recorded history contains.

The opening

The Overhang

78,000 BCE — East Africa

She came back to camp with a steenbok across her shoulders and the smell of blood worked deep into her hair.

The group had settled for the night already. She could hear the children before she saw the fire, their voices dropping as the dark came on and the bush pressed in close around the overhang the way it always did at this hour, patient and enormous. She ducked under the low shelf of rock and let the steenbok slide from her shoulders to the ground near the coals.

That was when she saw him.

He sat apart from the others, his back to the rear wall, his legs drawn up. The firelight caught one side of his face and left the other in dark. He was not from this group.

The space around him had stayed empty, none of the others had pulled in close. He was reading the fire and reading the people around it, and she knew that look because she had worn it herself three seasons ago when she’d first come to this place.

She stood with the blood cooling on her neck and looked at him.

He turned his head. Not quickly. The way you turn when you’ve already known something was there.

His eyes found her across the fire and her hand came up, not fully, not reaching, just lifting, her right arm rising from her side until her palm was level with her ribs and angled toward his face, toward the space between them. She didn’t know she’d done it until she felt the cooler air on her palm and saw the firelight on the back of her own wrist.

She lowered her arm.

He had gone still. Not the stillness of a man deciding something.

His hands lay open on his knees and he looked at her and the fire moved between them and the man beside him said something and it took him a moment to turn his head. She crouched by the fire and began working on the steenbok’s belly and did not look at him again for a long time.

* * *

He stayed three days.

She learned this about him: he had come from far to the north, from where the grassland ran flat for more than a season’s walk. He had a word for elephant she’d never heard. He moved around the edges of the camp the way a man moves when he’s been alone long enough that he’s not sure yet whether company is good.

He watched everything. He caught her watching him twice on the first day and looked away without embarrassment, which meant he wasn’t pretending he hadn’t been looking at her too.

She watched him the way she watched things she was trying to understand. The way his hands moved when he ate, efficient and without waste.

The particular quality of his attention when something crossed the flat, a bird, a change in the grass, the way his whole body oriented toward it without deciding to. He laughed once, at something one of the children did, and the laugh was quick and real and gone before she could look directly at it. She looked anyway. She was not sure what she was looking for. She thought it was something she had been looking for a long time.

She went back to her own fire after that and did not think about the laugh.

On the second morning she was scraping an old hide near the water when he came and sat on the rock above her. Not close enough that it was anything, but he stayed.

She kept scraping.

After a while he spoke. She caught most of it, his words were almost the same as hers, just bent differently in his mouth. He was asking about the country to the south.

“Rains,” she said. “Too much.”

“The river?”

“Over its banks. The whole low ground went under.”

He said a word she didn’t know. She touched her temple with one finger, the gesture for she-doesn’t-follow.

He tried different words and when she still didn’t catch it he stood up and came down from the rock and crouched beside the water and drew with one finger in the wet mud. A shape that meant flooding, land going under.

“Yes,” she said. “Like that.”

He studied the drawing. “How long ago.”

“Before the last cold spell. Maybe before.”

“Still like that now?”

“Gone down,” she said. “Mostly.” She scraped at the hide. “You came a long way.”

He wiped the mud drawing away with his palm and stood. He looked south the way men looked when they were measuring a walk in their heads.

“There’s nothing left to the north,” he said.

She waited. He didn’t add to it.

“For how long,” she said.

Something moved behind his face. He looked at her a moment longer. “Two seasons,” he said. “Maybe three.”

She scraped at the hide. The sound of it was the only sound for a moment.

“You’re not going back,” she said.

He was quiet long enough that she thought he wasn’t going to answer. “I don’t know,” he said.

He stood. The mud was still on his fingertip. He looked at it like he’d forgotten it was there.

She went back to scraping. He didn’t leave.

The hide was done before midday. He was still on his rock, watching a pair of hornbills working a dead tree across the flat. She rolled the hide and gathered her things and walked back toward the overhang and didn’t invite him along, but when she looked back from the entrance he was following at a distance, unhurried, as if he’d meant to come this way regardless.

Who this is for

How this book came about

Richard Lowe, the Writing King

I have landed on Iwo Jima. I have died in the mud of the Western Front. I know it the way you know something you cannot unlearn, not as belief exactly, but as memory that does not belong to this life and will not leave. The novel began there.

I wrote God Is Everything to lay out what I understand about consciousness and what happens when we die: that it persists, moves on, finds new form. That works as philosophy. What philosophy cannot do is show you what it looks like from the inside. Fiction can.

So the book keeps the ordinary texture of extraordinary circumstances. The toothache in seventh century Basra. The bad light on a Tuesday in fifteenth century Florence. The arm rising toward something far away for a reason the body cannot explain. I am a Christian, and I hold both of those without contradiction.

Questions people ask

What genre is Reincarnation?
Literary fiction. A love story moving across eighty-two thousand years and hundreds of lives, structured around regression sessions in a 1971 therapy office.
Do I have to believe in reincarnation to read it?
No. The novel does not ask for belief in past lives or souls or anything outside a conventional life. It asks for the willingness to follow two people across a very long time.
How does the structure work?
Three threads braid together: the sessions in New Haven in 1971, the historical chapters in the lives being remembered, and the present-day consequences for the two women in the room.
Is it a religious book?
It is not a sermon. Richard Lowe is a Christian and holds that alongside the novel’s premise without contradiction.
What are good novels about past lives and memory?
This one keeps the ordinary texture of extraordinary circumstances: the toothache in seventh century Basra, the bad light on a Tuesday in fifteenth century Florence, the arm rising toward something far away for a reason the body cannot explain.

Also in Wanting

Someone who was supposed to come and did not

It keeps arriving, life after life, in the same shape.

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Ward C

Reincarnation

1916 — Casualty Clearing Station, Pas-de-Calais, France

The ward smelled of carbolic and beneath the carbolic something the carbolic could not reach, the sweet-rot smell that meant the deep infections, the ones that had been traveling for days before the men arrived.

Nurse Agnes Parr had been at the CCS for seven months. She no longer noticed the smell. She noticed it now because the man in bed fourteen had it and bed fourteen was at the far end of the ward, far enough from the door that the cross-draft did not reach it, and she had been standing at bed fourteen for six minutes.

The man’s name was Thomas Calloway. He was twenty-six years old, a corporal of the Lancashire Fusiliers, and he had a shrapnel wound to the left abdomen that had been dressed twice in the field before he arrived and had been dressed twice more since.

The wound was four days old. The skin around the dressing had gone the color of a bruise left too long, yellow at the edges and dark at the center, and it was warm to the touch in the way that had nothing to do with the body’s ordinary warmth.

She changed the dressing. She was precise about it, the way she was precise about everything on the ward, each step of the procedure done in its correct order.

Before she began she exhaled slowly through her nose and let her face settle into the professional stillness. Not indifference, something harder than indifference, the expression that gave the patient nothing to read and cost her something she had stopped counting.

Her hands were steady. They were always steady. She had learned that the hands could be steady even when nothing else was.

He watched her work with his eyes half-open. The lids were heavy but not with sleep.

“How bad,” he said.

She did not look up from the dressing. “Lie still, please.”

“I know how it smells,” he said. “I’ve been in the field long enough.”

She laid the clean dressing and pressed the edges and straightened up. She looked at him. He was watching her with the expression of a man who has moved past needing reassurance and wants, instead, a straight answer.

“It’s infected,” she said. “The surgeon will look at it in the morning.”

“That bad.”

“Lie still,” she said. “Rest while you can.”

She went to the next bed.

The ward had thirty-two beds and twenty-eight of them were occupied. She was one of three nurses on the overnight.

The other two were at the near end near the door where the new arrivals came in. Agnes worked the far end, the long-term cases, the ones who had been there long enough to have opinions about the food and requests that went beyond medical necessity.

The man in bed sixteen wanted her to write a letter for him. The man in bed nineteen was from Glasgow and spoke in a register she sometimes could not follow, and she had learned to nod carefully and ask him to repeat the important parts.

She came back to bed fourteen at eleven o’clock with the lamp, doing her rounds. Calloway was awake. He had been awake both times she’d looked over, which was not a good sign and she did not make it one for him.

“Can’t sleep,” she said.

“It’s loud tonight,” he said.

She listened. The guns were further off than they’d been at dusk, a low rhythm she heard differently now than she’d heard it in August.

In August it had pressed on her from outside. Now it was simply the background of everything, the condition of the world, the way weather was a condition.

“Does it keep you up,” she said.

“No,” he said. “The quiet keeps me up. When they stop.” He looked at the ceiling. “You start waiting for the next one.”

She checked his temperature. The thermometer came out higher than the previous reading. She recorded it in the notes without changing her expression.

“Tell me something,” he said.

“What would you like to know.”

“Anything. What you did before this.”

She hung the notes back on the bedpost. “I taught school. In Shropshire.”

“How old were they.”

“Six and seven, mostly. Some fives.”

She straightened the blanket along the edge of the bed, a habit. “They were very loud.”

Table of contents

Reincarnation

  • The Overhang
  • Eleven Years
  • The Practice
  • The Address
  • Gaslight
  • Ward C
  • The Couch
  • The Coalition
  • Burning
  • The Field
  • The List
  • Candlelight
  • The Argument
  • Testimony
  • The Word
  • Two Languages
  • The Margins
  • The Sentence
  • The Room
  • Cannot Stop
  • North
  • The Difficult Problems
  • Next Thursday
  • The Performance
  • The Walls
  • What Remains
  • The Library
  • The Consul
  • The Philosophers
  • Signified
  • The Island
  • The Sessions
  • The Hillside
  • Before Language
  • The Morning
  • The Drift
  • The Sound Through Stone
  • Ochre
  • The Shore
  • Salt
  • The Bank
  • The Clearing
  • The Night After
  • The Window