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The Book of Poisons

The Book of Poisons

A Guide for Writers

Series:Howdunit
Published:January 9, 2007
ISBN:158297456X
Pages:370
ISBN:978-1582974569
Language:English
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Description:

TL;DR

7/10. An excellent, thorough crime-writer’s reference on poisons, arguably the standard one, cataloging substances with the symptoms, timing, and detectability a writer needs to make a poisoning believable and to turn poison into clue-bearing plot material. Held just short of the top by its single-method narrowness and the need to verify forensic specifics against current science.

Poison is the most literary of murder weapons. Quiet, premeditated, often untraceable, and it’s driven mystery fiction from Agatha Christie onward. Getting it right is exactly the kind of detail that separates a credible crime novel from a sloppy one. The Book of Poisons by Serita Stevens (with Anne Klarner) is the standard crime-writer’s reference on the subject, a comprehensive guide to poisons and their effects written specifically so writers at any level and in any genre can use them accurately in fiction.

Reviewed as the specialized craft tool it is, it’s one of the better and more thorough references of its kind, with the usual caveats and the necessary framing.

The lens, as with these references, is craft: the value is accurate detail for writing believable poisoning in fiction, and this review treats it strictly as that tool, focused on what it offers a storyteller, not as anything operational.

A comprehensive poison reference for fiction

The book’s value is its breadth and organization, cataloging many poisons, household chemicals, plants, drugs, venoms, industrial substances, with the details a writer needs to depict their use realistically: symptoms, time of onset, how they act on the body, detectability, and the like. For a mystery writer building a poisoning, this is the grounding that makes the crime believable. The symptoms, the timeline, and the investigation ring true to knowledgeable readers instead of collapsing under a moment’s scrutiny.

Compiled with a nursing and forensic background, it’s thorough and well-organized. That makes it useful as the reference a crime writer reaches for on this classic method.

Keep reading

Writing a poisoning mystery that holds up under scrutiny: Stevens’s poison reference, in the craft of the believable mystery.

Realism the genre demands

Poison rewards accuracy more than almost any fictional method, because its effects are specific and well-documented, and readers, and certainly the fictional investigators, know that a given substance produces a given pattern. A writer who invents vague, generic poisoning, the victim simply collapses and dies on cue, loses all credibility, while one who gets the symptoms, the timing, and the detectability right can build a clever mystery, where the poison’s specific characteristics become clues, plot points, and the means of both the crime and its solution.

Stevens’s detailed, accurate information gives a writer exactly that raw material, turning a classic method into a source of authentic, plot-driving specificity.

Keep reading

Believable fiction: the research that keeps readers from bailing: the specific accuracy poison demands, the heart of a credible crime story.

What are the weaknesses of The Book of Poisons?

The standard limitations and framing apply. As always with such references, it’s grounding for fiction, not a manual, and its value is strictly in writing believable crime stories; the review treats it solely as a craft tool. The 2007 edition is reasonably recent for this kind of reference, but toxicology and forensic detection do advance, so a writer should verify anything technical, especially detectability, against current understanding for a contemporary story.

And it is, by nature, a narrow specialist reference, essential to the crime writer working with poison and irrelevant to anyone else. These are the normal limits of a focused tool instead of flaws.

Is The Book of Poisons worth reading?

It’s an excellent, thorough crime-writer’s reference on poisons, arguably the standard one, valuable for its comprehensive, well-organized, accurate detail on a classic and detail-hungry murder method, and for the way that accuracy turns poison into authentic, clue-bearing plot material. It earns a strong rating among the crime references for its thoroughness and relative currency, held just short of the top by the inherent narrowness of a single-method specialist tool and the standard need to verify forensic specifics against current science.

For a mystery writer working with poison, it’s close to essential and the first reference to reach for; for anyone else, it’s simply not their book. A first-rate niche tool, fairly judged.

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Frequently Asked Questions

What should a crime writer know before writing a poisoning scene?
I think a crime writer needs to know the symptoms, timing, mechanism, and detectability of the poison being used, because these are the details that make a poisoning believable. Poison is the most literary of murder weapons, quiet, premeditated, and often untraceable, and it’s driven mystery fiction since Agatha Christie. A comprehensive reference on poisons and their effects, cataloging household chemicals, plants, drugs, venoms, and industrial substances, gives a writer the grounding needed to depict a poisoning accurately. Getting these details right is exactly what separates a credible crime novel from a sloppy one.
How can crime writers research poisons for their novels?
I recommend using a comprehensive poison reference that catalogs many substances along with their symptoms, time of onset, mechanism, and detectability. This kind of reference, compiled with a nursing and forensic background, is thorough and well organized. That makes it the tool a crime writer reaches for when building a poisoning plot. It gives the grounding that makes the crime believable so the symptoms, the timeline, and the investigation ring true to knowledgeable readers instead of collapsing under scrutiny.
Why does poison reward accuracy?
Because its effects are specific and well-documented, and readers and investigators know a given substance produces a given pattern. A writer who gets the symptoms, timing, and detectability right turns those characteristics into clues and plot points, while vague poisoning destroys credibility.
Does forensic toxicology information from 2007 still apply to poisoning mysteries?
A 2007 edition is reasonably recent for this kind of reference, but toxicology and forensic detection do advance over time. I’d advise any writer to verify technical details, especially detectability, against current understanding before using them in a contemporary story. The core symptoms and mechanisms of most poisons remain stable, but the science of detection is the area most likely to have moved on.
Are crime-writing poison references a how-to guide for real poisoning?
No, a poison reference written for crime writers is strictly a craft tool for making fiction believable, not an operational manual. I treat this kind of resource solely as material for writing convincing crime stories, focused on what it offers a storyteller. The value lies in accurate detail that helps a writer depict poisoning realistically within a mystery plot, not in any practical application outside fiction.
Who benefits most from a poison reference guide for crime writers?
I’d say mystery and crime writers who are building a poisoning into their plot benefit most, since this kind of reference gives them accurate, well organized detail on a classic and detail-hungry murder method. For a writer working with poison, it’s close to essential and the first reference to reach for. For anyone not writing that kind of story, it’s simply not relevant, since it’s a narrow specialist tool.

About the author

Serita Stevens

Serita Stevens

Serita Stevens (also published as Serita Mendelson Stevens, Serita Deborah Stevens, Shira Stevens, and Megan MacDonnell) is an American novelist, registered nurse, and screen-medical consultant. She is the author of the long-running Writer's Digest reference now published as the Howdunit Book of Poisons: A Guide for Writers (2007, co-authored with Anne Louise Bannon), the updated edition of her original Deadly…

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