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Tag: Dystopia

Dystopias are warnings wearing story costumes, and the good ones age into prophecy. This tag collects reviews of dystopian film and fiction: engineered societies, quiet horrors, and the presents each dark future was written about.

Daybreakers (2009) film poster2000s

Daybreakers (2009)

June 6, 2026

The Spierig brothers imagined a near future where vampirism has won. It is a genuinely smart science-fiction idea, and for its first hour the film is a sharp dystopian satire.

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Sinners (2025) film poster2020s

Sinners (2025)

June 6, 2026

Ryan Coogler's Jim Crow-era vampire film uses the genre to explore Black art and cultural memory. It establishes the stakes of everything that follows.

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Dredd (2012) film poster2010s

Dredd (2012)

May 16, 2026

Dredd is the rare comic book adaptation that fully understood its source material. Alex Garland wrote, between his collaborations.

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Starship Troopers (1997) film poster1990s

Starship Troopers (1997)

May 16, 2026

Starship Troopers is one of the most misunderstood films of the 1990s and one of the most accomplished political satires in mainstream science fiction. The adaptation is loose in ways that have generated decades of argument.

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Demolition Man (1993) film poster1990s

Demolition Man (1993)

May 16, 2026

Demolition Man is one of the funniest action films of the early 1990s and one of the most accidentally prescient. Marco Brambilla directed in his feature.

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Escape from New York (1981) film poster1980s

Escape from New York (1981)

May 16, 2026

Escape from New York is John Carpenter's dystopian action film and one of the foundational works of 1980s post-apocalyptic cinema. Carpenter directed and co-wrote with Nick Castle.

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Total Recall (2012) film poster2010s

Total Recall (2012) Review

May 10, 2026

Critics judged Wiseman's 2012 Total Recall against the wrong reference film. The 1990 and 2012 versions of Total Recall are different films, not competing films.

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RoboCop (1987) film poster1980s

RoboCop (1987) Review

March 20, 2026

RoboCop is a better film than its premise suggests and a more subversive one than its marketing implied. Paul Verhoeven made a corporate satire inside a violent action film, and the two registers enhance each other instead of competing.

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