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Victorian Reimagined

The Time Machine

Thirty stops, five hundred million years, and a machine that learns to talk

Content warningIncludes a chapter set in Hiroshima on August 6, 1945, with the aftermath shown directly.

The machine didn’t know it could do this until it did it.

from the novel

Victor finds the cure. Then he keeps going, because going forward is easier than arriving at the moment he’s to come back to. What follows is thirty stops through five hundred million years of grounded future: a world war watched from the street, Hiroshima, the Saharan solar belt, the Great Lakes, the former Mediterranean basin, and the monument at the end.

Tatiana Volkova isn’t in Wells. She started as a passenger and became the person running the expedition, managing provisions, reading the machine’s routing patterns, keeping Victor alive through the cost of the transits, and filling twelve notebooks. Victor looked for the cure. She looked at everything else.

More on the real subject behind this book: the science behind the beach at the end of time, the Victorian physics Wells was working from.

More on the real subject behind this book: the science behind the beach at the end of time, the Victorian physics Wells was working from.

Built from H. G. Wells’s original, and complete on its own.

In what order should you read The Time Machine?

How does The Time Machine open?

The Dinner Party

The invitations went out on Monday. No explanation, just dinner, Thursday, seven o’clock. They came because they always came, because he was their friend, because five years of watching the light burn in Victor’s laboratory at two in the morning had made them careful about the invitations he did issue.

When Victor issued an invitation it meant something was happening.

Eleanor Whitmore was the first through the door. She’d dressed for a proper dinner, the dark green silk, the pearl earrings that had been her mother’s, and she came into the entrance hall and handed her coat to the junior member of the catering staff and walked toward the dining room and stopped.

Victor was already at the table.

She had been to perhaps forty dinners in this house over the years. She’d a clear memory of every one of them because they were that kind of dinner, the kind you remembered. In forty dinners she’d never once arrived to find Victor already seated.

He was always in the laboratory. He always appeared late with something on his hands that wouldn’t quite wash off, trailing apologies he didn’t mean, dropping into a chair with the distracted energy of a man whose mind was still among the instruments. It was one of the things she’d come to expect from Victor the way she expected weather.

Tonight he sat at the head of the table in his good coat, clean-shaven, still. His hands were folded on the table in front of him. He looked at the far wall.

She stood in the doorway for a moment. She’d known Victor for eleven years, since the summer he and Catherine had taken the house next to James’s mother. She knew his face well enough to read it without appearing to read it. Something was different.

Not tired, she knew what tired looked like on Victor. This was something else. He looked like a man who had been somewhere and come back with a great deal to tell.

She said his name. He turned and saw her and stood, and she crossed the room and took his hand briefly and looked at his face, and yes: somewhere. He had been somewhere.

Her husband James arrived perhaps five minutes later, talking as he came through the door about something in the morning paper. James was a natural philosopher in the old sense, curious about everything, expert in some of it, willing to be wrong in a way that made him better company than most experts. He had been fifty-eight years old for several months and wasn’t yet accustomed to it. He’d expected fifty-eight to feel like something and it had turned out to feel like fifty-seven, which he found both reassuring and mildly disappointing. He kissed Eleanor on the cheek and looked at Victor and said, “He looks different.”

“Yes. I noticed,” Eleanor said.

Arthur Finch arrived exactly on time, because Arthur always arrived exactly on time. He’d decided in his twenties that punctuality was a form of respect and had practiced it for twenty years until it became a form of character. He was a barrister with a reputation for precision that other barristers spoke of with the particular mixture of admiration and slight irritation reserved for people who are better at the thing you both do. He’d lost two colleagues in the war and hadn’t spoken about it directly since their names went on the plaque in the entrance hall of his chambers. He examined the wine label with the look he wore when approaching a problem.

Edmund Hartley arrived quietly, which he always did now. He’d attended Catherine through her illness. He had been there when she died. He’d done everything that could be done. That wasn’t sufficient, and he’d stayed anyway because staying was what a physician did. He hadn’t spoken to Victor directly about it in five years. They’d spoken around it, around the dates, the season, the general fact of it, but not directly. Edmund shook Victor’s hand and held it for a moment longer than necessary and said nothing.

Clara Osgood came in last among the expected guests, unwinding a scarf and apologizing for the cold. She was thirty-one and had an independent income from her father’s estate and had used the independence to pursue science with a seriousness that the Philosophical Society had recently begun to notice. That wasn’t yet sufficient but was a beginning.

She was the youngest of them and the most impatient with the social forms that the others had been performing for decades. She’d grown up watching her mother perform those forms and had decided at some point in her teens that she’d perform them when they were useful and skip them when they weren’t. She’d a gift for asking the question nobody had thought to ask. Victor was one of the few people she knew who never found this irritating.

Thomas Beaumont came in a few minutes after Clara, hanging his coat himself without waiting for the staff. He was a journalist, not the kind that filled column inches, the kind that understood something. He had been covering Parliament for seven years and had grown, in those seven years, a thorough and slightly jaundiced understanding of how men with power justified what they did with it.

He watched things. He watched them with the quality of attention that meant he’d understand them fully at some point in the next few days when he was alone at his desk. He carried a notebook in his coat pocket but he didn’t take it out at social occasions unless something required it.

The stops in The Time MachineA plate showing the road forward from Oxford in 1895, the stops crowding closer together and the type growing smaller as the distances become unimaginable.Oxford1895St. Petersburg1905Verdun1918Hiroshima1945Houston1969Mumbai2021The Bengal coast2057The Saharan solar belt2093Central Australia2400The Sichuan Basin3200The Scandinavian peninsula5000The East African highlands10,000Northern Eurasia250,000The former Mediterraneanfive millionNorthern Africa, the monumentfive hundred millionBeyondthe end of the forwardTHE STOPS

Who should read The Time Machine?

► Behind the Book: The Time Machine
How this one got written, what went wrong, and what got cut.

How did The Time Machine come about?

Richard Lowe, the Writing King

I’ve read The Time Machine six times. Wells wrote a class allegory and dressed it in science fiction. The Eloi are the idle rich, the Morlocks are the workers who turn on them, and the point isn’t subtle. As political argument it works. As a novel it leaves you hungry, because the Time Traveler has no interior life, nobody to talk to, and nothing at stake but the abstract fate of humanity.

I kept the frame. The dinner party, the testimony, the friends who have to decide what to believe. What I changed is who’s at the table, and I gave Victor a reason to build the thing: his wife is dying and the cure has to be somewhere ahead.

Tatiana Volkova came into it because the traveler needs somebody to talk to, and then she became something I didn’t plan. She started as a passenger and ended up running the expedition, and her twelve notebooks are what make the journey mean anything beyond one man and one dead woman.

What do people ask about The Time Machine?

Do I need to have read Wells’s original?
No. This is fully self-contained. If you know Wells you’ll recognize the dinner party frame, the testimony structure, and the far future, and you’ll notice that the Eloi and the Morlocks aren’t the destination here.
Who is Tatiana Volkova?
Tatiana Volkova is a character I created for my retelling, someone Wells never had in his original story. She starts out as a passenger on the journey but ends up running the whole expedition, managing the provisions and reading the machine’s routing patterns. She also keeps Victor alive through the physical cost of each transit. Her twelve notebooks end up being what give the entire trip meaning beyond one man chasing a cure for his dying wife.
How scientifically accurate is a story that shows Earth millions of years in the future?
I grounded every future stop in actual climate science, biology, geology, solar physics, and cosmology. That includes drowning coastlines, a Saharan solar belt, and the deep time changes to the sun and the continents. I wanted each far future scene to feel like something that could really happen and not just a backdrop for adventure. Getting that right meant researching real projections for sea level, solar evolution, and continental drift before writing a single scene.
Is there a chapter about Hiroshima?
Yes, August 6, 1945. Victor goes in. Tatiana stays with the machine. The chapter shows what’s there and doesn’t decorate it.
How does H. G. Wells’s original time machine concept get updated with real science across a billion years?
I built my retelling around thirty stops that span a billion years, and I grounded every one of those stops in real science and not pure imagination. I also gave the time traveler someone to talk to, a companion who becomes essential to the journey, which is something Wells left out entirely. Wells’s traveler moves through the story alone with no one to confide in and nothing at stake but an abstract fate for humanity. Giving him a companion changes what the journey means, because now there’s a relationship at risk alongside the science.

Also in Victorian Reimagined

He found the cure

Then he kept going. That’s the part Wells never had to explain.

BUY FROM INGRAMSPARKAMAZONKOBOREAD A CHAPTERTABLE OF CONTENTS

Paperback and ebook.

Hiroshima, Japan, August 6, 1945

The Time Machine

I arrived at eight in the morning, eight o’clock and four minutes.

I’d set the coordinates for Japan, the nineteen-forties. The machine placed us here.

She’d said, in transit, “I don’t like these coordinates. Go to a different day. A different city.”

“Wartime surgery. Japan in this decade has it. I need to see it in the field.”

“There’s something wrong with these coordinates.”

“You cannot know that from coordinates.”

“I know it anyway.”

She looked at me for a long moment with the look she’d when she decided how hard to push. “I disagree. I’m telling you clearly that I disagree.

And then I’m letting you make the decision because this is your expedition.” “I’ll be in the machine.”

“That’s your choice.”

“It is. I’ll be at the observation port.”

I got out alone.

The morning was already warm, a concentrated heat, a Japanese summer morning that had been building since before dawn. The air tasted of charcoal smoke and something cooking nearby, and underneath these the mineral taste of a city’s water system, the accumulated geological history of the water people in this city had been drinking for generations. The sky was a flat unbroken blue except for a single high cloud to the northwest, precise and architectural.

The street was narrow. Wood and paper construction, buildings on both sides close enough that I could have stretched my arms and nearly touched them. The shadows they cast were sharp, the light between them already strong at this hour.

A bicycle leaning against a wall, old and black, a basket on the front with red cloth in it, faded from months of sun. A radio from an upper floor, official cadence, the voice of a government addressing its people.

A woman walked toward me with a basket. Perhaps forty. Blue cotton wrap, her hair pinned.

She moved through the slight adjustment that people always made near the bubble, that animal awareness of something wrong in the air, and as she passed I could see into her basket. Radishes, dark red and damp from washing. Something green I couldn’t identify.

A folded cloth underneath.

A boy of perhaps ten came out of a doorway at a run. Running because it was morning and he was ten and the street was available and the run was the natural response to the combination. He went around a corner and was gone.

A man standing at the intersection ahead with his jacket over his arm, face tilted toward the sun, eyes half-closed. Taking a moment. The sun on his face was the reason he stood there.

The sun on his face was sufficient.

I wrote it all down. The bicycle and the basket and the radishes and the boy and the man in the sun. I wrote it down.

Something told me to.

At eight-fifteen, a sound.

Not a loud sound at first. Something in the air that wasn’t sound yet, a quality of pressure change, the atmosphere doing something it had never been asked to do before and doing it all at once. I felt it in the sternum before I heard it anywhere else.

I looked up.

I’ve tried eleven times to describe what I saw. This is the twelfth attempt. What I can tell you is this: the light wasn’t an increase in the existing light. It wasn’t the light getting more of what it already was. It was something before quantity. It lasted less than a quarter of a second. I didn’t see it.

Then the city stopped.

The buildings on both sides of the street were there and then they were distributed, not collapsed in the way of an ordinary collapse, but their constituent parts suddenly occupying a much larger volume of space than the buildings had occupied. The street moved beneath me, a single convulsive lateral motion as the shockwave arrived, and I held the wall of the bubble with both hands. The bubble held. The pressure differential at its surface was total, the kind of force that compresses, not pushes. The sound arrived with the shockwave: not a sound but the thing that sound is made from when it’s more energy than sound can carry.

The man at the intersection wasn’t at the intersection.

Table of contents

The Time Machine

  • The Dinner Party
  • Oxford, 1895, Departure
  • St. Petersburg, January 1905
  • Verdun, France, November 1918
  • Hiroshima, Japan, August 6, 1945
  • Houston, Texas, July 20, 1969
  • Geneva, Switzerland, October 26, 1979
  • Mumbai, India, October 2021
  • Bengal Coast, 2057
  • Somewhere, 2071
  • Saharan Solar Belt, North Africa, 2093
  • The Andes, South America, 2200
  • Somewhere, 2320
  • Central Australia, 2400
  • Great Lakes Region, North America, 2800
  • In Transit, 3100
  • Sichuan Basin, China, 3200
  • Tibetan Plateau, 3500
  • Between Tibetan Plateau, 3500 and Scandinavian Peninsula, 5000
  • Somewhere, 4200
  • Scandinavian Peninsula, 5000
  • Somewhere Between 5,000 and 10,000
  • Somewhere, 6,800
  • East African Highlands, 10,000
  • Pacific Northwest Coast, 50,000
  • Northern Eurasia, 250,000
  • Between Northern Eurasia, 250,000 and the Former Mediterranean, 5,000,000
  • Former Mediterranean Basin, 5,000,000
  • Cretaceous, approximately 100,000,000 BC
  • Northern Africa, 500,000,000 Years, The Monument
  • Beyond, 1,000,000,000 Years, The End of the Forward
  • Oxford, 1895, Return

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