The Mysterious Island
The private record of Gideon Spilett, correspondent
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The published account is the one everybody read. This is the other set of notes. Victorian Era Series · 234 pages · Narrated by Gideon Spilett BUY FROM INGRAMSPARKAMAZONKOBOREAD A CHAPTERTABLE OF CONTENTS Paperback ISBN 978-1-972810-36-1 · ebook ISBN 978-1-972810-37-8 |
| 234Pages | 2Sets of records kept | 1868Herald publication | 1875Verne’s original |
The published account gave them versions of themselves they could live with.
Gideon Spilett, from the novel
Gideon Spilett kept two records from the beginning, the way any honest correspondent must. One went to the New York Herald and became the book that made the island famous. The other one he kept for himself, and it is more honest, and it is this.
Neb was on almost every page of the published account and never once in a sentence that mattered. Cyrus Harding was a genius who was always right, and he did something in the war that was not examined then and that the island will not let him leave unexamined. Magdalena Vasquez, a New Mexican widow, was not in the original at all, and she reads men like Harding faster than any of them read her.
Built from Jules Verne’s original, and complete on its own.
Reading order
| 1. Verne, Nemo Book One20,000 Leagues Under the Sea | 2. Verne, the islandThe Mysterious IslandYou are here | 3. Verne, AyrtonEurydice | 4. Wells, standaloneThe Time Machine |
The opening
A Note on This Account, and The Storm
The account which follows was first published in the New York Herald in the spring of 1868, and subsequently in a single volume which has since passed through several printings. That account, the published account, distinct from what you are now reading, was the work of a professional correspondent of twenty years’ experience, and it shows. It is well-constructed. It is readable. It contains everything that a responsible editor at a major American newspaper in 1868 would have permitted to appear in print, and nothing that he would not.
This is not that account.
What you hold is the private record: the notes and observations I kept alongside the published account during our time on Lincoln Island and in the months following our rescue. I kept two sets of records from the beginning, as any honest correspondent must. The published account serves the story. The private record serves the truth. They are not always the same document.
I have debated for some time whether to release this record. The people described in it are real, or were real, or have interests that extend beyond their deaths. Several of them are still living. The published account gave them versions of themselves they could live with. This one is less accommodating.
I have decided to release it for a reason I will state plainly: the published account erases the most significant person on that island. Not through malice. Through the ordinary operation of a narrative that knows, without being told, whose inner life is worth recording and whose is not. That operation has been the subject of no small self-examination on my part in the years since Lincoln Island, and the examination has not been comfortable.
His name is Nebuchadnezzar. He was called Neb. He was born in Cameroon and came to this continent by a passage that is not mine to describe. He was on the island for the same two and a half years the rest of us were. He was present in the published account on almost every page.
He is absent from it entirely.
What follows is my attempt to correct that absence, insofar as a correspondent can correct what a correspondent has done.
I make no claim to have succeeded. I had access to Neb’s observable behaviour and almost nothing of his interior life, which he kept with a discipline I understood was not incidental.
Some of what I write here is inference. I have labelled it as such throughout. Where I have reconstructed conversations I was not present for, I have said so. Where I have speculated about what someone thought or decided, I have been clear that I am speculating.
The reader should know one further thing: I am not a trustworthy narrator. I was aware of this during our time on the island and I am more aware of it now. I selected, shaped, and omitted in the published account with the full deliberateness of my profession, and I have done so again here, in different directions, for different reasons. The private record is more honest than the published account. It is not the whole truth. I am not certain the whole truth is available to anyone, including the people who were there.
What I can offer is this: the account of what happened on Lincoln Island, told by the person who watched most carefully and wrote most of it down, including the parts he chose not to publish.
The reader may judge the difference.
Gideon Spilett Correspondent, New York Herald New York, 1869
* * *
The question was not whether we should attempt it. The question was whether the attempt would kill us before the alternative did.
I have reported from seventeen engagements of the present war, have stood in the telegraph office at Fredericksburg with grape-shot audible through the window, and have on two occasions been required to swim for my life across bodies of water that did not invite the exercise. I record these facts not in the spirit of boast, the correspondent who boasts is the correspondent who embroiders, and I have endeavoured throughout my career to be guilty of neither, but to establish that I am not a man easily persuaded that his situation is without remedy. On the afternoon of March the twenty-third, eighteen hundred and sixty-five, suspended above the Pacific Ocean in a balloon that was no longer willing to remain so, I had no recourse, for the first time in my professional life.
We had been five days in the air.
I should explain, for those readers to whom the circumstances of our departure from Richmond may not be familiar, how five people came to find themselves in such a position. The facts are these: in the early weeks of March, eighteen sixty-five, with the Confederate capital preparing for what most men on both sides of the conflict privately understood would be its final siege, a military balloon was secured in the city for purposes of observation. It was not a large balloon. It was not, if I am honest, a well-maintained one. Harding had sourced it through channels he did not discuss, it was not a Confederate observation balloon, those had been gone since sixty-three, but something older and more civilian, acquired quietly and kept ready. The fact that he had kept it ready told me something I noted without comment: he had known departure was coming before he told any of us it was coming. It had been manufactured in better times from better materials and had since been subjected to four years of war. That it held together as long as it did is evidence either of the quality of its original construction or of the mercy of Providence, and I will leave the reader to determine which explanation carries more weight.
The decision to use it as a means of escape was Colonel Harding’s. I shall not elaborate on the precise sequence of events that made escape desirable, those events are, in several respects, still subject to the deliberations of parties whose interest in the matter I am not in a position to prejudice.
The chapter keeps going.
Who this is for
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Worth your time if
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Not for you if
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How this book came about
Richard Lowe, the Writing King
Verne wrote extraordinary books and he wrote this one in 1875 with 1875 assumptions. The castaways are all white men except Neb, who is Black and devoted and barely a person on the page. Nobody has a flaw. Nobody has a past. The island provides and civilization triumphs.
That is not how people work, and it is certainly not how 1865 worked for everyone in that balloon. So I asked what Neb actually thought about any of it, what he was doing there in a country that had just fought a war over whether people like him were property, and what rescue meant to him.
The narrator is Gideon Spilett, the journalist, who was always the most interesting structural choice in the original and who Verne never used. A correspondent shaping what we read, with professional reasons to manage the account and information he will not publish, is a different novel. Magdalena Vasquez is mine, and she reads men like Harding faster than they read her.
Questions people ask
Also in Victorian Reimagined
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Told by the harpooner who counted the days |
The Confession of Tom Ayrton |
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Thirty stops, five hundred million years, and a machine that learns to talk |
The published account gave them versions of themselves they could live with
He kept the other version.
BUY FROM INGRAMSPARKAMAZONKOBOREAD A CHAPTERTABLE OF CONTENTS
Paperback and ebook.
Granite House
The Mysterious Island
Herbert found it. Fitting, since Herbert found most things on this island by the simple expedient of going everywhere at speed and paying attention.
He had been ranging along the cliff face south of the Chimneys, looking for what, he could not precisely have said, since Herbert’s explorations were not always purposefully directed so much as appetite-directed, the appetite in this case being for whatever the island had not yet shown him, when he noticed that the cliff face at one point was not solid. A crack in the granite, vertical, wider at the bottom than the top, behind which the rock did not meet itself. He pushed his arm in and felt nothing. He called for Pencroft.
Pencroft came and looked at the crack and hit the rock face in several places with his fist, listening to what it told him, and then he said: “Hollow. Big hollow.” He said it with the satisfaction of a man whose instrument, the fist, the ear, the accumulated knowledge of what solid rock sounds like, has returned a clear result.
They fetched Harding.
The entrance, once they had understood it, was not the crack but a passage behind the crack, a narrow thing that required turning sideways to cross, opening after fifteen feet into a chamber that was, by Harding’s estimate, sixty feet in length and thirty in width, its ceiling vaulting upward in the volcanic granite to a height of perhaps twenty-five feet at the peak. The floor was dry. The air was cool and moved slightly; it meant there was another opening somewhere that connected to the exterior. Three smaller chambers opened off the main space through natural archways in the rock.
Harding stood in it for a long time without speaking. I watched his face: doing the thing it did when he was working, the absolute internal focus, the body present and the mind elsewhere, assessing, calculating, seeing something the rest of us could not see yet.
Then he said: “The entrance is wrong. We need height.” He looked up at the cliff face above us, though we were inside the cliff and could not see it. “Thirty feet up there will be a weakness in the rock. We cut a window. We build a pulley system. We come and go from above.”
Pencroft said: “That’s a month’s work.”
“Three weeks,” Harding said. “If we start today.”
It took three weeks and two days. Pencroft received this as a professional result.
I will not detail every stage of the construction, the cutting of windows in the cliff face using the tools from the chest and Harding’s improvised chisels, the engineering of the rope and pulley arrangement that allowed us to ascend and descend from the plateau above, the fitting of the interior with the furniture that Pencroft and Herbert built from the island’s timber. Those details exist in my field notes and may be of use to readers of a technical disposition. What I will say is that the work was what all of Harding’s work was, not showy, not self-congratulatory, simply correct, the satisfaction of a method applied properly to a problem and the problem yielding.
I find that I want to say more about the cavern itself before it became Granite House, the cavern as we first found it, before we put our hands on it. I have, in twenty years of correspondence, made it my practice not to describe things I cannot describe accurately, and to be brief with things that resist accuracy. I am going to violate this practice.
The ceiling vaulted in the volcanic granite to a height that Harding estimated at twenty-five feet at the peak, and which I would have estimated at twice that, because the darkness above the lantern light made the stone seem to go on longer than mathematics would support. The walls were not flat, they had the organic unevenness of things formed by pressure and heat rather than by tools, and in certain lights they appeared almost to move. The floor was dry volcanic rock worn smooth in the centre by what I took to be centuries of water, before the water found another exit. The air inside was cooler than the air outside by several degrees, not the damp cold of the Chimneys but a dry, stable cold, the temperature of deep stone that the sun has never reached. And below everything, not heard but felt through the soles of the feet: a slow pulse, the sea working on the rock beneath us from a considerable distance. There were formations in the back corners, I do not know the geological term, pale columns of mineral deposit, each one slightly different, which Herbert named individually and incorrectly according to a system that satisfied him.
Table of contents
The Mysterious Island
- A Note on This Account
- Part One: Castaways
- Part Two: Colonists
- Part Three: The Island’s Secret
- Epilogue

