Victorian Reimagined

Eurydice

The Confession of Tom Ayrton

Content warningMutiny, violent crime, and the death of a spouse from progressive neurological illness.

The twelve years existed only in me, and the parts of them that had gone with my memory were gone.

Tom Ayrton, from the novel

Verne marooned Tom Ayrton on Tabor Island for twelve years, rescued him, reformed him, and then killed him defending the colony, all in about thirty pages, and never once went inside him. This is the account Verne did not write.

Gideon Spilett runs a series of sessions with Ayrton in the months after the rescue, somewhere between testimony and interview. Ayrton has decided in advance what the sessions get and what they do not, and the reader watches him choose. His wife’s name was Eurydice. She died of a progressive neurological disease over four years, and what he did for her at the end of those four years is the center of the book, and he says it once, partly.

Built from Jules Verne’s original, and complete on its own.

Reading order

The opening

The Beach

The boat came through the reef at half tide, four men at the oars, two more in the bow keeping watch on the rocks to either side. I sat in the stern with my hands loose in my lap. They had not bound them.

There was nowhere to go.

The channel was narrow. On both sides the reef worked constantly, that low continuous sound like breathing, the surge pressing through the rock formations and pushing back out. Salt on the air, strong where the channel kept the water moving through exposed basalt.

The bow ground up onto gray sand and stopped.

They worked without looking at me. A crate of provisions wrapped in sailcloth. Two oilskin bundles. A canvas sack of line. A hatchet with a worn handle. A knife in leather, recently oiled.

A rifle, lock wrapped in oilcloth, set apart from the other supplies on the thwart.

One cartridge on the floorboards beside it.

Not with the other goods. On the boards. Apart.

Glenarvan at the stern rail that morning. His face. The look of a man who had decided this was right while acknowledging, in the tightness around his eyes, that the doing is not comfortable. The cartridge was outside the proceedings. The addition that a man of conscience makes when the official and the private are not the same.

The man in the shallows held the gunwale and waited. I stepped out over the bow.

Cold hit my feet immediately through the leather. The sand shifted under my feet with each small surge. I stood there while the man stacked the supplies above the tideline.

The rifle last, carried separately, set on the dry sand with the cartridge placed beside it.

The man walked back to the bow and pushed off.

The oarsmen pulled. The boat came alongside the Duncan and the falls came down and the boat rose. The anchor chain came up and the engine turned over and the ship moved. The bow swinging north, then faster as she came onto her heading.

I watched her go.

She grew smaller in stages and then the hull dropped below the horizon and only the smoke of her stack remained, and then the wind took the smoke and there was nothing.

I sat on a flat rock above the storm wrack. The rock still held the warmth of the day.

She would have told me to get up. She would have said: the light is going and you haven’t looked at the island. Get up. Do the thing that needs doing. She would have been right. I sat on the rock anyway.

When the dark was complete I went back and moved the supplies above the storm line by feel. The rifle last. I picked it up and stood with it for a moment.

Good balance.

Before dawn I picked up the rifle and loaded it and sat on the flat rock with it across my knees.

Here is the thing: I do not want to do it on the beach. The beach is where they put me. I want to do it somewhere that is mine rather than theirs. Somewhere I have found rather than been placed.

I rewrapped the rifle and set it back with the supplies.

In the morning I turned and looked at the island.

From the south beach I could see all of it. I could see the edges of it. The entire extent of the world I was entering, visible in one look.

It was small. I had known it was small, I had seen it from the water, but standing on the beach and looking at it in the morning light was different from seeing it from the water.

From the beach I could see all of it. From this position, standing in the middle of the south beach, I could see from the north reef arm to the south reef arm and from the waterline to the summit of the point. I could see the edges of it.

The entire extent of the world I was entering was visible from where I stood, and the entire extent of it was not large.

The world is going to be this. Not what I can see from the ship’s rail or the harbor or the city street. This. All of it visible from this beach at once.

I walked the island that first day.

Not exploring, mapping.

Going over it systematically, the way you go over any space you are going to be responsible for. I started at the south beach and I went north along the west side and around the north reef and down the east side and back along the south. I noted the spring on the south slope, the grave on the high ground below the point. I noted the places that would be sheltered from the westerly and the places that would not be.

The island took three hours to walk around. At the end of the three hours I had seen all of it.

I went to the south beach and sat on the flat rock that I would later call nothing and I looked at the water. The afternoon light on the water. The reef making its sound on both sides of the channel.

Three hours. The world is three hours around. I have been in larger rooms.

I did not use the rifle that first day.

I had thought I would.

I had come to the island expecting to use it, planning to use it, thinking about the morning I would use it. The first day I was too busy.

Too much to map.

Too much to understand. By the time I sat on the rock in the afternoon light I was tired in as someone does who has been outside all day doing physical things, and tired was not the right state for what I had planned, and I put it off to the next day.

Who this is for

How this book came about

Richard Lowe, the Writing King

Verne introduces Tom Ayrton in chapter thirty-one of The Mysterious Island. Twelve years marooned on Tabor Island, partly feral, then rescued and reformed and dead defending the colony, in about thirty pages, with no attempt to go inside him. What he carried and what twelve years of isolation actually did to a man did not interest Verne. It interested me enormously.

The crimes are what pulled me in. Verne is deliberately vague, and vagueness costs something. A man without specific crimes is not a man, he is a category. So I gave Ayrton his crimes, named clearly enough that you know who arrived on that rock.

I gave him a wife. Verne mentions no family. Her name is Eurydice, she died of a progressive neurological disease over four years, and what he did for her at the end of those four years is the center of the book. He speaks of it once, partly, and the reader understands what he is not saying.

Questions people ask

Do I need to have read Verne or The Mysterious Island first?
No. Eurydice is fully self-contained. Ayrton appears in Verne’s original and in the reimagined Mysterious Island, and this novel gives you everything you need on its own terms.
What does the title mean?
Eurydice is the figure Orpheus descends into the underworld to retrieve and loses on the way out by looking back. It is also the name of Ayrton’s wife, which Verne never gave him because Verne never gave him a wife.
What were Ayrton’s crimes?
Verne kept them vague, a mutiny and something worse involving a ship called the Britannia. This novel names them clearly enough that you know what kind of man arrived on Tabor Island, without lingering over the detail.
Did the island reform him?
No. It removed the conditions that had let him continue, which is a different thing, and the distinction matters to him enough that he insists on it.
What order do the Victorian Era Series books go in?
Each stands alone. 20,000 Leagues Under the Sea, then The Mysterious Island, then this one, which goes inside the man the second book rescues.

Also in Victorian Reimagined

He chose what to give the sessions

The reader watches him choose.

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Eurydice

Eurydice

Her name was Eurydice.

I had not said that to them before. In all the sessions, the island sessions, the ship sessions, the colony, England, the eight rooms, the cup, I had said she and her and my wife and the illness and the morning. I had not said her name.

The name required the person, and the person required the time before the illness, and the time before the illness was the thing I had been holding back. The sessions I had given them were things that had happened, events with edges, things I could hand over and have them go from me into the notebook. The time before the illness was different. The time before the illness was the time when she was herself, when ordinary was ordinary, when I was living inside something I did not yet know was the thing I should have been memorizing.

That time I had been holding.

Now I went to give it.

She was from Bristol.

Her father had worked the harbor his whole life in the way that certain men work a specific place for decades and become part of the knowledge of the place, men who know everything about a particular geography through the accumulated daily experience of it, who know the tides and the weather and the traffic and the character of captains and the reputation of vessels and the subtle signals that tell you what kind of day the harbor is going to have before the day has happened.

He was not an educated man in the formal sense and did not need to be. He knew what he needed to know.

She had grown up near the harbor and the water was familiar to her in the way things are familiar when you have been near them before you were old enough to think about them, not as something or beautiful or worth remarking on, just as the thing that was there.

She did not romanticize the sea.

She had been near it too consistently for romance. It was the sea and it behaved in the ways the sea behaved and this was ordinary.

She was not beautiful in the sense that word usually means, which is a sense, organized around a kind of face and a specific relationship to being looked at. She did not have that relationship to being looked at. She had a different quality that I have always found harder to describe because the vocabulary for it is less developed.

Clear is the word I keep returning to.

Clear in the face and clear in the mind and clear in the way she engaged with things. When she looked at you she was doing nothing else. Most people look at you and do several other things at the same time: they are deciding something about you, they are managing how they are being seen, they are thinking about something that has nothing to do with you.

She looked.

When she looked at you there was no performance in the looking, no additional agenda, nothing happening behind the looking that was separate from the looking.

She was doing it.

I met her in January of 1841 at a dance in a room above a chandler’s shop near the Bristol harbor.

Someone’s sister had organized the dance.

I do not remember whose sister.

I do not dance and I did not dance then and I had gone because a man I worked with had asked me to come and had asked enough times that I had run out of polite refusals. I arrived and found a room full of people dancing and I found a wall to stand against.

She came and stood at the wall beside me.

“I also cannot dance,” she said.

“It seems a poor place to admit this,” I said.

“There are only so many times you can step on someone’s foot before honesty becomes the better policy,” she said.

That was the first thing she said to me.

We talked for the rest of the evening.

She had read more books than I had and had thought more carefully about them and was more willing to say plainly what she thought about them than most people I had met were willing to say plainly what they thought about anything. She talked about what she read with a directness that I found at first surprising and then attractive in a way I had not been attracted to things before, the attraction not to the beauty of a face or the grace of a manner but to the clarity of a mind and the willingness to use it.

Table of contents

Eurydice

  • The Beach
  • The Rescue
  • First Words
  • What I Saw in Neb
  • What Neb Was
  • The War
  • Daily Life
  • Before Dawn
  • The First Morning
  • The Pirates
  • A Single Image
  • Joop
  • The Intervention
  • The Colony
  • The Gun
  • The Names
  • The Garden
  • The Bottle
  • The Storm
  • The Same Storm
  • The First Ship
  • The Ships
  • The South Rocks
  • Spilett
  • Vásquez
  • The Grave
  • The Thing That Stops the Room
  • The Siege
  • Herbert
  • The Expedition
  • Nemo
  • What He Would Have Done
  • The Cache
  • England
  • The Volcano
  • The Doctors
  • The First Attempt
  • Three Weeks
  • The Eruption
  • The Night
  • Eurydice
  • The Recognition
  • The Duncan