Point of view decides what your reader knows and when they know it. These posts cover choosing first, third, or omniscient perspective, controlling narrative distance, and avoiding the head-hopping that quietly confuses readers.
fiction writingFew moments in reading match the jolt of realizing your narrator has been lying to you. Done well, it turns a reader into a detective and a straight plot into a labyrinth of doubt. Done badly, it just feels like…
Point of ViewChoosing a point of view feels easy until you are 150 pages in and realize you have been head-hopping, or describing things your narrator could never see. POV consistency breaks at novel length precisely because it looks trivial. Here is…
AI and WritingI use AI every day across 113+ published books and 54+ ghostwriting projects, and I have spent hundreds of hours writing handbooks on AI-assisted fiction, documenting exactly where it helps and where it fails. The short version: it will not…
Book CoachingI have spent forty-five years writing one fantasy series, Peacekeeper, longer than I have done almost anything else. It taught me more about world-building and magic systems than any craft book could. Here is what nearly half a century inside…
Point of ViewA busy street through a dog's eyes is not signs and storefronts; it is exhaust, a wall of noise, the dart of feet, the same scene rebuilt entirely from instinct and sensation. Writing an animal's POV means abandoning human-centered thinking,…
Character DevelopmentPowers, a villain, a saved city: superhero fiction looks easy, and that is the trap. The stories that endure use the extraordinary to dig into ordinary human problems. Here are ten craft decisions, from characters readers actually care about to…
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