Fiction craft from the ground up, from character and dialogue to plot and structure. Grounded in 22 published novels and 40+ handbooks on craft, the series offers practical technique for building stories that pull readers in and keep them.
Fiction WritingHalf the people who contact me ask for the wrong thing, requesting ghostwriting when they need a coach, or coaching when they need a ghostwriter. The mix-up is understandable; both put a professional beside you while you make a book.…
Fiction WritingGive them a goal, a flaw, a backstory, send them on a journey, and you get a character with traits instead of a psychology, brave but reckless, wounded childhood that explains it all. They function and stay flat. Real characters…
Fiction WritingThe DVD shelf became a subscription; the rotary phone became a prop; the encyclopedia set became a relic. For a fiction writer, those dead objects are live tools, because one period-accurate detail places a scene in its decade better than…
Fiction WritingA busy street through a dog's eyes is not signs and storefronts; it is exhaust, a wall of noise, the dart of feet, the same scene rebuilt entirely from instinct and sensation. Writing an animal's POV means abandoning human-centered thinking,…
Fiction WritingPut people who love each other and people who can barely stand each other in one room, add alcohol and thirty years of grievances, and something always happens. Holidays are not useful in fiction because they are warm and magical;…
Fiction WritingFill out the worksheet, assign the eye color and the favorite food, list three strengths and three weaknesses, and you get a character who is technically complete and feels like small talk with a stranger. Details are not the problem;…
Fiction WritingThe most effective books I have ghostwritten were sometimes not books at all but series, two, three, five titles built to compound an author's authority and pull readers through a catalog. It is harder than standalone work, because every choice…
Fiction WritingSome books drag you forward by sheer what-happens-next; others hold you because the characters feel like people you know. Plot-driven and character-driven are the two basic engines, and which you pick shapes the whole reading experience. Here are the real…
Fiction WritingThe girl boss has no flaws, no arc, and never earns a thing, and she is everywhere, and she is boring. Rey earns nothing; Ripley, Sarah Connor, and Lisbeth Salander are unforgettable. The difference is consequences, flaws, and craft. The…
Fiction WritingI have written civilization-ending apocalypses and survived Northridge and multiple wildfire evacuations, so I know destruction from both the keyboard and the evacuation route, and the gap between the two is exactly what separates effective catastrophe from forgettable spectacle. Here…
Fiction WritingYou wake and the world has quietly agreed on a lie that rewrites physics itself, your neighbor calls the eastern sunrise a western one and means it. From Semmelweis dying in an asylum to Cassandra screaming at the gates of…
Fiction WritingYou know character development works when the people in a book start to feel like people you know. It is the heart of narrative writing, and without it no amount of plot or world-building keeps a reader. Here are eight…
Professional ghostwriting for executives, founders, coaches, and authors who want to get the book done right. 113+ books authored. 54+ ghostwritten for clients.
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