Ayse Cerami Tribute
Remembering Ayse Cerami, a tribal style belly dancer with the She'enedra troupe who said everything in the dance and almost nothing otherwise
Content connected to bellydance: the coloring book series celebrating dance and dancers, drawn from Richard Lowe’s archive of more than 1,000 photographed bellydance performances.
BellydanceRemembering Ayse Cerami, a tribal style belly dancer with the She'enedra troupe who said everything in the dance and almost nothing otherwise
BellydanceRemembering Mercy, a belly dancer with the Ujam troupe who lit up every faire and stage with energy and a constant smile. Always dancing, always happy. RIP.
BellydanceIntrovert, ADHD, autism: by every measure I should avoid a stage, yet I now speak regularly and keep seeking more of it. It did not come naturally. It came through grief, a camera, and a lot of practice. Here is…
BellydanceOne Facebook comment, and within hours hundreds of strangers were piling on, screenshotting, sharing, hostility for its own sake from people who had never met me. Deleting the thread changed nothing. Here is what online mobs across Facebook, YouTube, and…
BellydanceOver eight years and 300-plus renaissance festivals, I shot roughly 980,000 photos of performers, belly dancers, jousters, pirates, often hired, always watching through the lens. That much close observation rewires how you see people. Here is what 980,000 photographs taught…
BellydanceIn this conversation I talk about turning a decade of belly dance photography into coloring books, four of them built from real performers instead of generic clip art. Shooting dancers since 2005 is exactly what makes them different. Here is…
BellydanceA writer who could not get the words right until she stopped trying to get them right. What changed, why it worked, and what it says about the difference between control and attention.
BellydanceLearn how I created a unique coloring book series focused on bellydance, blending artistic expression with cultural education.
BellydanceI always sat front row center. Eight years of shows, hundreds of performances across countless venues, and I never sat anywhere else. The dancers knew where to find me. When they hit their mark downst
BellydanceA memoir in stories. Eight years with a camera after my wife died, and the dancers and festival people who put me back together.
BellydancePhotographing an all-male bellydance show made me uncomfortable for about ten minutes. Discomfort is not damage.
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