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Genre: Science Fiction (Page 13)

Waterworld (1995) film posterAction

Waterworld (1995) Review

Waterworld had one genuine asset going in: a production design concept that was visually striking and physically coherent. A world covered in water would look exactly like this.

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The Expanse film posterDrama

The Expanse Review

By the standards that matter, world building, political complexity, character depth, physical realism, sustained narrative tension, nothing else in the genre comes close. Then Amazon bought it, and the same show with largely the same cast and creative team produced…

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Dune Parts 1 & 2 film posterAdventure

Dune Parts 1 & 2 Review

From inside the book, these are the right criticisms. The short version: Villeneuve made two visually extraordinary films that get many of the big things right and a handful of things badly wrong.

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eXistenZ (1999) film posterBody Horror

eXistenZ (1999) Review

eXistenZ is Cronenberg doing what Cronenberg does: making the body the site of horror and the technology that interfaces with it the vector of corruption. The bio-ports, the organic game consoles connecting directly to the spine, the game-meat assembled from…

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Westworld (1973) film posterArtificial Intelligence

Westworld (1973) Review

Westworld is great and deserves considerably better than its current reputation as merely the prototype for the HBO series. Michael Crichton's original concept is tighter, scarier, and structurally cleaner than anything the television adaptation produced in its first two seasons.

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Interstellar (2014) film posterAdventure

Interstellar (2014) Review

Interstellar is a bad film that has convinced a large number of people it's a profound one. The misdirection is accomplished through scale: everything is so large, so loud, so visually ambitious, so heavily scored that the emptiness at the…

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Avatar (2009) film posterAction

Avatar (2009) Review

Avatar is a white savior film wearing the costume of environmental progressivism, and the combination is more offensive than either element alone. The Na'vi, despite everything that makes them extraordinary, apparently needed Jake Sully.

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Contact (1997) film posterDrama

Contact (1997) Review

Contact is a film about a scientist so committed to empirical evidence that she rejects faith, who then has a transcendent personal experience, returns with no physical evidence it occurred, and is expected by the film to continue believing in…

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