Filming Location: New Mexico

Films in this library shot in New Mexico, a state whose landscape and incentives made it a standing double for the Southwest. Location data is sourced from Wikidata property P915, which records where a film was actually shot as distinct from where its story is set.

Let Me In (2010) film posterNew Mexico

Let Me In (2010)

Matt Reeves remakes Let the Right One In with care and conviction. Let Me In earns its 8 by being the rarest of things, an American remake of a beloved foreign film that justifies its own existence.

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Vampires (1998) film posterNew Mexico

Vampires (1998)

John Carpenter turns vampire hunting into blue-collar work and James Woods carries the whole film. Not a calling, not a tragic destiny, not a brooding romance with the dark.

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Independence Day (1996) film posterCalifornia

Independence Day (1996)

Dean Devlin co-wrote with Emmerich. The film established Will Smith as the dominant summer blockbuster star of the late 1990s, set up Roland Emmerich and Dean Devlin's career-long partnership producing disaster spectacles, and refined the destruction-of-iconic-landmarks visual template that subsequent…

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Them! (1954) film posterNew Mexico

Them! (1954)

Ted Sherdeman wrote, from a story by George Worthing Yates. The film made approximately two million dollars at initial release on a two hundred thousand dollar budget.

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John Carter (2012) film posterCalifornia

John Carter (2012) Review

John Carter is one of the most unfairly maligned films of the past fifteen years and one of the most expensive commercial failures in Disney history. The production was Stanton's live-action feature debut after his Pixar work on Finding Nemo…

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Thor (2011) film posterCalifornia

Thor (2011) Review

The MCU mythological foundation. The 8 reflects honest evaluation of the film that gave the MCU its mythological foundation and the entry that Kenneth Branagh directed with sustained Shakespearean theatrical attention.

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The Avengers (2012) film posterCalifornia

The Avengers (2012) Review

Joss Whedon's ensemble breakthrough, Tom Hiddleston's Loki, and the film that proved interconnected superhero cinema could function at scale. The 8.5 reflects honest evaluation of the film that proved interconnected superhero cinema could function at scale and the entry that…

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