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Tag: Unreliable Narrator (Page 2)

Rosamund Pike and Ben Affleck sit across from each other in a scene from Gone Girl, their faces tense and guarded. TITLE2010s

Gone Girl (2014) Review

Gone Girl (2014) rates 9 out of 10 on the rewatch scale. Gillian Flynn adapted her own novel and took a hammer to her own third act. Fincher shot it entirely in one small Missouri town for sixty-one million dollars,…

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Christian Bale as Patrick Bateman in a tailored suit, face blank and eyes cold, embodying the film's deadpan satire of Wall1980s

American Psycho (2000) Review

American Psycho (2000) rates 8 out of 10 on the rewatch scale. Mary Harron read a novel everybody called unfilmable and found the comedy in it. Made for seven million dollars, mostly in Toronto, and it is far funnier and…

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Alex DeLarge in white clothing and bowler hat, the protagonist of Kubrick's 1971 film adaptation. TITLE: A Clockwork Orange1970s

A Clockwork Orange (1971) Review

A Clockwork Orange (1971) rates 8 out of 10 on the rewatch scale. Kubrick makes you enjoy a monster's company, then cures him, then asks whether the cure was worse. Withdrawn from Britain by its own director for nearly thirty…

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Five men stand in a police lineup, with one seated and others standing at different heights against a white wall with1990s

The Usual Suspects (1995) Review

The Usual Suspects (1995) rates 8 out of 10 on the rewatch scale. A confession improvised from the noticeboard behind the detective's head. The twist survives knowing it, which is the only test that matters.

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Keira Knightley and James McAvoy in a scene from the 2007 film Atonement, depicting the central characters whose lives are2000s

Atonement (2007) Review

Atonement (2007) rates 8 out of 10 on the rewatch scale. A thirteen-year-old tells a lie and two lives end. The last ten minutes do not reveal a fact, they change what kind of object you have been watching.

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Bette Davis in a scene from All About Eve, looking over her shoulder with dramatic intensity in a classic Hollywood setting.Ambition

All About Eve (1950) Review

All About Eve (1950) rates 9 out of 10 on the rewatch scale. The best script ever written about ambition, in a film where everybody is intelligent and nobody has to be dim for the schemer to win. Fourteen nominations,…

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F. Murray Abraham as Antonio Salieri in period costume, face showing anguish or concentration. TITLE: Amadeus 1984 Salieri1980s

Amadeus (1984) Review

Amadeus (1984) rates 9 out of 10 on the rewatch scale. Not a biography and not trying to be. A film about a competent man given exactly enough talent to hear genius in somebody else and never produce it himself.

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Travis Bickle sits alone in his taxi at night, the city lights blurred through the windshield behind him. TITLE: Travis1970s

Taxi Driver (1976) Review

Taxi Driver (1976) rates 9 out of 10 on the rewatch scale. Schrader wrote it living in his car after a divorce, and the film never once steps outside Travis Bickle's head. The narration sounds reasonable. That is the horror.

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The Tell Tale HeartBook Reviews

The Tell-Tale Heart

A murderer insists on his sanity while his telling betrays his madness, in the definitive unreliable-narrator story. In barely two thousand words Poe builds unbearable tension to the famous confession. A masterpiece of Gothic horror and a perfect compact classic,…

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The Girl on the TrainBook Reviews

The Girl on the Train

A blackout-prone alcoholic narrator becomes entangled in a missing-person case she may have witnessed from her commuter train. A gripping, twisty page-turner built on genuinely unreliable narration, with a messy, unlikable heroine whose dysfunction is the point. Strong entertainment, a…

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AtonementBook Reviews

Atonement

A child's catastrophic lie and the lifetime spent trying to atone for it, spanning a 1935 English estate, the retreat to Dunkirk, and wartime London. Beautifully written and structurally daring, with a final turn that reframes the entire book and…

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Gone GirlBook Reviews

Gone Girl

On the morning of his fifth anniversary, Nick Dunne's wife vanishes, and what follows reshaped domestic suspense: dual unreliable narrators, a mid-book reversal both shocking and scrupulously fair, and a savage look at marriage and performance. A masterclass in structure…

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