Happy Death Day (2017) and Happy Death Day 2U (2019) Review
Jessica Rothe in Christopher Landon's time loop slasher comedies. Accumulated physical damage as urgency mechanism.
2010sJessica Rothe in Christopher Landon's time loop slasher comedies. Accumulated physical damage as urgency mechanism.
2000sDenzel Washington and Tony Scott's time travel thriller. The 10 rating reflects honest evaluation across multiple viewings.
2010sDuncan Jones's time travel thriller with Jake Gyllenhaal in eight-minute consciousness-transfer repetitions. The ending raises the entire production.
2010sRian Johnson's time travel thriller. Joseph Gordon-Levitt transforming into Bruce Willis through accumulated choices.
2010sCumberbatch as a specifically arrogant intellectual protagonist, Tilda Swinton's Ancient One, reality-folding combat. The 8 reflects honest evaluation of one of the more successful Phase Three MCU entries and the entry that introduced the franchise's mystical-arts dimension.
1990sBill Murray, Andie MacDowell, and the time-loop comedy that doubles as theology. Studied in religion classes and philosophy seminars.
2000sA father in 1969 talks to his son in 1999 through a ham radio during an aurora. The film works on a viewer who comes to it cold.
Cult ClassicTwenty slow-burn sci-fi and fantasy films that earned their setup. From Mortal to Prospect: character-driven, grounded, and overlooked. If you missed them, find them.
Fiction WritingHonest ratings for 39 TV series across six decades. From The Shield to The Pitt, ranked by someone who remembers what television used to be capable of.
1990sFirst Contact is the best Star Trek film after Wrath of Khan, and that's a significant statement given how many entries the franchise has produced. What separates it from the rest is a structural decision that most franchise filmmaking refuses…
2010sEdge of Tomorrow earns its 8.5 by doing the one thing time-loop narratives almost never manage: making the repetition feel earned instead of gimmicky. Cage doesn't loop because the script needed a device.
1990sJames Cameron's most audacious decision in Terminator 2 isn't the liquid metal effects or the freeway chase or the nuclear dream sequence. It's taking his own iconic villain and making him the film's emotional center.
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