Captain America: The Winter Soldier (2014) Review
The Russo brothers' 1970s political thriller in superhero clothing. Robert Redford, Chris Evans, and the MCU's peak film.
Tag: Disney+ (Page 4)
2000sX-Men Origins: Wolverine (2009) Review
Hugh Jackman, Liev Schreiber's underrated Sabretooth, and the Deadpool handling that damaged the property for years. The 8.5 reflects honest evaluation of the film that proved interconnected superhero cinema could function at scale and the entry that established the commercial…
2010sThe Avengers (2012) Review
Joss Whedon's ensemble breakthrough, Tom Hiddleston's Loki, and the film that proved interconnected superhero cinema could function at scale. The 8.5 reflects honest evaluation of the film that proved interconnected superhero cinema could function at scale and the entry that…
2010sThor: Ragnarok (2017) Review
Taika Waititi's tonal pivot that broke the Thor character and signaled the MCU's slide into decorative comedy. The 6 reflects honest evaluation of a film that is funny in its individual moments but represents a structural betrayal of the Thor…
1980sHoney, I Shrunk the Kids (1989) Review
Rick Moranis at his peak, practical effects that put CGI to shame, and Disney back when it made original family adventures. The Blu-ray release is out of print and trades at collector prices.
Disney+Films That Needed Someone to Say No
Twenty films damaged not by studio interference but by its absence — from The Phantom Menace's unchecked Lucas to The Hobbit's nine hours of one children's book. The right No at the right moment is as valuable as any creative…
AdaptationFilms That Ruined the Book
Twenty adaptations that lost what made the source worth adapting — from I Am Legend's inverted ending to The Hobbit's inflated scale to The Golden Compass's defanged argument. What went wrong in each case, and the one question every adapter…
Disney+When the Message Overrode Common Sense
Fifteen films where ideology, agenda, or message drove creative decisions that damaged the work — organized into three honest categories: Historical Fraud, Agenda Over Narrative, and Complicated Cases. Queen Cleopatra and The Little Mermaid are not the same kind of…