In the first session with a new client, I encourage anyone who isn’t already a keynote speaker to become one, and to build the talk on the book we’re about to write.
I also tell them how the logistics work. You can order author copies of your own book at cost plus shipping from Amazon, from Ingram or from whatever printer you use, and have the boxes shipped straight to the hotel where you’re speaking. You walk off the stage, and your book is waiting at the back of the room.
A book and a keynote belong together.
The talk puts you in front of a few hundred people for forty-five minutes. The book stays with them for years after they’ve forgotten the hotel ballroom. What happens after the applause? The audience files out, checks their phones, and by the afternoon session most of them have forgotten your name. The ones who carried your book out of the room haven’t, and a few of them will read it on the flight home and call your office on Monday.
The speaking business runs on trust that a meeting planner has to extend to a stranger. She’s booking somebody to hold a room of three hundred paying attendees for most of an hour, and if the speaker bombs, it’s her name on the evaluation forms. So she looks for proof before she signs anything. A book on the subject is the oldest proof in the business, and it was doing that job long before anybody had a demo reel.
Unfortunately, most speakers put off the book for years. They’re booked solid, and writing two hundred pages sounds like a sabbatical they’ll never get. Every year they wait costs them engagements they never hear about. The planner shortlisted five names, picked the one with a book, and never sent the others a rejection, so the speaker never learns why the phone stayed quiet.
Why do keynote speakers need a ghostwritten book?
Because the stage is crowded and a book separates a speaker from everyone else on it. Conferences get stacks of pitches from people who say they’re dynamic speakers with a powerful message. The meeting planner can’t tell them apart. An author with a book on the subject gets looked at first, because the book proves you’ve thought the idea through to two hundred pages and somebody put your name on a cover.
The book also does the selling while you’re on the road. A planner on the fence reads a chapter and hears how you think, and a bureau agent pitching you to a client has something better than a demo reel to hand over. After the event, the attendee who loved your talk buys copies for the team back at the office.
Why ghostwritten? Because a working speaker has no time to write.
You’re traveling, rehearsing, doing sound checks at six in the morning and answering email from airport gates. Your ideas are already sharp, because you’ve tested them in front of live audiences. A ghostwriter interviews you, pulls those ideas and the stories that carry them onto the page, and gives you a book that sounds like you on your best day on stage.
Does a ghostwritten book help a speaker get booked for paid keynotes?
Yes. A book is the credential planners and bureaus look for first, and it justifies a higher fee.
Put two speaker bios side by side and the difference jumps out. The bio that opens with “author of” reads differently from one that opens with “passionate about.”
The results can go well beyond the stage. A Canadian tech entrepreneur I wrote for used his book to land a TEDx talk and grow his business, and a Fortune 50 executive’s book helped him raise $30 million in venture capital.
Neither result came from book sales. Both came from what the book made possible.
Bureaus have their own rules about who they’ll represent, and a book is high on the list. My article on speaker bureaus and the conference circuit explains how a book gets you onto their roster and onto their stages.
The book has to be good, though. A thin, generic book with your name on it hurts you with the planners who read it, and some of them do. A planner who opens your book and finds filler will wonder what your talk sounds like.
Would you hire that speaker?
How do keynote speakers sell a ghostwritten book at events?
Order author copies, ship them to the venue, and sell or give them away at the back of the room.
Author copies cost you the printing price plus shipping, a fraction of the cover price, whether you print through Amazon, Ingram or another printer.
Plan the shipment like a professional. Print runs and shipping take time, so order weeks ahead. Call the hotel before you ship and ask how they handle packages for guests and events, because plenty of hotels charge a handling fee per box and some won’t hold packages for guests who haven’t checked in. Label every box with your name, the event name and your arrival date. Pack a few copies in your checked bag in case the boxes go missing.
The better deal is the one where you don’t sell at all. Negotiate a book purchase into your speaking contract, so the event buys a copy for every attendee. You get a larger fee, and every person in the room goes home with your book. Planners like it too, because it gives attendees something to remember the event by.
When you do sell, sign every copy and talk to every buyer. The signing line is where consulting inquiries start.
My article on direct-from-author book sales covers pricing and payment at events.
The keynote gets you forty-five minutes. The book on the chair gets you the next five years. – Richard LoweShare on X
Can a ghostwriter turn my keynote talk into a book?
Yes, and your keynote makes a strong spine for a book. The talk already has a thesis and stories that land, tested in front of real audiences. A ghostwriter starts there.
A keynote isn’t long enough to be a book on its own. Forty-five minutes of speaking comes to roughly six thousand words, and a book for speakers wants forty to sixty thousand. The ghostwriter fills the gap by interviewing you for the stories you cut to make the time limit and the practical steps you never have stage time to explain. Those become the chapters your audience wanted more of.
Recordings of your talks help, and so do slide decks and the notes you’ve built up over years of speaking. My article on turning speeches, podcasts or videos into a book covers how a writer works from that material.
Keep the book and the talk tied together. Use the same core idea, the same key phrases and a title your audience will remember when they walk out. A speaker whose book says one thing and whose talk says another confuses the people who’d otherwise buy both.
How does a ghostwritten book pay off for a speaker if book sales don’t?
Through everything the book opens up.
I tell every client, speakers included, that they’re very unlikely to earn the ghostwriting fee back through book sales. The return comes from using the book as the foundation of their marketing.
For a speaker that foundation holds a lot of weight. The book raises your speaking fee and gets you onto bigger stages. It turns a one-hour talk into a consulting contract, because the executive who heard you speak and read your book on the flight home now wants you inside the company. It becomes a workshop or an online course. My article on turning a ghostwritten book into courses and talks shows how that works chapter by chapter.
Speakers who judge the book by its royalty statement miss all of that, and it makes me crazy.
A book that sells five hundred copies at the back of the room and lands three consulting contracts has done its job many times over. Count the return from the contracts, and treat the royalties as a bonus.
Which would you rather have from a keynote: a royalty check for forty books, or a call from the executive who sat in the third row? I know which one I’d take, and I tell every client the same thing.
Should a keynote speaker self-publish a ghostwritten book?
For most speakers, yes. I don’t recommend traditional publishing to my clients, and speakers have more reasons than most to avoid it. Three of my clients’ books went to traditional publishers, and each one took twelve to eighteen months to reach print. A speaker can give forty talks in that stretch, every one of them without a book at the back of the room.
The money runs the wrong way too. A traditional publisher pays you a small royalty and sells you your own books at a discount off the cover price. Self-publish, and you buy author copies at the printing cost plus shipping. That leaves a real margin on every book you sell at an event, and it makes a per-attendee deal with a conference easy to price.
Control matters on the road. The author picks a title that matches the talk and approves the cover, and a self-published speaker can release an updated edition when your talk evolves, without asking an editor in New York for permission.
I deliver a solid draft and refer clients to trusted editors and proofreaders, and I offer a publishing package for clients who want help getting the book into print. My own books go through IngramSpark. Whatever route you take, budget for a professional cover. A planner judges your book from across the room before she ever opens it.
How long does a ghostwritten book for a keynote speaker take?
Months, so start well before the event season you’re aiming for. The interviews come first, then chapters arrive one at a time for you to review, and editing, printing and a first shipment of author copies all come after the manuscript is done. A speaker who wants books at a fall conference should be talking to a ghostwriter the winter before, at the latest.
Travel doesn’t stop the interviews.
We start with an hour-long kickoff, and after that plenty of my clients prefer the phone to Zoom, so you can do a session from a hotel room the night before a talk. After each session I send a summary document, and you read the chapters on the plane.
Your schedule does set the pace. A speaker who cancels three sessions in a row because of back-to-back bookings loses a month. Block the interview time on your calendar the way you’d block a paid engagement, and the book stays on track.
Can I give keynotes about a ghostwritten book I didn’t write myself?
You can, and you should.
The ideas and stories are yours, and the voice on the page came out of your own interviews. You’re the author. The ghostwriter’s job was to get your thinking onto paper, and your job now is to take it on stage.
Know the book cold before you promote it. Read it twice once it’s in print, and mark the passages you’ll quote from the stage. An audience member will ask about chapter seven, and you should be able to answer without reaching for the book. You’ll know it better than you expect, because every chapter came from your own mouth in an interview and you approved each one as it arrived.
Your ghostwriter stays invisible unless you choose otherwise. My article on interviews, podcasts and book events when your book was ghostwritten covers what to say if anybody asks.
Can an introvert use a ghostwritten book to become a keynote speaker?
Yes, and you’d be in good company, including mine. I’m highly introverted, and I still speak. Purdue brought me in as a guest speaker for a course that used my consulting book as its textbook, and I’ve made 100+ guest podcast appearances. I wrote about how I got there in public speaking for introverts.
I’d argue introverts have an edge on stage, because we prepare instead of winging it, and a book hands you most of that preparation already done: a finished argument and stories already in order. Start small, with a chamber lunch or a trade association breakfast, and work up.
If you’re writing a book and you’ve never given a keynote, tell your ghostwriter in the first session, and build the book so it can become a talk. If you’re already on the circuit, bring your recordings and your slide decks to the Book Discovery Intensive, and read the Ghostwriting Hub for the rest of the hiring process. My ghostwriting services page explains how the full project runs. Picture the boxes waiting at the hotel front desk the night before your next keynote, with your name on every cover inside them.
