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Vice Squad (1982) - film posterCalifornia

Vice Squad (1982) – Review

Wings Hauser's Ramrod is one of genre cinema's genuinely frightening villains, casual, flat, and relentless across a single Hollywood night. That's not a bad place for a genre film to land, it means the ambition outpaced the execution in specific,…

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Hardcore (1979) - film posterCalifornia

Hardcore (1979) – Review

Paul Schrader grew up in a strict Calvinist household in Grand Rapids, Michigan. It's a hard film to watch, not because of what it shows, which is less explicit than its reputation suggests, but because of what it understands about…

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Minority Report (2002) film posterCalifornia

Minority Report (2002) Review

Minority Report is a Spielberg film arguing against surveillance and predictive control while being too Spielberg to commit fully to the darkness its premise requires. Dick's source material was about the arbitrary nature of certainty, and Spielberg captures that element…

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Star Trek: First Contact (1996) film posterArizona

Star Trek: First Contact (1996) Review

First Contact is the best Star Trek film after Wrath of Khan, and that's a significant statement given how many entries the franchise has produced. What separates it from the rest is a structural decision that most franchise filmmaking refuses…

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Blade Runner 2049 (2017) film posterCalifornia

Blade Runner 2049 (2017) Review

Blade Runner 2049 is visually extraordinary and narratively inert. Denis Villeneuve and Roger Deakins built some of the most stunning images in recent science fiction cinema, the orange desolation of post-collapse Las Vegas, the grey protein farms extending to the…

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Interstellar (2014) film posterCalifornia

Interstellar (2014) Review

Interstellar is a bad film that has convinced a large number of people it's a profound one. The misdirection is accomplished through scale: everything is so large, so loud, so visually ambitious, so heavily scored that the emptiness at the…

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Westworld (1973) film posterCalifornia

Westworld (1973) Review

Westworld is great and deserves considerably better than its current reputation as merely the prototype for the HBO series. Michael Crichton's original concept is tighter, scarier, and structurally cleaner than anything the television adaptation produced in its first two seasons.

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