Dracula (1958)
Hammer's 1958 Dracula made the vampire physical, sexual, and bloody. Christopher Lee plays Dracula, and the performance redefined the role.
Peter Cushing brought a clipped, precise, almost fussy quality to horror that made his Baron Frankenstein far more unsettling than any monster. He plays the character as a man for whom other people are simply materials, and does it politely.
He made more than twenty films with Christopher Lee and the contrast between them, Cushing’s exactness against Lee’s silent physical presence, is the engine of the Hammer cycle.
Star Wars gave him Grand Moff Tarkin, and he reportedly found the boots so uncomfortable that Lucas shot him in slippers from the knees up.
His wife’s death in 1971 devastated him and he was open that he worked afterward mainly to fill time, which colors the later performances considerably.
Christopher LeeHammer's 1958 Dracula made the vampire physical, sexual, and bloody. Christopher Lee plays Dracula, and the performance redefined the role.
George ColeIngrid Pitt raises Hammer's adaptation of Carmilla into a melancholy gothic. There is real sorrow in the performance.
David PeelHammer built a gorgeous sequel without Christopher Lee, and it may be better than the original. Christopher Lee, in a contract dispute, sat this one out, and Hammer built a sequel around a different vampire entirely, a charming young aristocrat…
Alec GuinnessA New Hope is the film that created modern blockbuster cinema, and it did so by being something very specific: a myth engine. Lucas wasn't writing charact.
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