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Genre: Vampire

The oldest monster that still works. Vampire fiction is about hunger, power, and the terrible economics of living forever, and these stories take the fangs seriously.

Cronos (1993) film posterHorror

Cronos (1993)

Guillermo del Toro reroutes the vampire myth through a clockwork device in his startling 1993 debut. The fascination with antique machinery.

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Nosferatu (1922) film posterHorror

Nosferatu (1922)

Murnau's 1922 Nosferatu invented vampire cinema and still frightens a century later. The estate sued anyway and won, and a court ordered every copy destroyed.

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Only Lovers Left Alive (2013) film posterDrama

Only Lovers Left Alive (2013)

Not the thrill of immortality, not the hunt, not the gothic romance. What it offers instead is two ancient lovers, the crumbling cities they haunt, and the slow pleasure of their company.

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What We Do in the Shadows (2014) film posterComedy

What We Do in the Shadows (2014)

What We Do in the Shadows earns its 8.5 by finding a joke the vampire genre had somehow left lying on the ground for a century. What if immortal creatures of the night still had to argue about whose turn…

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Martin (1977) film posterHorror

Martin (1977)

Martin earns its 8 by asking a question that quietly dismantles the entire vampire genre. What if there is no such thing as a vampire, only a disturbed young man who believes he is one?

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From Dusk Till Dawn (1996) film posterAction

From Dusk Till Dawn (1996)

The tonal whiplash is the entire experience. From Dusk Till Dawn earns its 7 by being two completely different movies stapled together, and by the strange fact that the staple holds.

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Byzantium (2012) film posterDrama

Byzantium (2012)

Neil Jordan returns to vampires with a feminist story of a mother and daughter surviving two centuries. The film's mythology is explicitly gendered.

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Let Me In (2010) film posterDrama

Let Me In (2010)

Matt Reeves remakes Let the Right One In with care and conviction. Let Me In earns its 8 by being the rarest of things, an American remake of a beloved foreign film that justifies its own existence.

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