Titanic (1997) Review
Titanic (1997) rates 8 out of 10 on the rewatch scale. Cameron built the ship at ninety percent scale, sank it, and hung the oldest story in the world off the side of it. The door problem is real. The…
DisasterTitanic (1997) rates 8 out of 10 on the rewatch scale. Cameron built the ship at ninety percent scale, sank it, and hung the oldest story in the world off the side of it. The door problem is real. The…
Black ComedyTriangle of Sadness (2022) rates 7 out of 10 on the rewatch scale. A luxury cruise, a great deal of vomit, and an island where the toilet manager is in charge. Blunt satire in three parts, and the third one…
BiopicAmadeus (1984) rates 9 out of 10 on the rewatch scale. Not a biography and not trying to be. A film about a competent man given exactly enough talent to hear genius in somebody else and never produce it himself.
CrimeEastern Promises (2007) rates 8 out of 10 on the rewatch scale. Cronenberg on the Russian mafia in London, where the body is the filing system and the tattoos are the documents. The bathhouse fight works because nobody in it…
CrimeTaxi Driver (1976) rates 9 out of 10 on the rewatch scale. Schrader wrote it living in his car after a divorce, and the film never once steps outside Travis Bickle's head. The narration sounds reasonable. That is the horror.
DramaNot the thrill of immortality, not the hunt, not the gothic romance. What it offers instead is two ancient lovers, the crumbling cities they haunt, and the slow pleasure of their company.
DramaReligious tragedy meets erotic horror, reviewed at Master of Worlds. Few directors would even attempt this combination.
DramaMatt Reeves remakes Let the Right One In with care and conviction. Let Me In earns its 8 by being the rarest of things, an American remake of a beloved foreign film that justifies its own existence.
DramaNeil Jordan returns to vampires with a feminist story of a mother and daughter surviving two centuries. The film's mythology is explicitly gendered.
DramaWerner Herzog remakes Murnau as a tragedy, and Klaus Kinski's Dracula is the genre's saddest monster. The vampire here is not merely frightening.
DramaMichael O'Shea's grounded debut uses vampirism as a lens for trauma and isolation. The film never says, and the ambiguity is the point.
DramaRobert Eggers brings obsessive period craft to the third great Nosferatu, with a ferocious Lily-Rose Depp at its center. Nosferatu earns its 8 as the most beautiful and uncompromising vampire film in years, Robert Eggers bringing his obsessive period craft…
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