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AI’s Black Box Is Getting a Window. Somebody Still Has to Look Through It“It Stars C. Thomas Howell. No.” Why AI Gets Stuck in a LoopShould You Query or Self-Publish Your Memoir If You’re Not Famous?Judge the Writing, Not the Tool: What the AI Pile-Ons Get WrongThiago Ferreira: Thinkers, Not DoersYana Semova: Let AI Do the AdminLisa Hamilton-Smith: Unstoppable, AI AssistedSuperman Day: The $130 Contract Behind the CapeRaymond Chandler Day: The Novelist Who Started at FiftyJohn Steinbeck Day: The Reporter Who Wrote the NovelInternational Translation Day: The Invisible AuthorsMaya Angelou Day: The Dare That Became a MemoirNational Podcast Day: The Interview Is the Raw MaterialKurt Vonnegut Day: The Book That Took Twenty YearsTell a Fairy Tale Day: The Stories Everybody EditedHarry Potter’s Birthday: The Book Twelve Publishers MissedHarper Lee Day: The Draft Her Editor Saw ThroughGene Roddenberry Day: The Pilot Who Pitched the StarsRoald Dahl Day: Six Pencils and a Grudge Against Grown-UpsInternational Literacy Day: The Readers Books LoseJack Kerouac Day: The Scroll and the Last AddressElmore Leonard Day: Leave Out the Part Readers SkipEncourage a Young Writer Day: The Adult Who Read the PagesBack to the Future Day: The Script Where Everything Pays OffNational Library Lovers Month: The Building a Town Pays ForAlice’s Day: The Story Told on a Rowing BoatRobert E. Howard Day: The Texan Who Built ConanStephen King Day: The Daily Two ThousandEmily Dickinson Day: The Poems in the DrawerIan Fleming Day: Two Thousand Words a MorningFyodor Dostoevsky Day: The Novels Written Against the ClockZora Neale Hurston Day: The Ear She TrainedF. Scott Fitzgerald Day: The Masterpiece That FloppedElmore Leonard’s 10 Rules of Writing, and Which Ones I BreakShould Your Novel Have a Prologue? When a Cold Open Earns Its Place“People Who Use AI Deserve to Be Castrated”: When the Sentence Outruns the CrimeHow Famous Memoirs Were Really Written: What the Collaborators DidThe Bell JarOpen: An AutobiographyBeneath a Scarlet SkyFlorida RoadkillCampus BattlefieldLifeThe Phone Book: The Curious History of the Book That Everyone Uses But No One ReadsThe Sage of SagittariusDid I Ever Tell You This?: A MemoirPa’anAmerican SoldierIt Doesn’t Take a HeroMake Your Bed: Little Things That Can Change Your Life…And Maybe the World

Genre: Crime

Stories and exercises built around the break, the cover-up, and the catch. Crime fiction works because the rules are clear and the people keep breaking them, and this genre covers both sides of the badge.

Kay Lenz in a dance club scene from the 1987 film Stripped to Kill, wearing performance attire under stage lighting.Crime

Stripped to Kill (1987) Review

Stripped to Kill (1987) rates 4 out of 10 on the rewatch scale. Katt Shea's first film as director, made for Concorde under a brief requiring a fixed number of dance sequences, and she used the constraint to build something…

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A still from the 1982 film showing a man in dark clothing against a New York city background.Crime

The New York Ripper (1982) Review

The New York Ripper (1982) rates 3 out of 10 on the rewatch scale. Lucio Fulci made a giallo about a killer who murders women and quacks like a duck on the telephone. It was seized in Britain, refused certification…

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Melissa Leo as Cookie in a scene from the 1985 film Streetwalkin', standing in an urban New York setting.Crime

Streetwalkin’ (1985) Review

Streetwalkin' (1985) rates 3 out of 10 on the rewatch scale. A Concorde Pictures production shot in New York in about three weeks, with Melissa Leo in her first lead role eight years before her career started, and a structure…

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Burt Reynolds as Detective Sharky in a surveillance scene from the 1981 Atlanta police thriller, monitoring a target throughCrime

Sharky’s Machine (1981) Review

Sharky's Machine (1981) rates 7 out of 10 on the rewatch scale. Burt Reynolds directed himself in an Atlanta police thriller with a jazz score, a surveillance structure and a genuinely nasty streak, and it is the best film he…

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A man in a dark shirt stands in a dimly lit interior space, looking troubled or searching for something. TITLE: Street GirlsCrime

Street Girls (1975) Review

Street Girls (1975) rates 3 out of 10 on the rewatch scale. A father searches Eugene, Oregon for a daughter who has disappeared into the local trade, in a film co-written by Barry Levinson a decade before he directed anything,…

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A woman with short dark hair stares directly at the camera with an intense, blank expression in a dimly lit interior. TITLECrime

Ms. 45 (1981) Review

Ms. 45 (1981) rates 7 out of 10 on the rewatch scale. Abel Ferrara made a rape-revenge film with a mute protagonist, almost no dialogue and a budget of around sixty thousand dollars, and Zoe Lund's performance is better than…

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Sylvester Stallone and Billy Dee Williams stand alert on a New York street at night as plainclothes police officers. TITLEAction

Nighthawks (1981) Review

Nighthawks (1981) rates 7 out of 10 on the rewatch scale. Stallone and Billy Dee Williams are New York decoy cops assigned to an international terrorist, and Rutger Hauer is so much better than the film around him that he…

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Betsy Russell as a young woman in 1980s clothing, looking serious or determined.Action

Avenging Angel (1985) Review

Avenging Angel (1985) rates 3 out of 10 on the rewatch scale. The sequel recast its lead, aged the character to university student, and converted a squalid character piece into a revenge picture with a real estate conspiracy. It is…

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Kurt Russell as Detective Eldon Perry in a scene from the 2002 film Dark Blue, wearing LAPD uniform in an interior setting.Crime

Dark Blue (2002) Review

Dark Blue (2002) rates 8 out of 10 on the rewatch scale. Kurt Russell plays a third-generation LAPD officer who plants evidence as a matter of routine, set in the week before the Rodney King verdict. James Ellroy wrote the…

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Donna Wilkes in school uniform and streetwear, reflecting the film's central contrast between student and sex worker.Crime

Angel (1984) Review

Angel (1984) rates 4 out of 10 on the rewatch scale. New World Pictures built a film around the tagline about a high school honour student who works Hollywood Boulevard at night, and the premise is the problem. What is…

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Nicolas Cage as a private investigator in a dark room, watching film reels on a projector in a scene from the 1999 thrillerCrime

8MM (1999) Review

8MM (1999) rates 5 out of 10 on the rewatch scale. Joel Schumacher directing Andrew Kevin Walker's script about a private investigator tracing a snuff film, with Nicolas Cage restrained and Joaquin Phoenix excellent, undone by a third act that…

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A nighttime Los Angeles street scene with multiple cars and pedestrians, suggesting the interconnected urban chaos centralCrime

Crash (2005) Review

Crash (2005) rates 4 out of 10 on the rewatch scale. Paul Haggis assembled a multi-strand Los Angeles film in which every character holds one racial attitude the plot then corrects, won Best Picture over Brokeback Mountain, and has spent…

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