Films in this library shot in Atlanta, the center of a state film industry built on tax credit. Location data is sourced from Wikidata property P915, which records where a film was actually shot as distinct from where its story is set.
AtlantaSharky's Machine (1981) rates 7 out of 10 on the rewatch scale. Burt Reynolds directed himself in an Atlanta police thriller with a jazz score, a surveillance structure and a genuinely nasty streak, and it is the best film he…
AtlantaDriving Miss Daisy (1989) rates 5 out of 10 on the rewatch scale. Two superb performances inside a film that covers twenty-five years of the American South and declines to examine any of it, in the year Do the Right…
Atlanta
AtlantaEdgar Wright's music-driven heist masterpiece. Seen it more than five times.
AtlantaPaul Rudd's likability anchors a heist-comedy that survived Edgar Wright's departure. The Quantum World setup that would matter.
AtlantaJordan's Killmonger is one of the franchise's best villains. Production and costume design earned Academy Awards.
AtlantaTom Holland's age-appropriate Peter Parker, Michael Keaton's working-class Vulture, John Hughes-influenced high school direction. The 7 reflects honest evaluation of one of the better Phase Three MCU entries and the best Peter Parker since Tobey Maguire.
AtlantaFlorence Pugh's Yelena Belova carries a film that arrived too late to matter. The Phase Four opener that established the pattern of decorative empowerment.
AtlantaThe Phase 3 inflection point where moral clarity became moral confusion. Spider-Man and Black Panther's introductions as franchise expansion vehicles.
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