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Director: Taika Waititi

Taika Waititi built a register in New Zealand independent film, Boy, What We Do in the Shadows and Hunt for the Wilderpeople, that runs on deadpan delivery, awkward pauses and sudden sincerity. He usually appears in his own films in a supporting part.

Thor: Ragnarok imported that wholesale into Marvel and rescued a character the previous two films had made dull. Jojo Rabbit, in which he plays an imaginary Hitler, won him the Academy Award for Best Adapted Screenplay.

The criticism is that the comic register has started to override the material, and Thor: Love and Thunder is the usual exhibit. The earlier New Zealand films are where the approach is most controlled.

Thor: Ragnarok (2017) film posterTaika Waititi

Thor: Ragnarok (2017) Review

Taika Waititi's tonal pivot that broke the Thor character and signaled the MCU's slide into decorative comedy. The 6 reflects honest evaluation of a film that is funny in its individual moments but represents a structural betrayal of the Thor…

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