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Director: Paul Verhoeven

Paul Verhoeven made his name in the Netherlands with Turkish Delight and Soldier of Orange before moving to Hollywood, where he spent a decade making satires that American audiences largely took at face value. RoboCop, Total Recall and Starship Troopers are all extremely violent films arguing against the thing they depict, and the argument was widely missed.

Starship Troopers is the clearest case. Verhoeven, who grew up under German occupation, made a fascist recruitment film complete with newsreels and uniforms borrowed from the Wehrmacht, and reviewers called it a dumb bug movie. Its reputation has fully reversed since.

He returned to European filmmaking with Black Book and Elle, both of which are as provocative as the American work and were received as serious cinema instead of as trash, which says more about distribution than about the films.

Starship Troopers (1997) film posterPaul Verhoeven

Starship Troopers (1997)

Starship Troopers is one of the most misunderstood films of the 1990s and one of the most accomplished political satires in mainstream science fiction. The adaptation is loose in ways that have generated decades of argument.

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RoboCop (1987) film posterPaul Verhoeven

RoboCop (1987) Review

RoboCop is a better film than its premise suggests and a more subversive one than its marketing implied. Paul Verhoeven made a corporate satire inside a violent action film, and the two registers enhance each other instead of competing.

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