Latest
Claude Opus 5.5: What the New Release Means for WritersTrump’s AI Force Is a Fire Department With No Fire CodeThe Clients Who Pay and VanishThe Quotation Marks That Get Authors SuedWhen a Client Thinks the Ghostwriter Used AIWhat an AI Detector Score on Your Manuscript Is WorthWhen Your Memoir Should Be a NovelThe Work You Would Never Have StartedThe One-Hour Call Before I Quote Your BookWhat Belongs on a Copyright PageThe Hugging Face AI Agent Attack: An Operations ReadingWhen Your Own Memoir Sounds Like BraggingMonthly or Milestone: How Ghostwriting Gets BilledWhat It Costs to Fix an AI-Written ManuscriptBehind the Book: The Mysterious Island, Neb’s SideHow to Organize Decades of Memories Into a MemoirWhy Rotten Tomatoes Sucks: The Score Does Not Mean What You ThinkWhy Amazon KDP Sucks: They Terminated My Account OvernightIngramSpark: How I Publish Now and WhyWhy Fiverr Sucks for Ghostwriting: The Buyer’s SideWhy eBay Sucks Now: A Seller’s Numbers and a Buyer’s WarningThe Ghost Story TraditionThe Gothic TraditionThe Christmas Ghost Story TraditionResurrection as a Narrative StructureBooks to Give a WriterThe Beach Read ArgumentWhy It’s a Wonderful Life Failed on ReleaseWhat to Read in SpringWhat to Read in SummerWhat to Read in OctoberHow Warner Bros. Dismantled a $17 Billion Cartoon EmpireThe Imaginary Scarcity TrapThe Graph That Goes Vertical Is Usually Somebody Else’sThe Disasters That Happen to Ordinary PeopleSubstack Is Not Collapsing. The Promise Was.Toba: The Winter That Almost Ended UsJay Stifflemire: Nothing Ever Gets Written DownGeorgie-Ann Getton: I Forgot I Had Free WillAI Detection Cannot Be Evidence, and Publishing Is Using It That WayAI Consciousness Left Philosophy and Entered the LaboratoryThe Office Block Where the Bedrooms AreThe Web Got Fenced: What AI Search Costs Small SitesBlack Tuesday: The Web Ring War Nobody Outside It NoticedWhat the AI Visibility Industry Sells, and What the Evidence SaysBlack Tuesday: The Original ring-master.net Page, 2000Behind the Book: Peacekeeper, The Dissolution WarsBehind the Book: Publish Your BookBehind the Book: Real World SurvivalBehind the Book: Reincarnation

Director: Andrew Stanton

Andrew Stanton co-wrote every Pixar feature of the studio’s first decade before directing Finding Nemo and WALL-E, both of which won Best Animated Feature. He is a writer first and describes story problems in structural terms more readily than visual ones.

WALL-E is his most ambitious work, opening with roughly forty minutes of near-silent character animation on an abandoned Earth. Getting a studio to fund that in a family film is remarkable in itself.

John Carter, his live-action feature, was a commercial failure large enough to become an industry cautionary tale, which has somewhat overshadowed a strong record.

John Carter (2012) film posterAndrew Stanton

John Carter (2012) Review

John Carter is one of the most unfairly maligned films of the past fifteen years and one of the most expensive commercial failures in Disney history. The production was Stanton's live-action feature debut after his Pixar work on Finding Nemo…

READ MORE »

Finding Nemo (2003) film posterAndrew Stanton

Finding Nemo (2003) Review

Finding Nemo is one of the foundational documents of Pixar's golden era and one of the great American animated films of the early twenty-first century. Stanton would subsequently direct WALL-E in 2008, Finding Dory in 2016, and various other major…

READ MORE »

Finding Dory (2016) film posterAndrew Stanton

Finding Dory (2016) Review

Finding Dory is one of the more substantive Pixar sequels and one of the more thoughtful contemporary animated productions about cognitive disability. The substantial gap between productions reflected Pixar's broader sequel discipline during the period.

READ MORE »