Nighthawks (1981) Review
Nighthawks (1981) rates 7 out of 10 on the rewatch scale. Stallone and Billy Dee Williams are New York decoy cops assigned to an international terrorist, and Rutger Hauer is so much better than the film around him that he…
Sylvester Stallone wrote Rocky himself and refused to sell the script unless he starred, while nearly broke, and was nominated for both acting and screenwriting when it won Best Picture.
The Rocky films work because the character loses regularly. First Blood is a genuinely sad film about a discarded veteran, and its sequels turned that into something else entirely, which he has acknowledged.
Copland is the performance that shows what he could have done more of, playing a deaf small-town sheriff with almost no dialogue, opposite De Niro and Keitel.
Creed earned him a nomination forty years after the first, playing Rocky as an old man watching someone else fight, and it is the best acting of his career.
Billy Dee WilliamsNighthawks (1981) rates 7 out of 10 on the rewatch scale. Stallone and Billy Dee Williams are New York decoy cops assigned to an international terrorist, and Rutger Hauer is so much better than the film around him that he…
Burgess MeredithJohn Avildsen's 1976 boxing underdog launcher. Began the franchise that defined boxing cinema.
Christian SlaterPaco Cabezas's 2014 Stallone vehicle. Competent later-career Stallone work that does not exceed established conventions.
Andrew RobinsonCosmatos's 1986 Stallone action thriller. Compressed 87-minute runtime, iconographic Cobretti character.
Denis LearyDemolition Man is one of the funniest action films of the early 1990s and one of the most accidentally prescient. Marco Brambilla directed in his feature.
Gene HackmanDreamWorks Animation had been established in 1994 by Jeffrey Katzenberg, Steven Spielberg, and David Geffen as substantial competitor to the Walt Disney Company and to Pixar. Both productions handled comparable insect colony source material.
Bradley CooperKurt Russell's Ego, Yondu's affecting sacrifice, comedy density exceeding the original's balance, family themes as load-bearing foundation. The 6 reflects honest evaluation of a sequel that maintained the original's tonal commitment with diminishing returns and that increased the comedic density…
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