Mutiny on the Bounty (1962)
1962 Lewis Milestone epic with Marlon Brando as Fletcher Christian and Trevor Howard as Captain Bligh. Tahitian dream meets imperial cruelty.
Marlon Brando’s arrival in A Streetcar Named Desire is the conventional dividing line in American screen acting. The naturalism, the mumbling, the refusal to hit marks and project, made everything before it look like recitation and everything after it possible.
On the Waterfront won him Best Actor, and the taxi scene with Rod Steiger is probably the most analyzed two minutes in American film. The Godfather won him a second, which he refused, sending Sacheen Littlefeather to decline it on behalf of Native American representation.
The middle career was erratic and he was openly contemptuous of the profession, using cue cards and earpieces and taking work for money.
Last Tango in Paris and Apocalypse Now are the late achievements, and the former has since been reassessed considerably in light of Maria Schneider’s account of the production.
Hugh Griffith1962 Lewis Milestone epic with Marlon Brando as Fletcher Christian and Trevor Howard as Captain Bligh. Tahitian dream meets imperial cruelty.
Dennis HopperCoppola's 1979 Vietnam Heart of Darkness. Sheen, Brando, Duvall, Hopper.
Angela BassettFrank Oz, De Niro, Brando, Norton, and the best heist ending of the 21st century. The Score earns its 10+ through ninety minutes of pure character setup.
Abe VigodaThe Godfather is the best film ever made from a craft perspective. Not the most entertaining, not the most beloved, not the most influential, though it is all three.
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