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Writing Horror

Writing Horror
Author:Mort Castle
Published:January 1, 1997
Pages:224
ISBN:9780898797985
Language:English
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TL;DR

7/10. A useful, well-aimed craft guide to the horror genre, gathering experienced horror writers on how to evoke genuine fear, dread, and unease, the hard, specific emotional effects horror aims at, plus practical publishing guidance. A solid, multi-voice resource that treats horror as a serious craft, held from higher by its narrow genre audience and the unevenness common to anthologies.

Writing Horror, edited by Mort Castle, is a craft guide to the horror genre, a collection bringing together the knowledge of experienced horror writers on how to scare readers and, just as important, how to get that work published. It addresses both the distinctive craft of horror, building fear, dread, and unease on the page, and the practical realities of working in the genre.

As a horror-specific craft anthology drawing on multiple seasoned practitioners, it offers useful guidance for writers working in the macabre, earning a solid rating for treating horror as a serious craft with its own demands instead of a lesser form.

The premise is right. Horror has particular techniques and challenges that general craft books rarely address. Learning them from writers who frighten readers for a living is the sensible way in.

The craft of fear

The book’s value is its focus on the specific, difficult craft of horror, the techniques for evoking genuine fear, dread, and unease, which are among the hardest emotional effects to produce on the page. It draws on experienced horror writers to address what actually makes horror work. How to build atmosphere and suspense. How to handle the monstrous and the disturbing. How to frighten a reader instead of merely gross them out, the distinctive demands of a genre that aims at a powerful and specific emotional response.

For a writer working in horror, learning these techniques from practitioners who have mastered them is exactly the targeted, genre-specific craft that general writing guides don’t provide. It takes horror seriously as a craft with real difficulty.

Keep reading

The craft of fear, dread, and unease on the page: the horror techniques this collects, in the wider craft of writing to frighten.

Multiple voices, practical scope

As an anthology of contributions from many horror writers, the book offers a valuable range of perspectives and approaches, showing that there are many ways to frighten and unsettle a reader and giving a writer multiple models and techniques to draw on instead of a single method. It also attends to the practical side of a horror-writing career, the realities of publishing in the genre. That matters because craft alone doesn’t get work into print.

That combination, genre-specific craft from varied experienced voices plus practical professional guidance, makes it a well-rounded resource for the horror writer, addressing both how to write the work and how to manage the business of selling it. The multiplicity of voices is a strength, broadening the book beyond any one writer’s approach.

Keep reading

Why fear and the macabre endure in fiction: the lasting pull of horror this book serves, in the wider craft of the frightening tale.

What are the weaknesses of Writing Horror?

The caveats are familiar for a genre craft anthology. Its relevance is genre-specific, essential for horror writers, of limited use to those working outside the macabre, so its audience is narrow by design. As a multi-contributor anthology, it can also be uneven and somewhat unsystematic, strong in places and lighter in others, and less coherent than a single-author treatment, the usual trade-off for the breadth of perspectives.

And its practical publishing guidance, like all such advice, dates as the industry changes, so the business material should be checked against current realities. These are the normal limits of a genre-specific craft anthology instead of flaws, and for its intended audience it offers real, targeted value.

Is Writing Horror worth reading?

It’s a useful, well-aimed craft guide to horror, valuable for treating the genre as a serious craft with its own demands and for gathering the techniques of experienced horror writers on how to evoke genuine fear, dread, and unease, the hard, specific emotional effects horror aims at, along with practical guidance on publishing in the genre. It earns a solid rating for that targeted, multi-voice instruction.

It’s held from higher by its narrow, genre-specific audience, by the unevenness common to multi-contributor anthologies, and by publishing advice that dates with the industry. For a writer working in horror who wants to learn the craft of fear from those who practice it, it’s a useful, well-rounded resource; for writers outside the genre, it holds little. A sound, purpose-built horror craft guide.

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The Writing Hub: genre fiction, craft, and the rest of writing, gathered in one place.

Frequently Asked Questions

What does Mort Castle’s horror writing anthology cover?
I read it as a craft guide to the horror genre, a collection bringing together experienced horror writers on how to scare readers and how to get that work published. It addresses both the distinctive craft of horror, building fear, dread, and unease on the page, and the practical realities of working in the genre. I found it treats horror as a serious craft with its own demands instead of a lesser form.
How do experienced horror writers build genuine fear and dread on the page?
The contributors focus on the specific, difficult craft of evoking genuine fear, dread, and unease, which I consider among the hardest emotional effects to produce in fiction. They cover how to build atmosphere and suspense, how to handle the monstrous and disturbing, and how to frighten a reader instead of merely grossing them out. I saw this as the distinctive demand of a genre that aims at a powerful and specific emotional response, and the guidance takes that difficulty seriously.
Why should horror writers study genre-specific craft guides instead of general writing books?
Horror has particular techniques and challenges that general craft books rarely address, so I think learning them from writers who actually frighten readers for a living is the sensible way in. This collection draws on experienced horror writers to explain what actually makes horror work instead of treating fear as an afterthought. For a writer working in the macabre, that targeted, genre-specific instruction is something general guides simply don’t provide.
What are the benefits of a multi-author horror writing anthology?
I found the range of contributors valuable because it shows there are many ways to frighten and unsettle a reader, giving a writer multiple models and techniques instead of a single method. The book also attends to the practical side of a horror-writing career, including the realities of publishing in the genre. That matters because craft alone doesn’t get work into print. That combination of varied experienced voices plus practical professional guidance is what makes it a well-rounded resource in my view.
What are the drawbacks of anthology-style writing craft books?
In my reading, the caveats here are familiar for any genre craft anthology. The relevance is genre-specific, essential for horror writers but of limited use to those working outside the macabre, so the audience is narrow by design. As a multi-contributor work it can also be uneven and somewhat unsystematic, strong in places and lighter in others, and the practical publishing guidance dates as the industry changes, so I’d check that business material against current realities.
Who benefits most from a horror-specific writing craft anthology?
I think it’s most useful for writers working in horror who want to learn the craft of fear, building dread, atmosphere, and unease, directly from practitioners who have mastered it. It also offers practical guidance on publishing in the genre, which I found rounds out the craft instruction. For writers outside the macabre, though, I don’t think it holds much value, since its relevance is genre-specific by design.

About the author

Mort Castle

Mort Castle (born 1946, Chicago, Illinois) is an American horror author, editor, and writing teacher whose more than five hundred short stories and seventeen books have been published in a dozen languages across six decades. He has won three Bram Stoker Awards, two Black Quill Awards, the Wired magazine Golden Bot, and has been a Bram Stoker finalist nine additional…

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