Latest
SMS Appointment RemindersDarrell Stern: Stop Being Invisible, Become UnmissableFree BooksJoe Rockey: Ghostwriting His BookHow to Turn Your Expertise Into a Book People Want to Read | The Expert MethodWhat’s New at The Writing King: Week of October 25, 2026Challenger Remembrance Day: The Engineer Who Wouldn’t SignJoel Salomon: The Truth About MoneyReddit Is Putting Up a Login Wall. Wikipedia Won’t Be Far Behind.Victoria Chemko: The Body Is the First TechnologySir Patrick Stewart: A TributeA Year in the Bank: ADHD, Face Blindness and the Freedom to Walk Out | The Impossible Puzzles Show, Episode 326A Yale Economist Says We Won’t Be Missed. He Forgot the Bread Line.Walter Koenig: A TributeAI Has Paid Off Outside Tech. Apollo Is Reading the Wrong Scoreboard.I Don’t Post Bad ARC Reviews. I Send the Author a Note.The Little Red Book of Stuff That Works!Your Kids Are Your Own FaultGrow a PairYou’re Broke Because You Want to BeIt’s Called Work for a Reason!No Time for TactShut Up, Stop Whining, and Get a LifeWilliam Bessette: AI Enablement and Child Welfare TechnologyFree Book Planning ToolsWhat’s New at The Writing King: Week of October 18, 2026Ghostwriting by the Numbers: Timelines, Word Counts and the First CallPromising Young Woman (2020) ReviewBillions for AI, Pennies for the Plumbing: AI Companies Should Pay to Keep PHP AlivePHP2Shell: AI Found a 22-Year-Old Crack Under Your Website in Two DaysPetrov Day: The Officer Who Didn’t Believe the ComputerKindle Unlimited Is Now Kindle+. AI Audiobooks Just Joined the BuffetMo Gawdat Says the AI Dystopia Starts in 2027. Read the List, Skip the DatesChina Is Using Bots to Fan the Data Center Backlash. The Backlash Is Still Real.The Society of Authors Signed an Ethical AI Charter, Then Ran From It in Eight DaysWhen to Quit Writing a Book: I’ve Abandoned Dozens, and I’d Do It AgainGetty Images Filed for Bankruptcy. Can You Prove You Licensed Your Book’s Images?Fluff Words: Cut Them From Your Prose, Keep Them in Your DialogueWhere Can Writers Learn Storytelling From Movies? Richard Lowe Publishes 1,226 Film and TV Reviews With Writing Craft NotesWhere Are the Independent Bookstores and Public Libraries Worth Visiting in Tampa Bay? Author Richard Lowe Profiles 44 of ThemWhat Should You Know Before Hiring a Ghostwriter? The Writing King Publishes 57 New Answers, Including What to Do When It Goes WrongWhere Can You Hear Founders and Executives Tell Their Own Stories? Richard Lowe’s Leaders and Their Stories Publishes Every Unscripted Interview With a Full TranscriptAuthor Richard Lowe Publishes Eight Volumes of Enemies of You, a Researched Series on the Forces Working Against Ordinary AmericansThe Jackal (1997) ReviewThe Day of the Jackal (2024) ReviewYour First Novel Is an Apprentice Piece: What Beta Readers and Editors Can’t FixWhen the Cloud Gets Bombed: What the AWS Data Center Strikes Teach About BackupsHuman-Written Book Labels Are Gatekeeping With a FeeThe Enshittification of Microsoft Office: Why I Switched to a Free CloneGlobal Encryption Day: The Padlock Every Writer Depends On
The Writing King Your Ethical Ghostwriter. Your Story, Done Right.

The Craft of Writing Science Fiction that Sells

The Craft of Writing Science Fiction that Sells
Author:Ben Bova
Published:January 1, 1994
Pages:224
ISBN:978-0898796001
Language:English
Share:

Buy Now

Description:

TL;DR

7/10. A useful, well-credentialed genre guide, valuable for craft instruction from a veteran SF novelist and Hugo-winning editor and, distinctively, for the editor’s-eye view of what sells. Its 1994 market guidance is dated by a transformed publishing world, but the craft fundamentals and the write-to-be-read principle endure.

The Craft of Writing Science Fiction that Sells by Ben Bova is a how-to guide from someone with the credentials to write it: Bova was a prolific SF author, a six-time Hugo winner for Best Editor, and the editor of Analog, one of the field’s most important magazines, so he writes from both sides of the desk, as a successful SF writer and as the editor who bought and rejected stories. The book covers constructing strong SF stories and novels, the major elements of the genre’s storytelling, and the practical business of researching markets and selling work.

For an aspiring science-fiction writer, that dual authority makes it a useful craft guide, with the standard caveat that the market half dates. Bova’s editorial background is the differentiator. He teaches how to write science fiction, and how to write it so an editor will buy it. Too many craft books come from people who’ve never had to say no to a manuscript, and I trust Bova’s advice more because he did it for years.

Craft from a master of the genre

The book’s core value is its craft instruction from someone who mastered the form. Bova covers the elements that make science fiction work. The construction of strong stories and novels. The genre’s distinctive demands. The storytelling fundamentals as they apply to SF. He draws on a long, successful career writing the stuff.

For an aspiring genre writer, learning the craft from a veteran SF novelist and Hugo-winning editor is exactly the kind of grounded, experience-based instruction that helps, and Bova’s clarity about what makes an SF story succeed, on the page and with an editor, gives the craft material a practical, sales-aware edge that purely theoretical guides lack.

Keep reading

Writing science fiction that works on the page: Bova’s craft instruction from a master of the genre, in the wider practice of SF.

Watch: Exploring Tomorrow - 024 What Makes Good Sci-Fi - Advice from Ben Bova and Orson Scott Card, Mikel Wisler

The editor’s perspective

What sets this apart from a pure craft book is Bova’s editorial perspective. He spent years as an editor deciding which stories to buy. That lets him tell a writer what makes the difference between a manuscript that sells and one that gets rejected. It’s practical, market-aware knowledge, and an aspiring writer almost never hears it straight from someone who has sat in that chair. That’s the most useful stuff in the book.

That insider view of what editors look for, how to research markets, and how to approach the business of selling science fiction is valuable, complementing the craft instruction with the commercial reality of getting published in the genre. It’s craft and career advice from someone who shaped the field from both sides.

Keep reading

Selling your work: the business side of writing: Bova’s market-aware, editor’s-eye guidance, in the wider business of publishing.

Is The Craft of Writing Science Fiction that Sells still current?

The standard limitation falls on the business half. The book dates from 1994, and the science-fiction publishing market has changed enormously since (the magazines, the role of editors, the rise of digital and independent publishing, the entire commercial machinery), so the specific market and submission guidance is considerably dated and a writer must verify current practice against up-to-date sources. The craft instruction, what makes an SF story work, ages far better and remains valuable, as does the general principle of writing with the reader and the market in mind.

As with any guide that mixes timeless craft with time-sensitive business, the craft endures while the market specifics expire, and following 1994 submission advice today is a damn fine way to waste a year.

Is The Craft of Writing Science Fiction that Sells worth reading?

It’s a useful, well-credentialed craft guide to writing science fiction, valuable for instruction from a veteran SF novelist and Hugo-winning editor and, distinctively, for the editor’s-eye perspective on what sells, craft and commercial sense from someone who shaped the field from both sides. It loses ground for its 1994 vintage, which dates the specific market and submission guidance significantly in a transformed publishing world, though the craft fundamentals endure.

Treat it as sound on the craft and the timeless principle of writing to be read, and a dated starting point on the business, useful to the aspiring SF writer who pairs it with current market information. A solid, authoritative genre guide. Read the craft chapters closely and skim the market chapters as history, because history is all they are now.

Explore the hub

The Writing Hub: science fiction, craft, and the rest of the writing life, gathered in one place.

Frequently Asked Questions

How do you write science fiction that editors will buy?
I think the key, as I saw in Ben Bova’s guide, is combining strong craft with market awareness. Bova covers constructing solid stories and novels, mastering the genre’s major storytelling elements, and researching where to submit work. Because he spent years editing Analog, he could explain exactly what separates a manuscript that sells from one that gets rejected. That combination of craft instruction and insider market knowledge is what makes a science fiction manuscript sellable.
Who was Ben Bova?
Ben Bova was a science fiction author who won six Hugo Awards for Best Editor as the editor of Analog, one of the field’s most important magazines. That dual background let him write from both sides of the desk, as a successful writer and as an editor who bought and rejected stories. I found that combination gives his craft instruction a practical, sales-aware edge that purely theoretical guides lack. His years of editorial decisions taught him what makes a story succeed both artistically and commercially.
What did Ben Bova’s editorial experience add to his writing advice?
What sets his approach apart is the editor’s perspective he brought from years deciding which stories to buy for Analog. That experience let him tell a writer what makes the difference between a manuscript that sells and one that gets rejected. It’s practical, market-aware knowledge that most craft books lack, since few instructors have sat in an editor’s chair. I found this insider view of researching markets and approaching the business of selling science fiction valuable alongside the craft instruction.
Is Ben Bova’s 1994 advice on selling science fiction manuscripts still relevant today?
The craft instruction, what makes a science fiction story work, still holds up well and remains valuable. But the book dates from 1994, and the science fiction publishing market has changed enormously since then, including the magazines, the role of editors, and the rise of digital and independent publishing. I’d say the specific market and submission guidance is considerably dated, so a writer today needs to verify current practice against up-to-date sources. The general principle of writing with the reader and the market in mind, though, still endures.
Who should read The Craft of Writing Science Fiction that Sells?
I’d recommend it to aspiring science fiction writers who want craft instruction from a veteran SF novelist and Hugo-winning editor alongside an editor’s perspective on what sells. It works well for someone who wants both storytelling fundamentals and insight into the business of getting published in the genre. The catch is that the business half is dated, so it’s best paired with current market information. For someone who wants a solid, authoritative genre guide despite dated market specifics, it’s a good starting point.

Sources

About the author

Ben Bova

Ben Bova

Benjamin William Bova was an American science fiction writer, editor, and longtime advocate for space exploration. Born in Philadelphia in 1932, he graduated from Temple University in journalism, worked as a technical writer for Project Vanguard and later for Avco Everett Research Laboratory in the 1960s, and published his first novel in 1959. He died in November 2020 in Naples,…

More about Ben Bova

Back