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The Writer’s Digest Character Naming Sourcebook

The Writer’s Digest Character Naming Sourcebook
Published:January 1, 1994
ISBN:1582972958
Pages:359
ISBN:978-1582972954
Language:English
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Description:

TL;DR

7/10. A useful, well-organized specialized reference for the small but real craft of naming characters, with a deep, searchable range of names across cultures, origins, and eras with their meanings. A solid, focused tool that treats naming with deserved seriousness, held from higher by its narrow single purpose and heavy overlap with the free online name resources now instantly available.

The Writer’s Digest Character Naming Sourcebook by Sherrilyn Kenyon is a specialized reference devoted to one deceptively important task: choosing character names. Compiled by a bestselling novelist, it gathers thousands of names from many cultures and origins, with their meanings. The organization lets a writer find a name that fits a character’s background, era, and role, or that carries a particular meaning.

Naming is a small but real craft. A name shapes a reader’s first impression of a character and reinforces who they are. A dedicated, well-organized resource for getting it right is useful. As a focused naming reference, it does its single job well and gets a solid rating.

The need is real even if it sounds minor: a wrong-sounding or anachronistic name can undermine a character, and finding the right one is harder than it looks.

A deep well of names

The book’s value is its breadth and organization.

It gathers a vast range of names across cultures, origins, and historical periods, with their meanings. They’re arranged so a writer can search by the qualities that matter. Ethnicity. Era. Meaning. That helps find a name that fits a character instead of settling for whatever comes to mind. A working novelist compiled it, and it shows in how fast you can get from a character’s background to a usable name.

For a writer building a cast, especially one spanning different cultures or a historical or fantasy setting where believable, meaningful names matter, this kind of deep, searchable resource saves real effort and improves the result, turning a frustrating guessing game into a deliberate choice.

Keep reading

Character development starts with the right name: Kenyon’s deep name resource, in the wider craft of building convincing characters.

Watch: Writing Romance Characters that Jump Off the Page!, Christine Glover

Naming as quiet craft

The deeper point is that naming is a real, if understated, element of characterization. A name carries connotations of culture, class, era, and personality. The right one reinforces who a character is. The wrong one works against them, jarring the reader or suggesting the wrong things.

Choosing names with awareness of their meaning and fit, instead of grabbing the first that comes to mind, is part of the careful craft of building believable characters, and a resource that supports deliberate, informed naming helps a writer get this small thing right. The book treats naming with the seriousness it deserves, and that’s more than most writers give it until a name rings false.

Keep reading

Believable characters and the details that reinforce them: the fit and meaning of a good name, among the small choices that build a character.

What are the weaknesses of The Writer’s Digest Character Naming Sourcebook?

The caveats are about scope and the digital age. It’s a single-purpose reference, valuable for naming and silent on everything else, one small tool in a writer’s kit instead of a craft education. Its function also overlaps heavily with the free online name databases, baby-name sites, and cultural and historical name resources now instantly available, which cover much of the same ground at no cost and with easy searching, weakening the case for a print volume. A print list of names that a search engine hands out free is a hard sell, and I won’t pretend otherwise.

And naming, however well supported, is a minor element; getting it right helps, but no name rescues a poorly drawn character. A cardboard hero with a gorgeous name is still cardboard. These are the normal limits of a narrow reference in the internet era instead of flaws, and within its lane it remains handy.

Is The Writer’s Digest Character Naming Sourcebook worth reading?

It’s a useful, well-organized specialized reference for the small but real craft of naming characters, valuable for its deep, searchable range of names across cultures, origins, and eras with their meanings, compiled with a working novelist’s sense of what writers need. It gets a solid rating for doing its single job well and for treating naming with the seriousness it deserves.

It’s held from higher by its narrow single purpose, by heavy overlap with the free online name resources now instantly available, and by the simple fact that naming is a minor element of characterization. For a writer who wants a deliberate, well-fitted name and likes a print resource, it’s handy; for most, free online tools now cover much of the same need. A sound, focused naming tool.

Explore the hub

The Writing Hub: character, naming, and the rest of the craft, gathered in one place.

Frequently Asked Questions

What is The Writer’s Digest Character Naming Sourcebook?
I found this book to be a specialized reference compiled by bestselling novelist Sherrilyn Kenyon for the single task of choosing character names. It gathers thousands of names from many cultures and origins, along with their meanings. The names are organized so I can search by ethnicity, era, or meaning to find one that fits a character’s background and role. It’s a focused, well-organized tool built around one deceptively important job in fiction writing.
Why does character naming matter?
A name carries connotations of culture, class, era, and personality before a character does anything else on the page. I think of it as a name shaping a reader’s first impression and reinforcing who a character is. When a name fits, it supports the character, and when it rings false or feels anachronistic, it can jar the reader and work against the character. Naming is a small but real craft, and I believe writers who choose names deliberately get a better result than those who grab the first name that comes to mind.
What is the best part of The Writer’s Digest Character Naming Sourcebook?
What stands out to me is the breadth and organization of the name lists. The book gathers a vast range of names across cultures, origins, and historical periods, each with its meaning, and arranges them so I can search by the qualities that matter, such as ethnicity, era, or meaning. Because Kenyon is a working novelist, the organization feels practical, built around what writers need and not academic completeness. For anyone building a cast that spans different cultures or a historical or fantasy setting, this searchable depth saves real effort.
What are the limits of The Writer’s Digest Character Naming Sourcebook?
The main limit I see is scope: it’s a single-purpose reference, useful for naming and silent on every other part of characterization or craft. Its function also overlaps heavily with free online name databases, baby-name sites, and cultural and historical name resources that are now instantly available. They cover much of the same ground at no cost. Naming is also a minor element of a character overall, so getting it right helps but can’t rescue a poorly drawn character. I consider these the normal limits of a narrow print reference in the internet era and not real flaws.
Who should use The Writer’s Digest Character Naming Sourcebook?
I’d recommend it to writers building a cast that spans different cultures, or working in a historical or fantasy setting where believable, meaningful names matter. It suits anyone who likes a print resource they can search by ethnicity, era, or meaning instead of hunting across multiple websites. For most other writers, I think free online name tools now cover much of the same need. It remains handy within its narrow lane, especially for someone who wants a deliberate, well-fitted name instead of a guess.
Does a character’s name really change how readers see them?
Yes, I think it does, subtly but really. A name signals culture, class, era, and personality before a character has done anything in the story. A well-chosen name reinforces who that character is, while a wrong or anachronistic one can jar the reader or suggest the wrong things about them. That’s why I treat naming as a small but real part of the craft of building believable characters.

Sources

About the author

Sherrilyn Kenyon

Sherrilyn Kenyon

Sherrilyn Kenyon (born Sherrilyn Woodward, December 11, 1965, Columbus, Georgia, now writing as Sherrilyn McQueen) is a number one New York Times and international bestselling American novelist credited as one of the central pioneers of the modern paranormal romance and urban fantasy boom. Since 2004 she has placed more than eighty novels on the New York Times bestseller list across…

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