I’d gladly write an infertility or adoption memoir. I’d take one on tomorrow.
Couples who go through infertility lose years to it, along with the money they’d saved for a house. Due dates get marked on a calendar and crossed out, one after another. A lot of couples drift away from friends who got pregnant without trying and couldn’t understand why the baby shower invitations stopped getting answered. Then some of those couples adopt, and a second story starts, with a birth mother and a courtroom and a child who’ll one day want to know where they came from.
None of that gets told at the dinner table. People ask “so when are you two having kids?” and the couple smiles and changes the subject. The answer they swallowed belongs in a memoir.
The World Health Organization puts infertility at about one person in six, worldwide, at some point in their lives. That’s a lot of people sitting through small talk with a smile on. Yet the subject stays private in a way cancer stopped being private decades ago. People blame themselves, and they can’t stand the pity. Plenty of them can’t stand the advice either, from relatives who think a vacation and a positive attitude would fix a blocked tube.
Adoption has its own silence. For generations, agencies sealed the records and told everyone involved to move on and never look back. Millions of adults grew up adopted, and a lot of them learned the truth late or found it out by accident. Birth mothers were told to forget. Those rules broke people, and the books that tell what it cost them are still rare.
Can a ghostwriter help me write a memoir about infertility?
Yes. An infertility memoir uses the same process as any memoir I write.
We talk while I record, and a summary of each session goes to you afterward. The book comes back chapter by chapter in your voice.
The subject matter makes these books hard. You’ll be talking about miscarriages and failed treatment cycles, and about what they did to your marriage, some days all in the same hour. That’s a lot to say out loud to a stranger, and the process has to leave room for it.
A pregnancy loss is a real loss, whatever anyone at the office said about it, and it deserves the same care as any grief. Grief memoirs go well because the client wants the book badly. My article on working with a ghostwriter after losing a spouse or child covers the grief side, and everything in it applies to a lost pregnancy.
Can a ghostwriter write an adoption memoir from any side of the adoption?
It can. An adoption has at least three sides, and each one makes a different book. Which side are you writing from?
Adoptive parents write about the long wait for the phone call, and about learning to parent a child who came with a history. Birth parents write about the decision, and about living with it for decades afterward. Adoptees write about growing up with a question at the center of their lives, and about the search, if they searched, and what they found.
I’d write any of them. Each side brings its own privacy problems, though, because every adoption story has somebody from one of the other sides in it who never agreed to be in a book.
If your adoption story reaches back through the generations, a grandparent who was adopted or a family that took in a cousin, my article on ghostwriting a family history book covers how to build a book from records and relatives.
Does my partner need to agree to a ghostwritten infertility memoir?
It does. Get their agreement before the first interview, and get it in more than a nod over breakfast.
Infertility happens to a couple. Your partner sat through the same appointments and grieved the same losses, in a way that probably looked nothing like how you grieved them. The medical details are theirs as much as yours, and plenty of diagnoses belong to one partner alone.
Would you want your partner’s book to announce your medical history to your coworkers?
Put the money in, too, if you both agree, from the second mortgage to the vacation you canceled three years running. Readers facing their own treatment decisions need to know what it cost, and almost nobody tells them. Your numbers could save another couple from a decision they’d regret.
Sit down together before anything gets recorded and decide what’s off limits. At the kickoff I tell every client never to tell me anything they don’t want in the book, and for a couple that means both of you agreeing on the list. A recent client had a whole family chapter struck because the family didn’t want to be in it. A chapter struck before anyone writes it beats a fight about it after.
Better still, bring your partner into the interviews. Even one or two sessions from their side give the book a second pair of eyes on the same years, and readers going through it as a couple will see themselves in both of you.
How does a ghostwriter protect birth parents’ privacy in an adoption memoir?
By changing everything that identifies them, and by remembering that their story isn’t yours to tell in full.
A birth mother made the hardest decision of her life, and she made it without agreeing to appear in your book. Change her name and the agency’s. Leave out anything a relative of hers could use to recognize her, because some birth parents never told their own families, and your book could be how the family finds out.
DNA testing has made this worse. Birth parents who were promised privacy decades ago keep getting found through consumer DNA sites, and every detail in your book is one more clue for somebody piecing together who she is.
Did she agree to be found? If you don’t know, write as if she said no.
Tell your side of the relationship, including what you felt when you met her and what the day of placement did to you. Leave her private reasons and her private history out, even if she told you everything. My article on writing about living people without getting sued covers the legal risks, and I brief every client on them and show them how to change details so the story stays true.
Keep court and agency documents off the page. Talk to a lawyer before you quote from anything that came out of an adoption file.
And if the adoption is open, show the birth family the manuscript before it goes out. An open adoption runs on trust, and a book can wreck that trust in an afternoon.
Your adopted child’s story belongs to them first. Make sure they hear it from you before a single stranger reads it. – Richard LoweShare on X
How should a ghostwritten adoption memoir protect the adopted child?
Your child hears the story from you first. Always.
An adopted kid has a right to learn about their own beginning from their parents, in their own time, before any of it turns up in print. If your son is seven and the book is going to describe the circumstances of his birth, he needs to know those circumstances before a classmate’s mother reads them. If he’s too young to know them yet, the book waits, or those parts stay out.
Change his name and the details that identify his birth family. Keep his photographs off the cover, and consider publishing under a pen name yourself, since your name leads straight to his. My article on writing a memoir under a pen name explains how that works.
If your child is an adult now, get their consent.
Let them read every chapter as I deliver it, and let them cut what they want cut. Their origin is the most personal fact of their life, and an adult adoptee gets the final word on how it appears in a book with your name on it.
How do ghostwriting interviews handle painful infertility memories?
Slowly, over several sessions, with plenty of room to stop.
Clients cry in my interviews all the time. If you talk about the nursery that got painted and then sat empty, you’ll cry, and that’s fine. When it happens, I drift to something easy and unrelated, how you and your partner met or the dog that got you through the bad year, and we come back to the painful material a session or two later.
You’ll approach the worst of it over several sessions. Nobody tells the whole of an infertility story in one sitting. A recent client wrote about a daughter who died suddenly about forty years earlier, and even after four decades the subject took several passes before it was right. Pregnancy losses deserve the same patience.
So do the two-week waits, the stretches between a procedure and a test result when every twinge means something. Those weeks make some of the most honest chapters in these books, because nobody who hasn’t lived one knows what they’re like.
When you reach something you can’t face, I’ll offer to leave it out of the book. Almost every time, that offer makes the client insist it goes in. My article on what to do if you cry during a ghostwriting session covers what those moments look like from my side. You won’t be the first client to need a break halfway through a sentence, and you won’t be the last.
What makes a ghostwritten infertility or adoption memoir worth reading?
The truth about what it cost, and a straight account of where you ended up.
Nobody has a perfect life, and readers want to know what went wrong and how you recovered. Clients drift toward one of two extremes: the heroic couple who never doubted, or the partner who blames themselves for every failed cycle. I talk them toward the middle, and I probe for failures on purpose. The fight in the parking lot after the third transfer belongs in the book, because a reader in the middle of her own third transfer needs to see that other marriages had that fight and survived it.
Adoptive parents drift toward a different extreme, the rescue story. In that version the couple saves the child and the child is lucky. Plenty of adoptees hate it, and they have good reason to. It erases the birth family and the loss the child carried into your house, and it makes the kid a supporting character in your triumph.
Would you want your own beginning written that way?
Tell the story of a family that got built out of loss on more than one side, and your child will have a book they can stand to read at twenty-five.
Not every one of these books ends with a baby.
Some couples stop trying and build a good life without children. That’s an ending too, and the readers who need it can’t find it anywhere. Most of the books on the shelf promise a baby by the last chapter, and they leave out everyone whose story went a different way.
Put the anger in where it belongs. Maybe a clinic sold you one more expensive cycle without a straight word about the odds, or a coworker announced her pregnancy with a cake in the break room the week you lost yours. Aim it at what they did, and I’ll help you word it so it lands.
Should you work with a ghostwriter while still in fertility treatment?
Wait until you’re out of the thick of it. Memoirs about caregiving get written years afterward, never in the middle of the crisis, and infertility runs on the same clock.
In the middle of treatment, every week is a verdict. You’re waiting on a blood test or a phone call, and a book asks you to look back at a story whose ending you don’t know yet. You’ll write it differently in six months depending on how the next cycle goes, and you’ll want to rewrite half of it. Don’t pay a ghostwriter to draft a book you’ll need to throw away.
Keep notes while you’re in it. Save the calendar and the texts to your sister. Those give me the raw material later, with the dates and the feelings still attached.
If you do start while treatment is still going, and some people need to, plan for gaps. My contract puts a project on hold after thirty days without contact and treats it as abandoned at sixty. A few clients have negotiated that up to six months. Ask for the longer window on day one, and tell me if a transfer or a match is coming so we can pause on purpose instead of by accident.
How do you start a ghostwritten infertility or adoption memoir?
Talk to your partner, and to your child if they’re old enough, and write down what’s off limits. Then pull out the calendar, the one with the dates crossed out, and the adoption paperwork if there is any. That’s enough for a first conversation with a ghostwriter.
The Memoir Hub collects everything I’ve written about telling a family story. My memoir process explains how I work, one session and one chapter at a time, at a pace you can live with.
The next couple who gets asked when they’re having kids deserves a better answer than a smile and a change of subject. Your book can give them one.
