True Grit (1969) Review
True Grit (1969) rates 8 out of 10 on the rewatch scale. John Wayne finally won an Oscar for playing a fat, drunk, one-eyed marshal who shoots men in the back, and the performance works because he is willing to…
John Wayne made more than a hundred and fifty films and spent nine years in low-budget westerns before Stagecoach made him a star at thirty-two. The walk, the pause before a line and the way he held his shoulders were constructed deliberately and are still badly imitated.
The John Ford collaboration produced his best work, and The Searchers is the one that lasts because it uses the persona against itself. Ethan Edwards is a racist obsessive and the film knows it, ending with him framed in a doorway he cannot enter.
Red River, made for Howard Hawks, does something similar, and Montgomery Clift’s presence in it exposes how much Wayne’s stillness was technique and not limitation.
He won Best Actor for True Grit late, and his politics made him a lightning rod in his lifetime and since. The films are worth separating from the public figure, and The Searchers repays it.
Dennis HopperTrue Grit (1969) rates 8 out of 10 on the rewatch scale. John Wayne finally won an Oscar for playing a fat, drunk, one-eyed marshal who shoots men in the back, and the performance works because he is willing to…
Andy DevineThe Man Who Shot Liberty Valance (1962) rates 9 out of 10 on the rewatch scale. John Ford spent thirty years building the Western myth and then made the film that takes it apart, shot on a soundstage in black…
Angie DickinsonRio Bravo (1959) rates 9 out of 10 on the rewatch scale. Howard Hawks made it as a direct rebuttal to High Noon, which John Wayne called un-American because the marshal asks townspeople for help. It is a hangout film…
Jeffrey HunterWayne as Ethan Edwards, racism poisons his own rescue mission. The film that taught New Hollywood to subvert genre.
Andy DevineNine strangers in a coach, each a study in social position. Stagecoach is the John Ford-directed western that revived the genre after a decade of decline and established the template that the next half-century of American westerns would follow.
Constance TowersThe Horse Soldiers is John Ford's only Civil War film and one of his weaker collaborations with John Wayne. Wayne plays Colonel John Marlowe, a Union.
Curd JurgensJohn Wayne, Robert Mitchum, Henry Fonda, Sean Connery, Richard Burton. The Longest Day is the gold standard for D-Day filmmaking.
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