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Foley is Good

Foley is Good

And the Real World is Faker Than Wrestling

Author:Mick Foley
Published:June 4, 2002
ISBN:0061032417
Pages:616
ISBN:978-0061032417
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TL;DR

9/10. Mick Foley’s second memoir and among the best examples of the form I know, a book I use as a memoir model with clients. Its strength is a fully personal, self-written voice, no ghostwriter, plus candid insider access to the wrestling world. A model of how voice and personality carry a memoir, and a far better book than its genre label suggests. I’ve read it half a dozen times.

I hand Foley Is Good to clients as an example of how a memoir should be done. When someone asks me for models of the form, I point to both of Mick Foley’s books, because they get right the thing most celebrity memoirs get wrong: a real voice on the page, written by the actual person, not sanded down to nothing by a ghostwriter.

This is his second memoir, the sequel to his surprise number-one bestseller Have a Nice Day, and I’ve read both of them half a dozen times. Foley, who wrestled as Cactus Jack, Dude Love, and Mankind, writes the way he performed: with more energy, humor, and willingness to take a hit than anyone expected. He turned out to be a natural storyteller, and these books are why.

He’s one of those people who has done a great deal and done it well. A wrestler who became a real bestselling author, writing every word himself.

He’s now a working stand-up comedian. That kind of life makes for a memoir worth reading, because the person is interesting before they ever sit down at the keyboard.

The voice is the book

What makes Foley’s memoirs work, and what made the first one a publishing surprise, is the voice.

Conversational, funny, self-deprecating, and unmistakably his own, in a tone that sounds exactly like a smart, candid person telling you stories across a table. That he writes it all himself is the point. There’s no ghostwriter smoothing him into a generic celebrity-book cadence, so what you get is Foley, and that’s far more absorbing than polish.

For any writer working on a memoir, this is the lesson I keep coming back to with clients: personality on the page beats literary refinement nearly every time. A memoir lives or dies on whether the reader wants to keep listening to the narrator, and Foley’s narrator is good company for hundreds of pages.

Keep reading

Memoir voice: why sounding like yourself beats sounding literary, Foley’s self-written voice as the clearest lesson I know in what carries a memoir.

Watch: Mick Foley: WWE Legend | Full Documentary | Biography, Biography

Memoir as a window into a world

The book’s other great strength is access. It takes the reader inside professional wrestling, a world most people know only as televised spectacle, and reveals the craft, the physical cost, and the human reality behind it. The best memoirs offer exactly this kind of entry into a life the reader could never otherwise see. Foley’s candor about the industry, the real toll on his body, the artifice and the real danger both, gives the book substance well beyond celebrity anecdote.

For a writer studying the form, it shows how insider detail about an unusual life is what holds a reader. The particulars make the book, and Foley has the particulars and the honesty to share them.

Keep reading

How to write a memoir that people want to read, Foley’s insider candor as an example of what makes a life worth reading about.

A personal note

I’ll admit my regard for these books isn’t purely professional. I wanted to meet the man. He does stand-up comedy now, and a show of his was booked close to me, scheduled for April 1, 2020. I had a VIP seat right in front of the stage, the kind where he’d likely have sat down beside me and we would have had a real conversation. Then guess what happened in April of 2020.

The pandemic shut everything down, the organizers canceled the show and refunded the money, and he hasn’t come back through the area since. I still want to meet him, because by every account he’s exactly the sort of person his books suggest: funny, generous, and interesting. The near-miss only deepened my appreciation for the work, the next best thing to the conversation I didn’t get to have.

Is Foley is Good worth reading?

It’s one of my favorite memoirs and one I use as a teaching example, lifted far above the celebrity-cash-in norm by a strong, entirely self-written voice and candid insider access to a world few readers know from the inside. Whether or not you care about wrestling, the voice carries you, and what you learn about the craft of memoir from watching Foley simply be himself on the page is worth the read on its own.

For a wrestling fan it’s required reading; for a writer it’s a lesson in voice and personality; for anyone, it’s a far better book than its genre label would lead you to expect. I’ve read it half a dozen times and I’ll read it again. Highly recommended.

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Frequently Asked Questions

What is Mick Foley’s second memoir about?
Mick Foley’s second memoir picks up where his bestselling debut Have a Nice Day left off, continuing his account of life as a professional wrestler under the names Cactus Jack, Dude Love, and Mankind. He writes about the industry from the inside, including the physical cost wrestling took on his body and the mix of artifice and real danger in the ring. The whole book is in his own voice, since he wrote it himself without a ghostwriter, so the humor and self-deprecation that made his first book work carry through here as well. I’ve read it half a dozen times and still use it as a model when I talk to clients about how a memoir should sound.
What makes Foley is Good stand out?
Its voice. Foley writes conversationally, funnily, and self-deprecatingly, without a ghostwriter, in a tone that sounds exactly like a smart, candid person telling stories. That personality does far more for the book than literary polish would, and that’s why I use it as a memoir example with clients.
Why is Mick Foley’s memoir voice considered so distinctive?
Foley’s voice is distinctive because it’s entirely his own, written without a ghostwriter smoothing him into a generic celebrity cadence. He writes the way he performed, with humor, self-deprecation, and a willingness to take a hit that comes through on the page. The result reads like a smart, candid person telling stories across a table instead of a polished celebrity book. I keep coming back to this with clients because it proves that personality on the page beats literary refinement nearly every time.
Is Foley is Good only for wrestling fans?
No. Fans will love it, but the voice carries any reader, and the lesson it teaches about memoir, that sounding like yourself beats sounding literary, makes it valuable to writers with no interest in wrestling at all. It’s a better book than its genre label suggests.
What can writers learn from Mick Foley’s memoirs about voice and authenticity?
Writers can learn that a self-written voice takes a memoir further than polish ever could. Foley isn’t a trained stylist, but his humor and candor make him good company for hundreds of pages, and that’s what keeps a reader turning pages. His insider access to the wrestling world also shows how particular detail about an unusual life is what holds readers. I hand his books to clients as models because they get right what most celebrity memoirs get wrong.
Should I read Have a Nice Day before Foley Is Good?
It helps but isn’t essential. Foley Is Good is the sequel and picks up where the first book left off, so reading Have a Nice Day gives fuller context, though Foley’s voice and self-contained storytelling make this volume enjoyable on its own. Both are worth your time.

Sources

About the author

Mick Foley

Mick Foley (born Michael Francis Foley, June 7, 1965, Bloomington, Indiana) is a retired American professional wrestler, four-time WWE Hardcore Champion, three-time WWE Champion, two-time WWE Hall of Famer, and the New York Times number one bestselling author of one of the most successful sports memoirs in modern publishing. He wrestled under the names Cactus Jack, Mankind, Dude Love, and…

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