Latest
Does Explicit Sex Sell Books? An Answer to The Absolute Degeneracy of Modern WritingThe Mary Sue: How a 1973 Star Trek Parody Became a Writing TermWhat the AI Writing Survey Says About Jobs, Freelancers and Fiction AuthorsHow Long Does Google Take? Crawling, Indexing and Recovery TimesLife of Pi50 Years of Duty: One Police Officer’s Compelling Journey from State Trooper to County SheriffBreaking Rank: A Top Cop’s Exposé of the Dark Side of American PolicingBlack in Blue: Lessons on Leadership, Breaking Barriers, and Racial ReconciliationCalled to Rise: A Life in Faithful Service to the Community That Made MeVigilance: My Life Serving America and Protecting Its Empire CityCollaborate or Perish! Reaching Across Boundaries in a Networked WorldTurnaround: How America’s Top Cop Reversed the Crime EpidemicThe Profession: A Memoir of Community, Race, and the Arc of Policing in AmericaSTEP-UP and LEAD: A Guide for Dynamic, Innovative Leadership in Law EnforcementStriving for Justice: A Black Sheriff in the Deep SouthThe Diagram GalleryGar Travis: A Tribute to One of the Best Faire PhotographersReverse Tropes: Six Ways to Turn a Tired Trope Inside OutA Hiker Used AI to Find a Waterfall. The Forum Sent Her to Hell.Did We Miscount the World’s Population? What the Rural Undercount MeansFrankenstein’s Creature Has Worn Many Faces. Only One Is Mary Shelley’sIs Consciousness Quantum? Penrose Is Half RightPetty Motivations Make Characters HumanAI Companies Are Preparing for a Catastrophe. Which One?Anatomy of a Writer: The Parts That Do the Real WorkGuillermo del Toro’s Writing Advice: Love Your MonstersFree Book Marketing: Seven Ways That Cost Time Instead of MoneyShould Your AI Report You to the Police?My Sister Built the Family We Never HadAnthropic Bans Cruelty Toward Claude: What It Means for WritersWork-for-Hire Contracts: What the Asimov’s Cover Fight Teaches FreelancersGenre Fiction vs Literary Fiction: Don’t Confuse Taste With SkillFlorida Hurricane Prep Rituals: The Grocery Run, the Water Pallet and the Generator in the BoxThe Most Insulting Line of Dialogue Ever Written for the ScreenLoki Through the Ages: From Norse Myth to Marvel, The Mask and Dogma“You Are Utterly Disgusting”: A Book Festival, an AI Cover Ban and a Pile-OnWho Rewrote the Sligachan Legend: AI or the Tour Buses?Layers: How I Ride Out Florida Power Outages in My ApartmentWhy I Don’t Like Reedsy for Ghostwriting: The NDA ProblemThe Enshittification of AmazonPublishers Cancel Books Over AI While Using It in SecretI Was Getting 100 Spam Emails a Day. $4.50 a Month Fixed It.World Mental Health Day: Nothing Was Wrong With MeKessler Syndrome: How Space Debris Could Close Earth’s OrbitAmazon Is Blocking Real Readers From Book ReviewsShould a Novella Get a Paperback, or Go Ebook Only?BookFunnel Download Problems: Fixes, Scams and AlternativesOzana Giusca: Reflecting the Architecture of IdentitySir Sean Connery: A TributeHow to Find Plot Holes in Your Novel (Most Are Character Holes)

How to Make AI-Generated Content Feel Real

TL;DR: After years of writing and editing across every format, I have a reliable radar for AI-generated prose, and I can usually spot it within three sentences. AI makes the same mistakes every time, and once you’ve seen the patterns they’re impossible to miss. The good news is they’re fixable, so a writer who learns them can make AI-generated content feel human.

I don’t have a gift for spotting AI-generated prose. I’ve seen the same mistakes so many times that three sentences is usually enough, and they’re the same mistakes I strip out when I keep AI prose human in my own work.

I don’t care whether a tool helped with your draft. I care that so many people publish whatever the machine hands them and call it done, because readers catch these same mistakes and stop trusting the writer behind them. A person willing to do the work can fix every one of them, and this is what they look like.

What Are the Dead Giveaways of AI Content?

AI content announces itself through patterns that no human writer would produce naturally. Once you learn to see them, you can’t unsee them. For more, see how to build characters that feel real and why your characters feel flat.

If a sentence sounds like something you’d never actually say to another person, rewrite it.
Share on X

Throat-clearing openers. “In today’s fast-paced digital landscape” or “Effective communication is essential for sustainable growth.” These sentences say nothing. They exist because the AI needs a running start. Cut the first paragraph of any AI draft. The real article usually starts in paragraph two.

I’d cut that opener from a client’s draft without asking. A reader who wades through a paragraph of nothing learns in the first ten seconds that the writer doesn’t respect their time, and plenty of them leave before the real article ever starts.

Passive voice everywhere. “It’s suggested that” instead of “I suggest.” “It should be noted that” instead of just noting it. AI defaults to passive construction because it has no author to put in the subject position. Fix this by asking who’s doing the action and putting them first.

Emotional flatness. AI can describe emotions but can’t produce them. “We faced significant fundraising challenges, which taught us resilience” has no human in it. Compare that to “When we lost the seed round, I sat in the car and stared at the steering wheel until my hands stopped shaking.” The first is a summary. The second is a scene. AI produces summaries. Humans produce scenes.

This is the one that makes me angriest, because the flattened version always comes from somewhere real. Somebody lost that seed round. When a writer lets the machine summarize a moment like that into a word like “resilience,” the one part worth reading gets thrown away.

Synonym cycling. AI avoids repeating words by rotating through synonyms that no human would use interchangeably. “Leverage,” “use,” “harness,” and “employ” all appearing within two paragraphs about the same concept. Pick one word and use it. Repetition is fine. Thesaurus abuse is worse.

The bullet-point crutch. AI loves lists because lists are easy to generate and hard to get wrong. If your article has more than two bulleted lists, something went wrong. Convert lists to prose. “Three things matter here: X, Y, and Z” reads better than three bullets and forces you to explain the relationship between the items.

Identical paragraph structure. Topic sentence, explanation, example, transition. Topic sentence, explanation, example, transition. Over and over. Real writing varies its rhythm. Some paragraphs are one sentence. Some are six. The variation makes prose feel alive.

How Do You Make AI Content Sound Human?

Read it out loud. This is the single most effective test. If you stumble over a phrase, trip on a transition, or hear yourself slipping into a monotone, the writing is broken. Your ear catches problems your eyes skip over. If a sentence sounds like something you’d never say to another person, rewrite it.

Add one specific detail per section. AI writes in generalities because it has no experiences to draw from. “The meeting went poorly” is AI. “The CFO closed his laptop mid-sentence and walked out” is human. You don’t need to turn every paragraph into a memoir. See the full Writing Hub for related guides. One concrete detail per section is enough to ground the writing in reality.

Cut the setup, keep the point. AI buries its best content under introductory paragraphs, context-setting, and qualifications. Find the sentence where the actual information starts and delete everything above it. Then check whether the deleted material contained anything the reader needed. Usually it didn’t.

Replace “this is important” language with evidence. AI tells you things matter without showing you why. “It’s essential to maintain consistent communication” is a claim. “After three weeks of silence from leadership, two senior engineers put in their notice” is evidence. Evidence is always more persuasive than assertion.

Fix the transitions. AI transitions sound like a tour guide: “Now let’s explore,” “Let’s dive into,” “Moving on to.” Real transitions connect ideas. The last sentence of one section should make the reader want the first sentence of the next. If you need “Let’s dive in” to get there, the sections aren’t connected well enough.

Kill the conclusion that restates the article. AI always ends with a summary paragraph that repeats everything you just read. Readers don’t need this. End with your strongest point, a specific recommendation, or a question that stays with the reader. If your conclusion could be deleted without losing anything, delete it.

People bring me books they wrote with AI that turned out to be crap and ask me to fix them. It’s a big market, and I don’t think it should have to be one. Each fix in this section costs an author an afternoon, and skipping them costs the book its readers.

Why does AI content still feel empty after editing?

Most advice about humanizing AI content stops at cosmetic fixes like contractions, a few more uses of “you,” and a rhetorical question dropped in for flavor. Those help a little, and I think anyone selling them as the whole answer is selling a shortcut that doesn’t exist. AI has nothing to say. It can arrange words competently around a topic, but it has no perspective, no experience, and no stake in whether the reader gets anything out of the page.

The fix for that is knowing what you want to say before you start generating.

Use AI to organize your thinking, research your topic, and produce a rough structure. Then write the article yourself, or at minimum, rewrite every paragraph until it contains something only you could have written. If you can’t point to a single sentence in the piece that reflects your specific knowledge or experience, the article isn’t yours yet.

Back in 2024 I thought AI was fine for drafting short LinkedIn posts, because those weren’t going anywhere but LinkedIn. I’d give it a filter telling it which style to write in, instead of letting it figure that out. The one rule was that you edit the result so it doesn’t read like AI. People read a post and forget it in 15 minutes, but it still builds awareness in the back of their heads.

AI is a tool, and a good one when you treat it like one. Hand it the organizing and the research and it’ll save you days. Hand it your voice and you’ll publish something nobody remembers, and I think that’s a lousy trade for any author who had something real to say.

For help turning AI-drafted content into something that sounds like a human wrote it, get in touch.

Frequently Asked Questions

How can you tell content is AI-generated?
I can usually spot AI-generated content within three sentences because it repeats the same mistakes every time. It often opens with vague filler lines that say nothing and exist only to give the writing a running start. It leans on passive voice, saying “it’s suggested that” instead of naming who’s doing the action. It describes emotions without producing them, offering a summary like “we faced significant fundraising challenges” instead of an actual scene. It also rotates through synonyms such as “use,” “harness,” and “employ” within the same paragraph, and it repeats the same paragraph pattern of topic sentence, explanation, example, transition over and over.
Can AI-generated content be fixed to feel human?
Yes, but it takes real editing. You have to break the mechanical rhythm, cut the hedging, add specific detail and lived experience, and inject an actual point of view. The fix is replacing AI’s safe averageness with the specificity and voice it cannot generate. That means a human has to put themselves into the text.
Should I use AI to write content at all?
AI is useful for research, outlines, and first-pass connective drafting, but it shouldn’t be the final author of anything that carries your name and voice. Used as an assistant under real editing, it saves time. Used as a replacement for a writer, it produces the flat, voiceless prose readers increasingly recognize and distrust.

About the Author
Richard Lowe, professional ghostwriter

Richard Lowe is a professional ghostwriter and author with 113+ books authored and 54+ ghostwritten. Before writing full time he spent 33 years in enterprise technology, including 20 years as Director of Computer Operations and Technical Services at Trader Joe's. He writes nonfiction, fiction and memoir, and works with executives and experts on books that build authority.

More about Richard Lowe →

Disclaimer

The views and opinions expressed in this blog post are solely those of Richard Lowe and are based on personal experience and research. This content is for informational purposes only and should not be construed as professional legal, financial, accounting, or business advice. Always consult with qualified professionals before making important business or legal decisions. Richard Lowe is not a lawyer, accountant, or licensed professional advisor, and this content does not establish any professional relationship.

14 comments
Was this useful?

Leave a comment