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The Collected Stories of Arthur C. Clarke

The Collected Stories of Arthur C. Clarke
Category:Fiction
Publisher:Macmillan, Orb Books
Published:January 14, 2002
ISBN:0312878605
Pages:981
ISBN:9780312878603
Language:English
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TL;DR

10/10. A lifetime of brilliant short science fiction, the idea-driven puzzles, the wonder, the quietly devastating endings of stories like “The Nine Billion Names of God” and “The Sentinel,” gathered in one enormous volume. Clarke was one of the first and most formative authors I ever read, and this is a treasure: essential for any SF lover, and personal for me.

Arthur C. Clarke was one of the very first authors I ever read, and he was phenomenal for me as a younger man. I read his stories in the old pulps. Astounding Science Fiction, Analog, the magazines where so much of the genre was born. They shaped how I think about science fiction to this day. The Collected Stories of Arthur C. Clarke gathers his short fiction across his entire career into one enormous volume, nearly a thousand pages of it, including landmarks like “The Nine Billion Names of God,” “The Sentinel,” and “The Star.”

For me this is a ten out of ten, for what Clarke meant to me as a reader, not just for its quality, which is extraordinary.

Clarke at short length is sharper than at novel length. The form suited his gift for the single brilliant idea, delivered with clarity and a quiet, devastating final turn.

The stories that made me think

Some of these stories have stayed with me for a lifetime. “The Nine Billion Names of God” is the one I always come back to, a deceptively simple tale of monks who hire engineers and a computer to write out every name of God, believing it’ll complete humanity’s purpose and end the world, and that final image still gives me chills decades after I first read it.

That’s what Clarke did better than almost anyone. Take a single startling idea and follow it to an ending that reframes everything before it. The reader ends up sitting in silence. “The Sentinel,” which became the seed of 2001, and “The Star,” with its quietly shattering close, do the same. These are stories that made me think, and they still do.

Keep reading

Writing a short story that lands its ending: Clarke’s mastery of the idea-driven story and the devastating final turn, in the craft of short fiction.

A career in one volume

What makes this collection special is its completeness. It spans Clarke’s whole writing life, from the early pulp work to his later stories, so a reader can follow the development of one of science fiction’s great minds across decades in a single book. The range is unusual, from hard-science puzzle stories to quiet, almost spiritual pieces, all marked by his clarity of thought, his genuine scientific imagination, and that signature sense of wonder.

For anyone who loves science fiction, it’s a treasury; for a writer, it’s a master class in the short form, in how to build a whole story around one idea and land it. Reading it straight through is like watching a great mind work the same magic from a hundred different angles.

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The sense of wonder: science fiction’s signature pleasure: Clarke’s stories as the purest distillation of wonder, in the craft of SF.

What Clarke meant to me

I cannot review this book purely as a critic, because Clarke is woven into how I became a reader. I went on to read 2001: A Space Odyssey and even The Making of 2001, both phenomenal in their own right, and Rendezvous with Rama, which remains one of my favorite novels of all time. But it started with the short stories in those old magazines, read when I was young enough for them to permanently shape my imagination.

That’s the rare power of the right author met at the right age, and Clarke was that author for me. This collection is the single best place to find the work that did it, all of it, in one volume, so it earns my highest rating without hesitation.

Is The Collected Stories of Arthur C. Clarke worth reading?

It’s a ten out of ten, both for its genuine excellence and for what it represents. The Collected Stories of Arthur C. Clarke gathers a lifetime of brilliant short science fiction, the idea-driven puzzles, the wonder, the quietly devastating endings, from one of the writers who founded modern SF and who was, for me, one of the very first and most formative authors I ever read.

“The Nine Billion Names of God,” “The Sentinel,” “The Star,” and dozens more sit in this one enormous volume, and any one of them is worth the price. For a lover of science fiction or a student of the short story, it’s essential, and for me it’s personal. One of the great collections, and a treasure.

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The Entertainment Hub: science fiction classics and the masters of the genre, gathered in one place.

Frequently Asked Questions

What is included in the collected volume of Arthur C. Clarke’s short stories?
This collection gathers Arthur C. Clarke’s short science fiction across his entire career into one enormous volume, nearly a thousand pages long. It includes landmark stories like “The Nine Billion Names of God,” “The Sentinel,” and “The Star,” along with dozens of others. The book spans from Clarke’s early pulp work to his later stories, so a reader can follow the development of his ideas across decades in one place. I rate it a ten out of ten, both for its excellence and for what Clarke meant to me as a reader.
What are Arthur C. Clarke’s most famous short stories?
“The Nine Billion Names of God” is the one I always come back to, a deceptively simple tale of monks who hire engineers and a computer to write out every name of God, believing it’ll end the world. “The Sentinel” is famous as the seed that grew into 2001: A Space Odyssey. “The Star” closes with a quietly shattering final turn that stays with the reader long after. These three, along with dozens of other stories, represent Clarke at his sharpest.
What makes Clarke’s short fiction special?
His mastery of the idea-driven story: taking a single startling concept and following it to an ending that reframes everything before it, delivered with clarity, scientific imagination, and a signature sense of wonder. The short form suited his gift especially well.
Why is Arthur C. Clarke’s short fiction so highly regarded?
I rate it a ten out of ten both for its genuine excellence and for what it represents to me personally. Clarke was one of the very first authors I read as a younger man, in the old pulps like Astounding Science Fiction and Analog, and his stories shaped how I think about science fiction to this day. The short story form suited his gift for taking one startling idea and following it to an ending that reframes everything before it. That combination of craft and personal history is why I hold this collection in such high regard.
Who is Arthur C. Clarke’s short fiction best suited for?
For anyone who loves science fiction, this collection is a treasury of one of the genre’s founding minds. For a writer, it works as a master class in the short form, showing how to build a whole story around a single idea and land the ending. The range runs from hard-science puzzle stories to quiet, almost spiritual pieces, so there’s something here for readers with very different tastes within the genre. Reading it straight through feels like watching a great mind work the same magic from a hundred different angles.
How do Arthur C. Clarke’s short stories relate to his novels like 2001: A Space Odyssey?
“The Sentinel” is the short story that became the seed of 2001: A Space Odyssey, so the collection contains the origin of one of his most famous works. After reading the short stories in the old pulp magazines, I went on to read 2001: A Space Odyssey and The Making of 2001, and Rendezvous with Rama, which remains one of my favorite novels of all time. The short fiction is where Clarke’s ideas first took shape before some of them grew into full novels. That progression from short story to novel is part of what makes his career so remarkable to trace.

About the author

Arthur C. Clarke

Arthur C. Clarke

Sir Arthur Charles Clarke was a British science fiction writer, futurist, and one of the three figures, along with Isaac Asimov and Robert A. Heinlein, who defined the genre's twentieth century. Born in Minehead, Somerset, in 1917, he served as a radar officer in the Royal Air Force during the Second World War, took a first in physics and mathematics…

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