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Before I Write a Word

TL;DR: The biggest mistake ghostwriters make is starting too soon. Before I write a single word of someone’s book, I interview them across multiple recorded sessions, more than twenty prepared questions plus all the follow-up. I am not trying to learn their field the way they know it. I’m capturing their position on it, their language, their examples, the things they believe that most people in their industry would argue with. With Joe Rockey, the real material came in the later sessions, after he stopped performing and started thinking. Each session gets summarized and verified by him, so the foundation is both complete and correct before any writing begins.
The pages you write before you understand the person are pages you eventually throw away.
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The biggest mistake ghostwriters make is starting too soon. A client shows up with energy and enthusiasm and a folder full of notes, and there’s a temptation to dive in.

To start outlining. To start drafting. To produce something visible that justifies the investment the client has made and the fee they’re paying. I resist that temptation every time. I’ve learned, sometimes the hard way, that the pages you write before you understand the person are pages you eventually throw away.

The biggest mistake ghostwriters make is starting too soon.

And those pages do more than waste time. They set the wrong expectations, give the client a false sense of where the book is going, and make the correction harder to execute than building the right foundation would have been.

What does the discovery interview process look like?

Before I write a single word of someone’s book, I interview them.

Not once. Not a quick intake call. I mean structured, recorded, multi-session interviews that go deep into what they know, how they think, what they’ve done, and what they believe. The interviews I conducted with Joe Rockey ran across several weeks and covered more than twenty prepared questions, plus all the follow-up those questions generated. By the time we finished, I had a knowledge base thorough enough to write from with real confidence.

What the interviews are for

What I needed wasn’t confidence that I knew Joe’s field the way he does. I’m not a sales consultant. I’m never going to know the subject matter at the level of someone who has spent years inside it. What I need is to know Joe’s position on the subject matter. His language for it. His examples. The things he believes that most people in his industry would argue with.

His level of certainty on different points and the places where his thinking is still developing. That’s what the interviews produce.

This is the distinction that separates a ghostwriter from a journalist or a researcher. I’m not building an objective account of sales consulting.

I’m building a faithful map of how one expert thinks about it, including his blind spots and his strong opinions and the places where he’s more certain than the evidence strictly warrants, because all of that is part of his voice and his argument. A book that smooths those out into balanced neutrality stops sounding like the author.

Fidelity to the person is the whole goal. Encyclopedic accuracy belongs in a textbook, and a ghostwriter who chases it ends up with a book that sounds like a committee wrote it and that the author barely recognizes.

My take

Don’t let a ghostwriter start drafting in week one. Pages written before the writer understands you are pages you’ll throw away, and they set the wrong expectations on the way to the trash. Insist on several recorded sessions. The good material shows up late, after you stop performing and start thinking. Check every session summary yourself. A book built on your positions, your language and your strong opinions will sound like you. A balanced, neutral one sounds like a committee.

How are discovery questions built?

The questions I bring into a discovery session are built for the person I’m interviewing. I do research before the first session, looking at what the client has published, what they’ve said publicly, what their clients say about them.

I’m looking for the gaps between the polished public version and what I suspect is a richer, more specific private version underneath. Those gaps are where the interesting questions live.

For Joe, the early sessions covered the foundation, who his clients are, what his process involves, how he got into this work. Standard material. Useful but not yet interesting enough to build a book from.

The number of prepared questions is only the skeleton.

The value is in the follow-ups, the where exactly, the why that, the can you give me the specific case, that each prepared question generates. A single planned question about how Joe handles a struggling team can branch into forty minutes of stories, qualifications, and exceptions. The prepared list keeps the session moving through the territory that has to be covered. The follow-ups are where the territory turns out to be more interesting than the map suggested.

The interesting material comes later

The interesting material came when I asked harder questions.

Where has his methodology failed? What does he believe about sales and leadership that most consultants in his space wouldn’t say publicly? How has his thinking changed over the years he’s been doing this work? Joe made a distinction early on that shaped how I listened across every later session:

Your motivations flutter. Your strengths are how you’re hardwired.

He was explaining why his assessment work focuses on strengths instead of motivations. The same principle applies to the interview process. I’m not capturing what Joe feels like saying on a given day. I’m capturing how he thinks, the hardwired version. And when I pushed him on where that thinking originally came from, his answer was short:

First off, by failing.

Cutco knives. A financial advising firm where the training was minimal and the product was complicated. Years of figuring out what doesn’t work before he had any real structure for what does. I designed the interview process to surface that kind of honesty, and it almost never appears in a first session. The failures are where the real expertise lives, because they’re where the generic advice broke down and the person had to build something that worked.

What emerges over a long discovery process?

There’s something that happens over the course of a long discovery process that doesn’t happen in a single conversation. The client stops performing and starts thinking. In the first session, most people give me the version they’ve given a hundred times before, smooth, confident, well-practiced. That version is the starting point. It’s never the destination. By the third or fourth session with Joe, the quality of the conversation had shifted in a way I recognize from working with clients who have real material to mine.

He was following ideas somewhere he hadn’t taken them before and qualifying positions mid-sentence when he heard something that didn’t quite hold. And he was going deep on stories he’d mentioned in passing, because the passing mention hadn’t done them justice.

That’s the material a book is made of: the examined version of what someone knows. The polished version is what they’ve already said on every stage and podcast, and a book built from it gives readers nothing they couldn’t have gotten from a free video.

Each session is recorded and transcribed. The transcripts aren’t the product. The product is the summary document I build from each transcript, stripped of small talk, organized by topic, with the direct quotes that deserve preservation pulled out and kept intact. Joe reviewed each summary. If something was wrong, he corrected it. If something important was missing, he flagged it. By the time we finished the interview phase, the knowledge base was both complete and verified by the person whose expertise it represents.

That verification step counts for more than it might seem. A ghostwriter who works from memory or rough notes will eventually put something in a manuscript that’s not quite right. A client story slightly misremembered. A position stated more than the client holds it. In a book that goes out under someone’s name, those errors are a problem the author has to live with permanently. The review process catches them before they become permanent, while they’re still cheap to fix.

How the discovery phase works before any writing begins
Step What happens Why it matters
Research Review what the client has published, said publicly and what clients say Finds gaps between the polished public version and the private one
Early sessions Who the clients are, the process, how they got into the work Foundation material, not yet a book
Follow-ups Where exactly, why that, give me the specific case Where the territory gets more interesting than the map
Harder questions Where the method failed, what they would not say publicly Failures are where the real expertise lives
Later sessions The client stops performing and starts thinking The examined version is what a book is made of
Summaries Transcripts become topic summaries with key quotes kept intact The verified summary is the product
Client review The client corrects errors and flags gaps Catches mistakes while they are still cheap to fix

The whole process is slow by the standards of clients who want a manuscript in thirty days. Writers who promise a finished book a month after the first call are selling speed, and the client pays for it later in a book that falls apart under a close read. Shortcuts show up on the page, and readers feel them even when they can’t name them.

Something about the book feels thin, or borrowed, or like the work of someone who understood the topic in theory but had never really lived inside it.

If you’re thinking about writing a business book, ask yourself one question before you do anything else: could you sit down for multiple hours of structured conversation, across several sessions, and articulate what you know clearly enough that a skilled writer could build a real argument from it? If the answer is yes, you have material worth working with. If you’re not sure, the process itself will give you the answer.

Ask any ghostwriter you’re considering how many hours of interviews come before the first page. A writer who shrugs at that question plans to fill the gaps with guesses and publish them under your name, and I think that betrays the one thing a client trusts us with.

Frequently Asked Questions

Why do ghostwriters interview so much before writing?

Because pages written before you understand the person get thrown away, and they set wrong expectations along the way. Multiple structured, recorded sessions build a knowledge base thorough enough to write from with confidence. The goal isn’t to learn the field but to capture how the specific author thinks about it, their language, examples, and positions.

What does a ghostwriter capture in interviews?

Not objective subject knowledge, but the author’s position on the subject.

Their language, their examples, the things they believe that others in their field would argue with, their certainty on some points and uncertainty on others. It’s a faithful map of how one expert thinks, including the strong opinions and blind spots that make up their voice.

Why do later ghostwriting interviews produce the best material?

Because in early sessions most people give the polished version they’ve delivered a hundred times. Over several sessions they stop performing and start thinking, following ideas to new places and qualifying positions mid-sentence. The examined version of what someone knows, not the rehearsed version, is what a real book is made of.

How does a ghostwriter use interview recordings?

Each session is recorded, transcribed, and turned into a summary document organized by topic, with key quotes preserved intact. The transcript isn’t the product; the verified summary is. The author reviews each summary and corrects anything wrong or missing, so the knowledge base is both complete and confirmed before any writing starts.

Why does a ghostwriter need to verify interview summaries?

Because a ghostwriter working from memory will eventually put something not quite right into the manuscript, a misremembered story or a position stated too absolutely. In a book published under the author’s name, those errors are permanent. Verifying the summaries catches them while they’re still cheap to fix, long before they reach print.

How can I tell if I have enough material for a business book?

Ask whether you could sit through multiple hours of structured conversation across several sessions and articulate what you know clearly enough that a skilled writer could build a real argument from it. If yes, you have material worth working with. If unsure, the discovery process itself will reveal the answer quickly.

From the author
The Ghostwriting Advantage by Richard Lowe

The Ghostwriting Advantage
Discovery is where a ghostwritten book is built. The Ghostwriting Advantage explains how to get your book written for you, so you know what the work asks of you before it starts.

About the Author
Richard Lowe, professional ghostwriter

Richard Lowe is a professional ghostwriter and author with 113+ books authored and 54+ ghostwritten. Before writing full time he spent 33 years in enterprise technology, including 20 years as Director of Computer Operations and Technical Services at Trader Joe's. He writes nonfiction, fiction and memoir, and works with executives and experts on books that build authority.

More about Richard Lowe →

Disclaimer

The views and opinions expressed in this blog post are solely those of Richard Lowe and are based on personal experience and research. This content is for informational purposes only and should not be construed as professional legal, financial, accounting, or business advice. Always consult with qualified professionals before making important business or legal decisions. Richard Lowe is not a lawyer, accountant, or licensed professional advisor, and this content does not establish any professional relationship.

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