TL;DR
The biggest mistake ghostwriters make is starting too soon. Before I write a single word of someone’s book, I interview them across multiple recorded sessions, more than twenty prepared questions plus all the follow-up. I am not trying to learn their field the way they know it. I am capturing their position on it, their language, their examples, the things they believe that most people in their industry would argue with. With Joe Rockey, the real material came in the later sessions, after he stopped performing and started thinking. Each session gets summarized and verified by him, so the foundation is both complete and correct before any writing begins.
The pages you write before you genuinely understand the person are pages you eventually throw away.Share on X
The biggest mistake ghostwriters make is starting too soon. A client shows up with energy and enthusiasm and a folder full of notes, and there is a temptation to dive in. To start outlining. To start drafting. To produce something visible that justifies the investment the client has made and the fee they are paying. I resist that temptation every time. I have learned, sometimes the hard way, that the pages you write before you genuinely understand the person are pages you eventually throw away. And those pages do more than waste time. They set the wrong expectations, give the client a false sense of where the book is going, and make the correction harder to execute than building the right foundation would have been.
Before I write a single word of someone’s book, I interview them. Not once. Not a quick intake call. I mean structured, recorded, multi-session interviews that go deep into what they know, how they think, what they have done, and what they believe. The interviews I conducted with Joe Rockey ran across several weeks and covered more than twenty prepared questions, plus all the follow-up those questions generated. By the time we finished, I had a knowledge base thorough enough to write from with genuine confidence.
What the interviews are actually for
What I needed was not confidence that I knew Joe’s field the way he does. I am not a sales consultant. I am never going to know the subject matter at the level of someone who has spent years inside it. That is not what I need. What I need is to know Joe’s position on the subject matter. His language for it. His examples. The things he believes that most people in his industry would argue with. His level of certainty on different points and the places where his thinking is still developing. That is what the interviews produce.
This is the distinction that separates a ghostwriter from a journalist or a researcher. I am not building an objective account of sales consulting. I am building a faithful map of how one specific expert thinks about it, including his blind spots and his strong opinions and the places where he is more certain than the evidence strictly warrants, because all of that is part of his voice and his argument. A book that smooths those out into balanced neutrality stops sounding like the author. The goal is not accuracy in the encyclopedic sense. It is fidelity to the person.
The questions I bring into a discovery session are built for the person I am interviewing. I do research before the first session, looking at what the client has published, what they have said publicly, what their clients say about them. I am looking for the gaps between the polished public version and what I suspect is a richer, more specific private version underneath. Those gaps are where the interesting questions live. For Joe, the early sessions covered the foundation, who his clients are, what his process involves, how he got into this work. Standard material. Useful but not yet interesting enough to build a book from.
The number of prepared questions is only the skeleton. The real value is in the follow-ups, the where exactly, the why that, the can you give me the specific case, that each prepared question generates. A single planned question about how Joe handles a struggling team can branch into forty minutes of specific stories, qualifications, and exceptions. The prepared list keeps the session moving through the territory that has to be covered. The follow-ups are where the territory turns out to be more interesting than the map suggested.
The interesting material comes later
The interesting material came when I asked harder questions. Where has his methodology failed? What does he believe about sales and leadership that most consultants in his space would not say publicly? How has his thinking changed over the years he has been doing this work? Joe made a distinction early on that shaped how I listened across every subsequent session:
Your motivations flutter. Your strengths are how you’re hardwired.
He was explaining why his assessment work focuses on strengths rather than motivations. The same principle applies to the interview process. I am not capturing what Joe feels like saying on a given day. I am capturing how he actually thinks, the hardwired version, not the performed one. And when I pushed him on where that thinking originally came from, his answer was short:
First off, by failing.
Cutco knives. A financial advising firm where the training was minimal and the product was complicated. Years of figuring out what does not work before he had any real framework for what does. That kind of honesty is what the interview process is designed to surface, and it almost never appears in a first session. The failures are where the real expertise lives, because they are where the generic advice broke down and the person had to build something that actually worked.
There is something that happens over the course of a long discovery process that does not happen in a single conversation. The client stops performing and starts thinking. In the first session, most people give me the version they have given a hundred times before, smooth, confident, well-practiced. That version is the starting point. It is never the destination. By the third or fourth session with Joe, the quality of the conversation had shifted in a way I recognize from working with clients who have real material to mine. He was following ideas somewhere he had not taken them before. He was qualifying positions mid-sentence when he heard something that did not quite hold. He was going deep on stories he had mentioned in passing, because the passing mention had not done them justice.
That is the material a book is made of. The examined version of what someone knows, not the polished version.
Why every session gets verified
Each session is recorded and transcribed. The transcripts are not the product. The product is the summary document I build from each transcript, stripped of small talk, organized by topic, with the direct quotes that deserve preservation pulled out and kept intact. Joe reviewed each summary. If something was wrong, he corrected it. If something important was missing, he flagged it. By the time we finished the interview phase, the knowledge base was both complete and verified by the person whose expertise it represents.
That verification step matters more than it might seem. A ghostwriter who works from memory or rough notes will eventually put something in a manuscript that is not quite right. A client story slightly misremembered. A position stated more absolutely than the client actually holds it. In a book that goes out under someone’s name, those errors are a problem the author has to live with permanently. The review process catches them before they become permanent, while they are still cheap to fix.
The whole process is slow by the standards of clients who want a manuscript in thirty days. It is not the fast way to write a book. It is the right way. The books that hold up over time, the ones that actually do the job they were built to do, are built on this kind of foundation. Shortcuts show up on the page. The reader can feel them even when they cannot name them. Something about the book feels thin, or borrowed, or like it was written by someone who understood the topic in theory but had never really lived inside it.
If you are thinking about writing a business book, ask yourself one question before you do anything else: could you sit down for multiple hours of structured conversation, across several sessions, and articulate what you know clearly enough that a skilled writer could build a real argument from it? If the answer is yes, you have material worth working with. If you are not sure, the process itself will give you the answer.
Related Reading
- The Project I Said Yes To
- What Six Interview Sessions Actually Produce
- 10 Questions to Ask a Ghostwriter About Voice and Style
- Capturing the Client’s Voice: How Ghostwriting Actually Works
Thinking about a book that does real work for your business, built the way this one was?
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Frequently Asked Questions
Because pages written before you genuinely understand the person get thrown away, and they set wrong expectations along the way. Multiple structured, recorded sessions build a knowledge base thorough enough to write from with confidence. The goal is not to learn the field but to capture how the specific author thinks about it, their language, examples, and positions.
Not objective subject knowledge, but the author’s position on the subject. Their language, their examples, the things they believe that others in their field would argue with, their certainty on some points and uncertainty on others. It is a faithful map of how one expert thinks, including the strong opinions and blind spots that make up their voice.
Because in early sessions most people give the polished version they have delivered a hundred times. Over several sessions they stop performing and start thinking, following ideas to new places and qualifying positions mid-sentence. The examined version of what someone knows, not the rehearsed version, is what a real book is made of.
Each session is recorded, transcribed, and turned into a summary document organized by topic, with key quotes preserved intact. The transcript is not the product; the verified summary is. The author reviews each summary and corrects anything wrong or missing, so the knowledge base is both complete and confirmed before any writing starts.
Because a ghostwriter working from memory will eventually put something not quite right into the manuscript, a misremembered story or a position stated too absolutely. In a book published under the author’s name, those errors are permanent. Verifying the summaries catches them while they are still cheap to fix, long before they reach print.
Ask whether you could sit through multiple hours of structured conversation across several sessions and articulate what you know clearly enough that a skilled writer could build a real argument from it. If yes, you have material worth working with. If unsure, the discovery process itself will reveal the answer quickly.