Real ghostwriting projects documented from the inside, one decision at a time. How business books actually get made, shown through live client work with a real client who agreed to let his project be the example.
After fourteen years of ghostwriting, I turn down more projects than I take. When Joe Rockey approached me about writing his business book, I listened for three specific things before saying yes, and he had all of them.
The biggest mistake ghostwriters make is starting to write too soon. Before I put a single word on the page, I spend weeks interviewing my client across multiple recorded sessions, asking hard questions and following the threads that matter, because the pages you write before you truly understand the person are pages you’ll eventually throw away.
Most people think ghostwriting starts with one long conversation and ends with a finished book. What actually produces a good book is the opposite: hours of structured interviews that push a client’s thinking deeper, until they start surprising themselves with what they actually believe.
When you’re writing a book about something you’re genuinely good at, you face a real problem: how much do you actually reveal? Give away everything and you’ve written expensive free consulting. Stay vague and nobody trusts you. The answer lies in understanding what belongs in the book and what belongs in the paid work.
Most business books fail at the one job that actually matters: getting their author more clients. The problem is almost always the same, the author built the wrong kind of book by trying to write for everyone instead of the specific people who need to hire them.
The title of a business book is the first argument it makes, the concept an author will repeat in every conversation for as long as the book is in print. Finding the right one for Joe Rockey’s book required understanding what it actually argued, not just what it was about, and a single word that changed everything.
An outline for a business book is not a table of contents. It’s the thinking itself, tested against your central argument before you write a single word, where every chapter has to move the reader from one belief to another.
Most ghostwriters jump straight into writing the full manuscript. I write one chapter first, then ask the author a single question: does this sound like you? That question separates a book that feels authentic from one that sounds like someone else thinking your thoughts.
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