Latest
Royce Blake: Why Benefits Beat Features in Every Pitch You MakeJoe Rockey: The Psychology of Getting People to Be Honest and to BuyBen the Automator: How to Automate the Work That Wastes Your DayPaul Barry: Making Habit Change Conversational So Nobody Feels HopelessJoe Rockey: The Coming Recession Is About People, Not EconomicsDiana Lee: Using AI as a Thought Partner That Amplifies What Makes You HumanRutherford Pascal: What New Coke, Microsoft, and 32 Years in Pharma Teach About LeadershipAnthony Markey: Why Podcasting Beats Pitch-Slapping as a Way to NetworkBen the Automator: Why Digital Transformation Starts With People, Not SoftwareDeanna Farnell: How a Corporate CPA Rebuilt Her Life Around Healing Stress at the RootDaniel Holguin: Leadership Lessons From a Cancer Survivor and Former Police OfficerDoug Hohulin: How AI Could Save a Billion Lives and Prevent Avoidable DeathsRalph Brown: Four World Records and a Race Around the Entire PlanetMichael O’Brien: Why Startups Fail and What VCs Actually Look ForShawn Abeling: What Bad Leadership Looks Like From the Ground UpRhonda Bowen: Why Great Leaders Are Really Great CommunicatorsNikhil Raval: How to Actually Understand and Lead Gen ZDan Shinder: The Power of Forgiveness and Choosing What You Expose Yourself ToVladimir Ingerman: A Soviet Engineer’s Journey Through Oil, Gas, and InnovationRob Fenstermaker: The Warrior Spirit and What It Means to Lead as a ManDoris Walsh: Coaching High Achievers Torn Between Success and FulfillmentJoe Rockey: Why Your Pricing Fails Before You Ever Set a NumberPacing Problems Nobody Talks AboutWhat AI Does Well, and What It Cannot DoThe Most Dangerous Thing You OwnThe Story That Made Me Cry at My KeyboardWhat a Belly dancer Taught Me About WritingGood Security Policy Names NamesWriting Fairy Tales: Techniques That Make Stories WorkMaster Superhero Fiction: Top 10 Writing TechniquesRhythm in Writing: How to Give Your Prose a PulseI’ll Write It Myself SomedayALLi Author Self-Publishing Success StoryEmotional Writing: 8 Inspiring Techniques for Deeper ConnectionsLiterature Related Holidays: Over 100 Festive Dates for BookwormsUsing an Animal’s POV: 7 Tips for Unique StorytellingThematic Writing: 7 Techniques That Hold a Book TogetherSoftware Testing: 10 Things Most Teams Get WrongUncanny Valley in Writing: What It Is and How to Use ItWhy YouTube Sucks: A Love-Hate Account (With the Numbers)Facing Hurricane Irma: 7 Lessons in Storm SurvivalWhy TikTok Sucks: The Criticism, Backed by the NumbersEcho Chambers: Why You Are in More Than You ThinkTales from the Digital Trenches: War Stories from the Early Days of ComputingSearch Engine Echo Chambers – Why Google Shows You What You Want to HearMainstream Media Echo Chambers: When the News Becomes a Team SportEcho Chambers in Fiction – How to Write Characters Trapped in Their Own CertaintyWhy Yelp Sucks: 7 Reasons, An Unfiltered ReviewWhat Makes a LinkedIn Post Go ViralCharacter Development: An 8-Step Guide

Writing about Magic

Writing about Magic
Author:Rayne Hall
Publisher:CreateSpace
Published:March 12, 2015
ISBN:1508830010
Pages:180
ISBN:9781508830016
Language:English
Share:

Buy Now

Description:

TL;DR

6/10. A useful, focused craft guide to one important and frequently mishandled element of fantasy: writing convincing magic. It offers practical, practical advice on building consistent magic systems, giving magic the rules, limits, and costs that make it generate drama instead of dissolve it. A fair, helpful primer, held to the middle by being a short, narrowly focused, self-published guide limited in depth.

Writing About Magic by Rayne Hall is a focused craft guide for fantasy authors on one specific and important element: how to handle magic in fiction. Crammed with information, tips, and plot ideas, it addresses the practical questions of writing convincing magic. How to build a magic system. How to make spells and powers work within consistent rules. How to use magic to drive plot instead of solve problems too easily, and how to avoid the common pitfalls that make fictional magic feel arbitrary or unsatisfying.

As a narrow, practical guide to a single important aspect of fantasy writing, it offers useful, practical advice, earning a fair rating, with the limits of a brief, narrowly focused self-published guide.

The focus is the appeal: magic is central to most fantasy and frequently mishandled, so a guide devoted entirely to getting it right addresses a real and specific need.

Making magic work

The book’s value is its practical, focused attention to the craft of fictional magic. Hall addresses the real challenges. Designing a magic system with internal consistency. Establishing rules and limits so magic doesn’t become a plot-solving cheat. Using magic to create instead of dissolve conflict, and weaving it into story and worldbuilding convincingly, offering concrete tips and plot ideas instead of abstract theory.

For a fantasy writer struggling to make their magic feel meaningful and consistent instead of arbitrary, this targeted, practical guidance addresses exactly the kind of specific problem that a general fantasy-writing book often treats only in passing. Its narrow focus lets it go deeper on magic than a broader guide could. That’s its real usefulness.

Keep reading

Magic systems with rules, limits, and real consequence: Hall’s practical approach to fictional magic, in the craft of fantasy world-building.

Avoiding the magic pitfalls

A particular strength is its attention to the common ways fictional magic goes wrong. Magic that can do anything resolves tension too easily and drains the stakes. Magic with no consistent rules feels arbitrary. Magic disconnected from character and plot becomes mere decoration. Hall’s guidance avoids those traps by treating magic as something that needs limits, costs, and consistency. Handled that way it generates drama instead of dissolving it. That insight separates convincing magic from the kind that undermines a story.

For a writer whose magic feels too convenient or too vague, this focus on the discipline that makes magic work dramatically is useful, practical craft.

Keep reading

The craft of writing fantasy that holds together: Hall’s magic-system discipline, in the wider work of writing convincing fantasy.

What are the weaknesses of Writing about Magic?

The caveats are about depth and scope. It’s a short, narrowly focused guide, useful on its single topic but limited in depth, more a practical primer on handling magic than an exhaustive treatment, and a writer wanting a thorough exploration of magic systems may find it a starting point instead of the final word. As a self-published guide, it’s also one author’s practical approach instead of a definitive or widely vetted craft text, valuable but not authoritative.

And by design it covers only magic, one element of fantasy writing, so it’s a supplement to broader craft and worldbuilding resources instead of a complete fantasy-writing education. These are the normal limits of a brief, narrowly focused guide instead of flaws, and within its lane it delivers practical help.

Is Writing about Magic worth reading?

It’s a useful, focused craft guide to one important and frequently mishandled element of fantasy: writing convincing magic. It earns a fair rating for its practical, practical attention to building consistent magic systems, giving magic the rules, limits, and costs that make it generate drama instead of dissolve it, and avoiding the common pitfalls that make fictional magic feel arbitrary or too convenient.

It’s held to that level by being a short, narrowly focused, self-published guide, useful on its single topic but limited in depth, one author’s practical approach instead of a definitive text, and a supplement to broader fantasy craft instead of a complete education. For a fantasy writer whose magic feels vague or too easy, it offers targeted, practical help. A sound, narrowly focused magic guide.

Explore the hub

The Writing Hub: fantasy, magic, world-building, and the rest of the craft, gathered in one place.

Frequently Asked Questions

How do you build a magic system in fantasy fiction?
I look for magic systems built with clear internal consistency, along with rules and limits so power doesn’t become a cheat for solving plot problems. Magic works best when it creates conflict instead of dissolving it, and when it’s woven convincingly into story and worldbuilding and not tacked on. The strongest guidance on this offers concrete tips and plot ideas instead of abstract theory. When magic follows this kind of discipline, it feels earned and not arbitrary.
Why do craft guides that focus only on magic help fantasy writers more than general fantasy writing guides?
I find that a guide devoted entirely to magic can go deeper into the topic than a general fantasy craft book. That usually treats magic only in passing. Magic is central to most fantasy and is frequently mishandled, so a narrow focus addresses a real and specific need. By concentrating on one element, a focused guide can offer concrete tips and plot ideas instead of abstract theory. That depth is the real value such a book has over broader resources.
What are the most common mistakes writers make with magic in fantasy fiction?
The most common mistake I see is magic that can do anything. That resolves tension too easily and drains the stakes from a story. Magic with no consistent rules also feels arbitrary to readers and undermines believability. Another frequent problem is magic disconnected from character and plot, where it becomes mere decoration instead of a meaningful part of the story. Treating magic as something with limits, costs, and consistency avoids these traps and lets it generate drama instead of dissolving it.
What are the risks of relying on a short, self-published craft guide for fantasy writing?
A short, self-published guide is necessarily limited in depth, offering more of a practical primer than an exhaustive treatment of its subject. It represents one author’s practical approach instead of a definitive or widely vetted craft text, so it’s valuable but not authoritative. Because it covers only one narrow element of fantasy writing, it works best as a supplement to broader craft and worldbuilding resources instead of a complete fantasy-writing education. These are the normal limits of a brief, focused guide and not fatal flaws.
Who benefits most from a craft guide focused solely on magic systems in fantasy?
I think a guide focused solely on magic systems benefits fantasy writers whose magic feels vague, arbitrary, or too convenient. It offers targeted, practical help for building the rules, limits, and costs that make magic meaningful within a story. Because its focus is narrow, it works best paired with broader craft and worldbuilding resources and not as a standalone education in fantasy writing.

About the author

Rayne Hall

Rayne Hall is a British author and editor, born and raised in Germany, who has published well over a hundred books across fantasy, horror, and the writing craft, often under several pen names and in multiple languages. She holds a college degree in publishing management and a master's degree in creative writing, and over three decades she has worked throughout…

More about Rayne Hall

Back