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What were your goals and intentions in your book (pick one), and how well do you feel you achieved them?

TL;DR: Authors explain what they set out to do with a specific book, to entertain, to teach, to heal, to leave a record. Knowing the intention, they agree, is what holds a book together.

Every book is written for a reason, even when the author cannot name it at first. To entertain, to teach, to process something, to leave a record. I asked a group of authors about the goals behind a particular book, and their answers are below. A clear intention, they suggest, is what keeps a book from wandering.

What Were Your Goals And Intentions In Your Book?

Here are their responses, in their own words.

Bjørn Larssen

Bjørn Larssen

I’m answering this question two days after my editor sent me an email with the complete, final version of the book and congratulations upon finishing it. Which means my goal has been achieved on Monday, January 28, 2019.

Ever since I turned seven, I wanted to be a writer. The problem was that being a writer involved writing, which took a lot of time and effort. I was supposed a genius artiste, not some sort of hard worker! So until my late 30s I remained the sort of person muttering “pffft, this book is crap, I could write a better one in my sleep”, yet not writing anything that would progress further than an unfinished first draft. That part of the process wasn’t so bad. It was the idea of revising and editing like some losers who didn’t have my natural genius, especially since I already knew how it was going to end. Why would I bother doing the same thing again, I’d ask myself, shrug, then return to complaining about other people’s writing not satisfying my high standards.

And then things have changed.

Storytellers went through twenty-one drafts and took me 25 months to finish from the first word until receiving the email from the editor congratulating me on the final version of the book. It definitely didn’t feel that way when I got my horrid back injuries in 2015, but I feel a lot of gratitude now. Because if I weren’t confined to a chair most of the day I don’t think this book would get finished either. In a way, I wrote it out of boredom, since it was one of the very few things I could do. But as time has passed, my attitude began to change. I became excited about research and revising. I realized how much I was learning with each revision and each email full of my editor’s remarks. And I remembered how much I enjoyed learning new things.

The first novel is officially finished now. Goal achieved. It’s time to move on to the real work: logistics, design, promotion, reviews, but most importantly writing (and finishing!) the next novel. Storytellers might sell or not, get five-star reviews or get absolutely massacred by the reviewers, but it’s proven to me that I am, after all, capable to writing a book. The next goal in front of me is to write, and finish, the second one.

They say it’s the journey that’s important and not the destination. But I have to say that it’s nice to arrive somewhere once in a while before going further into unexplored lands.

Bjørn Larssen: writer, blacksmith, spiritual Icelander

Blog, Facebook, Twitter

Robin Donovan

Robin Donovan

My goals in my first book: Is It Still Murder Even If She Was A Bitch? grew in number as the writing progressed. I wanted to show that menopausal women can be cool, and that female amateur sleuths don’t have to be 20-something, gorgeous and brilliant (but end up doing really stupid things like meeting the murderer with no weapon and no back up in a dark alley). Female sleuths don’t have to be either 20-something or Miss Marple with nothing in between. My sleuth, Donna Leigh, is menopausal, attractive but not perfect and smart, but not flawless.

I wanted to clearly avoid my most common pet peeves, the ones repeated throughout cozy mysteries that I read, e.g. men are always telling female sleuths “I’m angry, you need to stay out of this investigation.” This rant is generally repeated ad nauseum throughout the plot. The female sleuth typically ignores this command, yet often frets that she’s making the macho guy mad with every move she makes. I’m sick to death of this and I’m guessing others are as well.

I wanted to show that the most appealing woman doesn’t have to be the thinnest. Women can be spectacular, desirable, and stylish at any weight.

I also wanted to show that comedy doesn’t have to detract from the mystery in a murder mystery. If the author is careful not to leave a trail of red herrings and is diligent in answering every question in an interesting and compelling way, a comedy can be every bit as suspenseful a drama.

Have I met these goals? Feedback from readers tells me I have, maybe not every goal with every reader, but enough to know it’s all in there.

www.bozell.com

Lou Holly

Lou Holly

My intention with my first published novel was to write a crime yarn that would appeal to females as well as males. I believe I achieved my goal based on the 4.6 rating Southside Hustle holds on Amazon. The majority of the 4 and 5 Star reviews were by females. I wrote my second published novel, Razorback, for me, for my own entertainment. I didn’t think female readers would take to it as much as they did because the protagonist is a womanizing, opportunist bank robber. Thankfully, Razorback has a 4.4 rating. (thought I’d give myself a shameless plug)

Sherry Linker

Sherry Linker

My intention for my novel-in-progress, Haunting of Maple Creek, is to weave a few sub-plot lines in with the theme and main plot and have them all come together nice and neat. With revisions and fastidious attention to the various plotlines, I’m confident it can be achieved.

Facebook: FB.me/authorsherrylinker

Anne Merrick

Catherine Meyrick

One of my main goals with Forsaking All Other was to write a story that reflected the reality of life in late 16th century England, though I did draw the line at smell. I know that 16th century life wasn’t as fragrant as ours is but to paraphrase Josephine Tey, if they didn’t smell bad to each other, then they have no right to smell bad to us.

Overall, I wanted show the lack of freedom that women, and men too, had in determining their own lives, even to their choice of spouse, and the difficulties that could arise when they stepped outside the boundaries of a far more rigidly structured society than our own. My main characters, Bess Stoughton and Edmund Wyard are reasonably ordinary people, with the attitudes and beliefs of their time, caught up in situations that did arise in that period, resolved in ways that were probable instead of extraordinary. In no way did I want them to be 21st century people in period dress.

If reviews are anything to go by, I think I’ve achieved what I aimed for with praise for the historical reality I created. One reviewer said, ‘I felt as though as I was living at the same time as the characters.’ What more could a writer of historical fiction ask for?

Paty Jager

Paty Jager

With Secrets of a Mayan Moon, book 1 in the Isabella Mumphrey Adventure series, my intention was to write an action adventure with romance. My main character is a female Indiana Jones/ MacGyver. She carries a pocket-sized emergency tin that gets her out of trouble along with her high IQ. Unfortunately, she’s a bit socially naive.

I do feel that my intention for the book was met when I finished. It won an award for best romantic suspense in the Reader’s Crown and the reviews have raved about the adventure in the book.

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The common thread

Read these answers side by side and the individual voices begin to agree. That’s the point of a roundup. No single writer holds the whole answer to what were your goals and intentions in your book, but the collected experience of many working writers gets closer than any one of us could alone.

Frequently Asked Questions

Why is it important to know your book’s purpose?
A clear intention keeps a book focused and coherent. Authors who know what they want a book to do, entertain, teach, heal, or record, make sharper choices throughout the writing.
What goals do authors have for their books?
They vary from entertaining readers to teaching a skill, processing personal experience, building authority, or leaving a legacy. Most books carry more than one intention.
How do you define your book’s goal?
Ask what you want the reader to think, feel, or do after finishing it. That answer becomes the compass for every decision in the writing.

About the Author
Richard Lowe, professional ghostwriter

Richard Lowe is a professional ghostwriter and author with 113+ books authored and 54+ ghostwritten. Before writing full time he spent 33 years in enterprise technology, including 20 years as Director of Computer Operations and Technical Services at Trader Joe's. He writes nonfiction, fiction and memoir, and works with executives and experts on books that build authority.

More about Richard Lowe →

Disclaimer

The views and opinions expressed in this blog post are solely those of Richard Lowe and are based on personal experience and research. This content is for informational purposes only and should not be construed as professional legal, financial, accounting, or business advice. Always consult with qualified professionals before making important business or legal decisions. Richard Lowe is not a lawyer, accountant, or licensed professional advisor, and this content does not establish any professional relationship.

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