Latest
What an AI Detector Score on Your Manuscript Is WorthThe One-Hour Call Before I Quote Your BookWhen a Client Thinks the Ghostwriter Used AIMonthly or Milestone: How Ghostwriting Gets BilledWhen Your Memoir Should Be a NovelWhat It Costs to Fix an AI-Written ManuscriptThe Clients Who Pay and VanishThe Quotation Marks That Get Authors SuedThe Work You Would Never Have StartedWhen Your Own Memoir Sounds Like BraggingWhat Belongs on a Copyright PageThe Hugging Face AI Agent Attack: An Operations ReadingBehind the Book: The Mysterious Island, Neb’s SideHow to Organize Decades of Memories Into a MemoirWhy Rotten Tomatoes Sucks: The Score Does Not Mean What You ThinkWhy Amazon KDP Sucks: They Terminated My Account OvernightIngramSpark: How I Publish Now and WhyWhy Fiverr Sucks for Ghostwriting: The Buyer’s SideWhy eBay Sucks Now: A Seller’s Numbers and a Buyer’s WarningThe Ghost Story TraditionThe Gothic TraditionThe Christmas Ghost Story TraditionResurrection as a Narrative StructureBooks to Give a WriterThe Beach Read ArgumentWhy It’s a Wonderful Life Failed on ReleaseWhat to Read in SpringWhat to Read in SummerWhat to Read in OctoberHow Warner Bros. Dismantled a $17 Billion Cartoon EmpireThe Imaginary Scarcity TrapThe Graph That Goes Vertical Is Usually Somebody Else’sSubstack Is Not Collapsing. The Promise Was.The Disasters That Happen to Ordinary PeopleToba: The Winter That Almost Ended UsJay Stifflemire: Nothing Ever Gets Written DownGeorgie-Ann Getton: I Forgot I Had Free WillAI Detection Cannot Be Evidence, and Publishing Is Using It That WayAI Consciousness Left Philosophy and Entered the LaboratoryThe Office Block Where the Bedrooms AreThe Web Got Fenced: What AI Search Costs Small SitesBlack Tuesday: The Web Ring War Nobody Outside It NoticedWhat the AI Visibility Industry Sells, and What the Evidence SaysBlack Tuesday: The Original ring-master.net Page, 2000Behind the Book: Peacekeeper, The Dissolution WarsBehind the Book: Real World SurvivalBehind the Book: Publish Your BookBehind the Book: ReincarnationBehind the Book: Sell Your BooksBehind the Book: Show Don’t Tell

William F. Walsh

William F. Walsh

William F. Walsh (December 20, 1961, Pottsville, Pennsylvania to March 15, 2017) was an American copy editor at The Washington Post and one of the working public voices of American newspaper copy editing in the early internet era. He spent more than twenty years on the Post copy desk and was, in the Post's own obituary, a witty authority on language, on grammar, on the working mechanics of clear newsroom writing, and on the working profession of copy editing itself.

His three books make the case for working copy editors and for clear American English usage. Lapsing into a Comma: A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print, and How to Avoid Them (Contemporary Books, 2000) is the working reference that established him as a public voice on grammar and usage. The Elephants of Style: A Trunkload of Tips on the Big Issues and Gray Areas of Contemporary American English (McGraw-Hill, 2004) extends the working argument with an emphasis on the gray areas where prescriptivists and descriptivists disagree. Yes, I Could Care Less: How to Be a Language Snob Without Being a Jerk (St. Martin's, 2013) brings working-copy-desk humor to the question of when and how to correct other people's English.

He founded The Slot (theslot.com) in August 1995, one of the earliest working web destinations for newspaper copy editors. He was a regular presenter at the annual conferences of the American Copy Editors Society (ACES), where he was widely cited as a working influence on the modern American copy-editing profession. He grew up in Madison Heights, Michigan, and Mesa, Arizona, attended Arizona State University, worked early in his career at the Phoenix Gazette and the Washington Times before joining The Washington Post in 1997, and died in 2017 at age fifty-five.