Latest
AI’s Black Box Is Getting a Window. Somebody Still Has to Look Through It“It Stars C. Thomas Howell. No.” Why AI Gets Stuck in a LoopShould You Query or Self-Publish Your Memoir If You’re Not Famous?Judge the Writing, Not the Tool: What the AI Pile-Ons Get WrongThiago Ferreira: Thinkers, Not DoersYana Semova: Let AI Do the AdminLisa Hamilton-Smith: Unstoppable, AI AssistedSuperman Day: The $130 Contract Behind the CapeRaymond Chandler Day: The Novelist Who Started at FiftyJohn Steinbeck Day: The Reporter Who Wrote the NovelInternational Translation Day: The Invisible AuthorsMaya Angelou Day: The Dare That Became a MemoirNational Podcast Day: The Interview Is the Raw MaterialKurt Vonnegut Day: The Book That Took Twenty YearsTell a Fairy Tale Day: The Stories Everybody EditedHarry Potter’s Birthday: The Book Twelve Publishers MissedHarper Lee Day: The Draft Her Editor Saw ThroughGene Roddenberry Day: The Pilot Who Pitched the StarsRoald Dahl Day: Six Pencils and a Grudge Against Grown-UpsInternational Literacy Day: The Readers Books LoseJack Kerouac Day: The Scroll and the Last AddressElmore Leonard Day: Leave Out the Part Readers SkipEncourage a Young Writer Day: The Adult Who Read the PagesBack to the Future Day: The Script Where Everything Pays OffNational Library Lovers Month: The Building a Town Pays ForAlice’s Day: The Story Told on a Rowing BoatRobert E. Howard Day: The Texan Who Built ConanStephen King Day: The Daily Two ThousandEmily Dickinson Day: The Poems in the DrawerIan Fleming Day: Two Thousand Words a MorningFyodor Dostoevsky Day: The Novels Written Against the ClockZora Neale Hurston Day: The Ear She TrainedF. Scott Fitzgerald Day: The Masterpiece That FloppedElmore Leonard’s 10 Rules of Writing, and Which Ones I BreakShould Your Novel Have a Prologue? When a Cold Open Earns Its Place“People Who Use AI Deserve to Be Castrated”: When the Sentence Outruns the CrimeHow Famous Memoirs Were Really Written: What the Collaborators DidThe Bell JarOpen: An AutobiographyBeneath a Scarlet SkyFlorida RoadkillCampus BattlefieldLifeThe Phone Book: The Curious History of the Book That Everyone Uses But No One ReadsThe Sage of SagittariusDid I Ever Tell You This?: A MemoirPa’anAmerican SoldierIt Doesn’t Take a HeroMake Your Bed: Little Things That Can Change Your Life…And Maybe the World

Twilight

Twilight
Published:January 1, 2008
ISBN:0316038377
Pages:544
ISBN:9780316038379
Share:

Buy Now

Description:

TL;DR

5/10. Twilight wasn’t for me, on the level of both writing style and subject matter, and I rate it a five, the floor of my scale. The rating comes with an honest qualification. This book is beloved by millions and sells enormously. The distance between my reaction and its readership is a matter of taste. I enjoy certain kinds of romance; this particular flavor simply wasn’t my cup of tea.

I’ll be straight about Twilight: it wasn’t for me, not even close.

Stephenie Meyer’s wildly popular vampire romance, in which teenager Bella falls for the brooding vampire Edward, became a global phenomenon and launched a franchise that millions of readers adore. I’m not one of them. I do like romance, certain kinds of it. The writing style and the subject matter here weren’t my cup of tea, and I bounced off the book hard.

That last point matters, so let me put it up front: this book has sold tens of millions of copies and is beloved, so my dislike is only a difference in taste.

Not my kind of book

The real core of my reaction is that the writing style and the subject matter didn’t work for me. The prose didn’t land, the central romance didn’t draw me in, and the whole sensibility of the book ran against my own preferences as a reader.

I do enjoy romance when it’s the kind that suits me, so this isn’t a blanket dismissal of the genre, it’s that this particular flavor of romance, the brooding, all-consuming teenage variety at the heart of Twilight, isn’t what I look for in a book. Where its many fans find swoon and intensity, I found a story I couldn’t connect with, and its popularity doesn’t change that it left me cold.

Keep reading

What different readers want from a romance: the matter of taste that divides readers on a book like this, in the craft of romance writing.

Watch: Twilight, Part 1 | FULL READ ALOUD | Stephanie Meyer Audiobook, JiJi Reads

A matter of taste

What keeps this from being a simple thumbs-down is the undeniable fact of the book’s success and the real love so many readers have for it. Twilight didn’t sell tens of millions of copies by accident. It delivers something powerful to its audience, an emotional experience and a romantic fantasy that grips a great many readers, even if it does nothing for me.

That gap, between my flat reaction and their devotion, is the clearest thing I can point to: it’s a vivid illustration of how much taste varies, and of how a book can fail completely for one reader while being exactly right for millions of others. My low rating is about my taste alone.

Keep reading

When a beloved book just isn’t for you: the real gap between a reader’s taste and a book’s huge audience, in how we judge what we read.

The real caveat on my own review

This is very much a personal reaction, and I’m aware of it. A book this popular obviously works for an enormous number of readers, and my disliking it says as much about me and my preferences as it does about the book. I’m not arguing that Twilight is objectively worthless, the market has thoroughly disproved that, only that it didn’t work for me, on the level of both style and subject.

A reader who loves intense, brooding romance, who connects with this kind of story and voice, may well find here exactly what I couldn’t, and they should weigh my reaction accordingly. I’m one reader with particular tastes, and on this book those tastes and the book’s were simply a poor match.

Is Twilight worth reading?

It’s a five, the floor of my scale, and I won’t pretend otherwise: Twilight wasn’t for me, on the level of both its writing style and its subject matter, and I couldn’t connect with it despite enjoying certain kinds of romance.

But the rating comes with an honest and important qualification, millions love this book, it sells enormously, and it clearly delivers a powerful experience to its audience, so the distance between my reaction and its devoted readership is a matter of taste instead of a claim of objective failure. For readers who love intense, brooding teenage romance, it may be exactly right; I simply didn’t enjoy it. One reader’s miss, and a vivid reminder of how much taste varies.

Explore the hub

The Entertainment Hub: popular fiction and the books readers either love or don’t, gathered in one place.

Frequently Asked Questions

What is Twilight about?
Twilight is Stephenie Meyer’s wildly popular vampire romance, in which teenager Bella Swan falls for the brooding vampire Edward Cullen. The book became a global phenomenon and launched a franchise that millions of readers adore. I read it for myself and found that the central romance and its brooding intensity didn’t draw me in the way it does for so many fans. Even though the story wasn’t to my taste, I can see why its combination of teenage longing and vampire mystery captured such a huge audience.
Why does Richard Lowe rate Twilight a five out of ten?
I rate Twilight a five because the book wasn’t for me, both in its writing style and its subject matter, and I couldn’t connect with the central romance the way so many readers do. Five is the floor of my own rating scale, so this reflects the strongest dislike I record for a book. This is an honest qualification instead of an objective verdict, since Twilight is beloved by millions and sells enormously. The gap between my flat reaction and its devoted readership comes down to taste. It says nothing about how well the book is made. I do enjoy certain kinds of romance, just not this particular brooding, all consuming teenage flavor.
Is Twilight a bad book?
That’s not what my rating claims. Twilight is beloved by millions and sells enormously. That thoroughly disproves any notion that it’s objectively worthless. My low rating reflects my personal taste, not a verdict that the book fails for everyone, because it clearly doesn’t.
Does Richard Lowe dislike romance generally?
No. I enjoy romance when it’s the kind that suits me, This particular flavor, the brooding, all-consuming teenage variety at the heart of Twilight, simply isn’t what I look for in a book.
Why does Richard Lowe bring up Twilight’s massive popularity in his low rated review?
I bring up Twilight’s popularity because it’s the fairest context for my low rating. The book has sold tens of millions of copies and clearly delivers a powerful emotional experience to a huge audience, even though it left me cold. Pointing out that gap between my reaction and the devotion of its readers shows that my rating is a matter of personal taste instead of an objective judgment of the book’s quality. It also reminds me, and any reader of my review, that a book can fail completely for one person while being exactly right for millions of others.
Should you read Twilight?
If you love intense, brooding romance and connect with that kind of story and voice, you may well find here what its millions of fans do, and what I couldn’t. If your tastes run as mine do, it may leave you cold. Weigh my reaction as one reader’s particular taste.

About the author

Stephenie Meyer

Stephenie Meyer

an American novelist and film producer. She is best known for writing the vampire romance series Twilight. Meyer was the bestselling author of 2008 and 2009 in the U.S. Meyer received the 2009 Children's Book of the Year award from the British Book Awards for Breaking Dawn, the Twilight series finale. Stephenie Morgan was born on December 24, 1973, in…

More about Stephenie Meyer

Back