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Moving Forward with Your Book: Three Clients Who Did

TL;DR: The decision to write a book is where most people get stuck. Not in the writing. Not in the editing. In the deciding. They think about it for months or years, weighing cost against benefit, wondering if they have enough to say, questioning whether anyone will read it. More on the people who talked themselves out of it. The book stays hypothetical because the decision never gets made. Here are three clients who finally moved forward, and what changed when they did.

What happened to three clients who wrote their books?

You don’t need to be a writer to have a book.
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After ghostwriting 54+ books, I can tell you that the clients who moved forward didn’t have fewer doubts than the ones who didn’t. They had the same fears, the same hesitations, the same questions about cost and time and whether it was worth it. They just decided to start anyway. Here are three of them and what happened after they did.

I’ve got a lot of sympathy for the doubt and very little for the stalling. Every month an expert spends deciding is a month their knowledge sits where nobody can use it, and I think the years people lose to deciding do more damage than any rough first draft ever could.

Clients tell me they’ll do it next year all the time. I tell them I’ll probably be booked by then, but if they want to wait, that’s their call. One told me he didn’t have the money for the book yet and wanted to do it later. I told him the best move was the Book Discovery Intensive. We’d do the interviews and write the outline now, and the book would be ready to go when he was.

He took it. As soon as we finished the Intensive, he went straight into the book, on a payment plan that let him start without paying much up front.

The Manager Who Broke Through

This client was a diligent manager stuck in his career. He had the expertise, the track record, and the industry knowledge, but he’d hit a ceiling. No amount of performance reviews or internal networking was moving him to the next level. He needed something that would reposition him entirely. We collaborated on a book that captured his industry insights and leadership philosophy. It was a strategic tool, built to show the depth of thinking his daily work couldn’t put on display. The book broke through the ceiling.

It led to speaking engagements he hadn’t been considered for before.

A university adopted it as a resource in their program. It became the credibility foundation that helped him secure funding for his own startup. The expertise was the same expertise he’d carried for years, and now the people who could act on it could read it, hold it and pass it along.

Too many capable managers sit under that same ceiling for a decade because their best thinking only exists in meetings. Companies promote what they can see, and a book puts that thinking in front of people who were never in the room.

The Entrepreneur Who Needed Investors

This client was entering a new business field and needed to establish credibility fast. He understood the industry deeply, had a clear vision for his company, and knew the opportunity was real. What he didn’t have was a track record in this space that investors could evaluate.

We expedited a ghostwriting project that encapsulated his industry understanding, his structure for the opportunity, and the insights that distinguished his approach from competitors. The book was a strategic argument for why this market was about to shift and why his company was positioned to capture the change.

The finished book raised his reputation in the field before his company had generated significant revenue.

Investors who read it came to meetings already understanding his thesis. Instead of spending the first 30 minutes of every pitch explaining his credibility, the book had done that work in advance. It portrayed him as a recognized expert and significantly improved his chances of securing the investment he needed.

Doris and the Dream Journal

From Conversations With Influencers

Keya Murthy has worked with roughly ten thousand clients over eighteen years, having come to the work after four years of personal crisis she frames as transformation. She told it on Conversations With Influencers.

Not every book is a business strategy. Doris had been keeping a dream journal for years, documenting vivid, strange, sometimes hilarious dreams that she’d always wanted to turn into a book. Career advancement and investor pitches had nothing to do with it. She had something she wanted to create, and she finally decided to do it.

Our collaboration lasted 16 months. Doris’s material was rich and personal, and the process of shaping dream journal entries into a coherent, entertaining book required patience and a real understanding of what made her dreams worth reading about. The result was “Gators in the Soup”, a book that exists because Doris stopped thinking about it and started doing it.

Doris wanted the book for herself, with no career goal attached, and I think that’s a perfectly legitimate reason to move forward. Plenty of people talk themselves out of a personal book because it won’t pay for itself. She didn’t, and now the book exists.

What objections almost stopped these clients from writing a book?

Every one of these clients had hesitations before they started. The same ones I hear from every prospective client.

Common objections to writing a book, answered
Objection What these clients found
“I’m not a writer.” None were. The client brings expertise, stories and voice; the ghostwriter brings craft.
“It costs too much.” The return came from the book as marketing foundation, not royalties.
“I don’t have time.” Their commitment was interviews, a few hours a month.
“My ideas aren’t unique enough.” Uniqueness comes from your combination of experience, perspective and voice.
“I’ll do it next year.” The Book Discovery Intensive gets interviews and outline done now.

“I’m not a writer.” None of them were. That’s the entire point of hiring a ghostwriter. The client provides the expertise, the stories, and the voice.

I provide the craft. What a book asks of the client is something worth saying, and every one of these three had that long before we started.

“I’m not a writer.” None of them were.

“It costs too much.” A ghostwritten book is a significant investment (my rate is on my ghostwriting services page). The manager’s book helped him launch a startup. The entrepreneur’s book helped him secure funding that dwarfed the cost of the manuscript. Doris got something money can’t easily buy: a lifelong dream fulfilled.

I tell clients up front that they’re very unlikely to earn the fee back by selling copies. The return comes when the book becomes the foundation of their marketing, the thing that gets them the talk, the meeting, the contract.

For these three clients, it came back that way. Any writer who promises you royalties will cover the cost is selling you a fantasy.

“I don’t have time.” The manager was running a department. The entrepreneur was building a company. Doris had a full life. None of them had spare months to sit down and write.

Their time commitment was the interviews: a few hours a month of conversation.

I handled the research, drafting, structure, and revision. The book got written around their schedules. The excuse I won’t accept is waiting until things calm down, because things don’t calm down for people like this, and the ones who wait for it are the ones whose books never exist.

“My ideas aren’t unique enough.” The manager’s leadership philosophy wasn’t revolutionary in isolation. But combined with his industry experience and his particular way of thinking about problems, it became a book no one else could have written. Uniqueness comes from your own combination of experience, perspective, and voice, and no one else has that combination.

What Happens When You Don’t Write Your Book?

What waiting costs when you do not write the bookProspective clients go through the whole consultation, understand exactly what the book could do for them, and then decide to wait. Some come back a year or two later and move forward. The ones who come back always say the same thing, which is that they wish they had started sooner. The opportunity cost of waiting is not dramatic and nobody career collapsed for lack of a book. But the speaking engagements, the investor conversations, the credibility and the personal satisfaction were all delayed by exactly as long as the wait, and the book they eventually wrote could have been working for them that entire time.What waiting actually costsNothing collapses. Everything just arrives later.1The decision to waitNothing bad happensNo career collapses for lack of a book2A year passes, or twoThe speaking engagements are delayedThe investor conversations are delayed3You startThe same book you would have written4You wish you had started soonerEveryone who comes back says thisThe book could have been workingfor you the whole timeThe cost is not dramatic. It is simply the whole delay, charged in full.
What waiting costs when you do not write the bookProspective clients go through the whole consultation, understand exactly what the book could do for them, and then decide to wait. Some come back a year or two later and move forward. The ones who come back always say the same thing, which is that they wish they had started sooner. The opportunity cost of waiting is not dramatic and nobody career collapsed for lack of a book. But the speaking engagements, the investor conversations, the credibility and the personal satisfaction were all delayed by exactly as long as the wait, and the book they eventually wrote could have been working for them that entire time.What waiting actually costsNothing collapses. Everything just arrives later.1The decision to waitNothing bad happensNo career collapses for lack of a book2A year passes, or twoThe speaking engagements are delayedThe investor conversations are delayed3You startThe same book you would have written4You wish you had started soonerEveryone who comes back says thisThe book could have been workingfor you the whole timeThe cost is not dramatic. It is simply the wholedelay, charged in full.
I’ve had prospective clients who went through the entire consultation process, understood exactly what their book could do for them, and then decided to wait. Some of them came back a year or two later and moved forward. Some of them didn’t. The ones who came back always said the same thing: they wished they’d started sooner.

The opportunity cost of waiting wasn’t dramatic. No one’s career collapsed because they didn’t write a book. But the speaking engagements, the investor conversations, the credibility boost, the personal fulfillment: all of that was delayed by however long they waited. The book they eventually wrote could have been working for them the entire time.

The ones who never came back, I don’t know their stories. But I know the book they talked about still doesn’t exist. And the expertise they wanted to share is still locked in their heads where no one else can access it.

My take

Books die on the excuse of waiting for things to calm down. Things don’t calm down for busy people, and the ones who wait are the ones whose books never exist. The three clients I describe here were busy people too, and they gave their books a few hours of interviews a month. Don’t write the book to earn the fee back in royalties. Write it to get the talk, the meeting and the contract. Decide, and book the first conversation.

That loss is the one that hurts most. Somebody spends thirty years learning a trade, and when they step away the knowledge goes with them, because the book stayed a plan.

The First Step

Moving forward with a book starts with a conversation. What do you know? Who needs to know it? What would the book do for your career, your business, or your life? Those questions have answers, and those answers become the foundation of the project.

If you’ve been thinking about your book for months or years, the thinking phase is over. The information you need to decide is available through a consultation. Reach out, and we’ll figure out together whether your book is ready to move forward. For more on what ghostwriting involves and how the process works, see What’s Ghostwriting? For how a book works as a business development tool, see How a Book Builds Your Brand Identity.

I’ve run out of patience with the idea that a book has to wait until you feel ready. The three clients in this piece didn’t feel ready either. They had the same doubts as the people who never called back, and the only thing separating the two groups is that one of them now has a book working for them every single day.

From the author
The Ghostwriting Advantage by Richard Lowe

The Ghostwriting Advantage
Ready to stop deciding and start? The Ghostwriting Advantage is my guide to getting your book written for you, drawn from 54+ ghostwritten books.

Frequently Asked Questions

How long does a ghostwritten book take once you decide to move forward?
Four to eight months from the first interview to a finished manuscript for most business books and memoirs. A legacy book written for family can run longer when the material needs careful shaping. When a business date is fixed, a rush schedule shortens it. How long ghostwriting takes explains which factors stretch or shrink a project.
How much time does a ghostwriting client need to commit?
Your primary commitment is the interviews, typically a few hours per month. You’ll also review chapters as they’re drafted and provide feedback. The ghostwriter handles research, writing, structure, and revision. The process is designed to work around your schedule.
What if I don’t know what my book should be about?
That’s what the consultation is for. Most clients have more material than they realize. The conversation identifies what you know, who needs to know it, and what structure would serve both your expertise and your audience. The book concept emerges from the discussion.
Is a book worth the investment if I’m not famous?
Most of the 54+ books I’ve ghostwritten were for people who weren’t famous. They were experts, entrepreneurs, and professionals whose books created the visibility they didn’t have before. The book doesn’t require fame. It builds it.

About the Author
Richard Lowe, professional ghostwriter

Richard Lowe is a professional ghostwriter and author with 113+ books authored and 54+ ghostwritten. Before writing full time he spent 33 years in enterprise technology, including 20 years as Director of Computer Operations and Technical Services at Trader Joe's. He writes nonfiction, fiction and memoir, and works with executives and experts on books that build authority.

More about Richard Lowe →

Disclaimer

The views and opinions expressed in this blog post are solely those of Richard Lowe and are based on personal experience and research. This content is for informational purposes only and should not be construed as professional legal, financial, accounting, or business advice. Always consult with qualified professionals before making important business or legal decisions. Richard Lowe is not a lawyer, accountant, or licensed professional advisor, and this content does not establish any professional relationship.

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