Latest
He Banned AI From His Writing Group. His Own Cover Got Called AI Slop.Who Writes the Fake Fan Mail Authors Get? Inside the Scam CompoundsSMS Appointment RemindersDarrell Stern: Stop Being Invisible, Become UnmissableJoe Rockey: Ghostwriting His BookFree BooksHow to Turn Your Expertise Into a Book People Want to Read | The Expert MethodWhat’s New at The Writing King: Week of October 25, 2026Challenger Remembrance Day: The Engineer Who Wouldn’t SignJoel Salomon: The Truth About MoneyReddit Is Putting Up a Login Wall. Wikipedia Won’t Be Far Behind.Victoria Chemko: The Body Is the First TechnologySir Patrick Stewart: A TributeA Year in the Bank: ADHD, Face Blindness and the Freedom to Walk Out | The Impossible Puzzles Show, Episode 326A Yale Economist Says We Won’t Be Missed. He Forgot the Bread Line.Walter Koenig: A TributeI Don’t Post Bad ARC Reviews. I Send the Author a Note.AI Has Paid Off Outside Tech. Apollo Is Reading the Wrong Scoreboard.The Little Red Book of Stuff That Works!Your Kids Are Your Own FaultGrow a PairYou’re Broke Because You Want to BeIt’s Called Work for a Reason!No Time for TactShut Up, Stop Whining, and Get a LifeWilliam Bessette: AI Enablement and Child Welfare TechnologyFree Book Planning ToolsWhat’s New at The Writing King: Week of October 18, 2026Ghostwriting by the Numbers: Timelines, Word Counts and the First CallPromising Young Woman (2020) ReviewBillions for AI, Pennies for the Plumbing: AI Companies Should Pay to Keep PHP AlivePHP2Shell: AI Found a 22-Year-Old Crack Under Your Website in Two DaysPetrov Day: The Officer Who Didn’t Believe the ComputerKindle Unlimited Is Now Kindle+. AI Audiobooks Just Joined the BuffetChina Is Using Bots to Fan the Data Center Backlash. The Backlash Is Still Real.The Society of Authors Signed an Ethical AI Charter, Then Ran From It in Eight DaysWhen to Quit Writing a Book: I’ve Abandoned Dozens, and I’d Do It AgainMo Gawdat Says the AI Dystopia Starts in 2027. Read the List, Skip the DatesGetty Images Filed for Bankruptcy. Can You Prove You Licensed Your Book’s Images?Fluff Words: Cut Them From Your Prose, Keep Them in Your DialogueWhere Can Writers Learn Storytelling From Movies? Richard Lowe Publishes 1,226 Film and TV Reviews With Writing Craft NotesWhere Are the Independent Bookstores and Public Libraries Worth Visiting in Tampa Bay? Author Richard Lowe Profiles 44 of ThemWhat Should You Know Before Hiring a Ghostwriter? The Writing King Publishes 57 New Answers, Including What to Do When It Goes WrongWhere Can You Hear Founders and Executives Tell Their Own Stories? Richard Lowe’s Leaders and Their Stories Publishes Every Unscripted Interview With a Full TranscriptAuthor Richard Lowe Publishes Eight Volumes of Enemies of You, a Researched Series on the Forces Working Against Ordinary AmericansThe Jackal (1997) ReviewThe Day of the Jackal (2024) ReviewYour First Novel Is an Apprentice Piece: What Beta Readers and Editors Can’t FixWhen the Cloud Gets Bombed: What the AWS Data Center Strikes Teach About BackupsHuman-Written Book Labels Are Gatekeeping With a Fee

Renni Browne

Renni Browne

Renni Browne is an American book editor and the co-author with Dave King of Self-Editing for Fiction Writers: How to Edit Yourself Into Print (HarperCollins, 1993; second edition 2004), one of the most influential and consistently in-print writing books of the past three decades. She founded The Editorial Department in 1980, the first major independent book-editing company in the United States, and retired in December 2023 after fifty-seven years editing fiction and nonfiction.

Her publishing career began at Time-Life Books as a copy editor, and she became a book editor at Charles Scribner's Sons in 1966. She moved to Stein and Day in 1968 as senior editor under Sol Stein and stayed seven years, during which she acquired and edited multiple New York Times bestsellers. She then served as senior editor at William Morrow before leaving mainstream publishing in 1978 because, as she has often said, in-house editors had stopped doing the deep, line-by-line work on manuscripts that had defined the craft. She founded The Editorial Department in 1980 to bring that working standard back, offering authors the kind of attention publishers used to routinely provide.

Self-Editing for Fiction Writers teaches working manuscript-level technique by example: show and tell, the working mechanics of dialogue mechanics, interior monologue and free indirect style, point of view, proportion, voice, sophistication, and the kinds of repetitive tics and weak habits that stop a promising draft from getting published. Each chapter pairs principles with rewritten passages drawn from the hundreds of manuscripts she and King edited at The Editorial Department, with over half of those manuscripts eventually published, and over half of those being first novels. Sol Stein called the book required annual reading for every working novelist; it has been in continuous print across multiple editions for more than thirty years.

She co-founded the Lost State Writers Conference, gave workshops and seminars around the country on self-editing, dialogue, and getting published, appeared as a writing commentator on NPR, and reviewed books for Kirkus, Library Journal, and Publishers Weekly. Although no longer actively editing, her standards and approach remain the foundation of The Editorial Department's work. She lives in Greeneville, Tennessee.