Body Trauma
When a character is shot, stabbed, or thrown from a car, what actually happens to the body, and how long do they have? A surgeon answers, with the treatment window and realistic odds of survival. Stronger than most crime references…
Tag: Fiction Writing (Page 35)
Book ReviewsCharacters, Emotion & Viewpoint
Three linked skills, character, emotion, and viewpoint, built around the idea that fiction lets a reader live inside another mind. Kress is exceptional on point of view's close, middle, and distant distinctions, and smart on tying character to plot through…
Book ReviewsHow to Write Realistic Zombies and Post-Apocalyptic Fiction
The most substantial of this author's genre booklets, with practical help on what post-apocalyptic fiction actually demands: collapsed-world building, survival logic, plotting, and the genre's clichés. Useful for a writer in that niche, held back by an overselling presentation and…
Book ReviewsHow to Write Realistic Characters
A forty-four-page primer covering the basics of believable characters: motivation, distinct personality, consistent behavior. A serviceable orientation for an absolute beginner, but too thin for anyone past that, oversold by its marketing voice, and quickly outgrown for the fuller character…
Book ReviewsNovel Shortcuts
Practical techniques for getting a high-quality first draft down fast, aimed squarely at the finishing problem that defeats so many novelists. Concrete and motivating for writers who stall or overthink, though the speed approach suits some temperaments more than others,…
Book ReviewsWriting the Intimate Character
A focused guide to deep character interiority, the techniques that let a reader inhabit a character instead of observe them. Built on the sound principle that intimacy with character is central to excellent fiction. Narrow in scope and overlapping the…
Book ReviewsThe Emotional Craft of Fiction
Maass takes on the skill writers most doubt can be taught, making a reader actually feel something, and treats it as learnable craft. The key insight is that moving a reader is not describing a feeling; it often demands restraint…
Book ReviewsStoryscaping
The title misleads: this is a corporate marketing book about brand storytelling, written by advertising executives, not a fiction-craft guide. Its one transferable idea is building an immersive world around your work. Useful to the author-entrepreneur focused on platform, off-target…
Book ReviewsDescription & Setting
How much description is too much, and when does setting stop serving the story? Rozelle answers by making both do work, mood, character, plot, grounding, through the telling detail instead of the exhaustive catalogue. Clear guidance on the hardest judgment…
Book ReviewsRevision And Self-Editing
A capable craft-and-revision primer whose best idea is treating revision as focused, layered passes instead of one impossible read-through. The catch is that specialists beat it on each side, sharper line-editing elsewhere, deeper plotting elsewhere. Solid, but hard to make…
Book ReviewsDialogue
A fine first book on dialogue, teaching that every line must earn its place, advancing plot, revealing character, carrying emotion, and giving subtext the depth it deserves. The single-author focus helps you learn the skill whole. Reliably useful for dialogue…
Book ReviewsPlot & Structure
Plot and structure are the most common stumbling blocks for new novelists, and Bell's book is one of the best fixes: clear, practical, and built around the memorably usable LOCK system. Example-rich, with tools for repairing broken plots. Best suited…