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Tag: Fiction Writing (Page 35)

The Book of PoisonsBook Reviews

The Book of Poisons

Poison is the most literary of murder weapons, quiet, premeditated, often untraceable, and this is arguably the standard reference for it: substances catalogued with the symptoms, timing, and detectability that make a poisoning believable and turn poison into plot. Held…

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Body TraumaBook Reviews

Body Trauma

When a character is shot, stabbed, or thrown from a car, what happens to the body, and how long do they have? A surgeon answers, with the treatment window and realistic odds of survival. Stronger than most crime references for…

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Write Great Fiction - Characters, Emotion & ViewpointBook Reviews

Characters, Emotion & Viewpoint

Three linked skills, character, emotion, and viewpoint, built around the idea that fiction lets a reader live inside another mind. Kress is exceptional on point of view's close, middle, and distant distinctions, and smart on tying character to plot through…

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How to Write Realistic CharactersBook Reviews

How to Write Realistic Characters

A forty-four-page primer covering the basics of believable characters: motivation, distinct personality, consistent behavior. A serviceable orientation for an absolute beginner, but too thin for anyone past that, oversold by its marketing voice, and quickly outgrown for the fuller character…

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Novel ShortcutsBook Reviews

Novel Shortcuts

Practical techniques for getting a high-quality first draft down fast, aimed squarely at the finishing problem that defeats so many novelists. Concrete and motivating for writers who stall or overthink, though the speed approach suits some temperaments more than others,…

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Writing the Intimate CharacterBook Reviews

Writing the Intimate Character

A focused guide to deep character interiority, the techniques that let a reader inhabit a character instead of observe them. Built on the sound principle that intimacy with character is central to excellent fiction. Narrow in scope and overlapping the…

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The Emotional Craft of FictionBook Reviews

The Emotional Craft of Fiction

Maass takes on the skill writers most doubt can be taught, making a reader feel something, and treats it as learnable craft. The key insight is that moving a reader is not describing a feeling; it often demands restraint and…

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StoryscapingBook Reviews

Storyscaping

The title misleads: this is a corporate marketing book about brand storytelling, written by advertising executives, not a fiction-craft guide. Its one transferable idea is building an immersive world around your work. Useful to the author-entrepreneur focused on platform, off-target…

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Write Great Fiction - Description & SettingBook Reviews

Description & Setting

How much description is too much, and when does setting stop serving the story? Rozelle answers by making both do work, mood, character, plot, grounding, through the telling detail instead of the exhaustive catalogue. Clear guidance on the hardest judgment…

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Revision And Self-EditingBook Reviews

Revision And Self-Editing

A capable craft-and-revision primer whose best idea is treating revision as focused, layered passes instead of one impossible read-through. The catch is that specialists beat it on each side, sharper line-editing elsewhere, deeper plotting elsewhere. Solid, but hard to make…

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Write Great Fiction - DialogueBook Reviews

Dialogue

A fine first book on dialogue, teaching that every line must earn its place, advancing plot, revealing character, carrying emotion, and giving subtext the depth it deserves. The single-author focus helps you learn the skill whole. Reliably useful for dialogue…

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